George and Weedon Grossmith's The Diary of a Nobody paints a detailed picture of life in 1892. Pooter's diary notes his daily business, parties, embarrassments, and his agitated relationship with son Lupin - a strikingly familiar world, brought to life by Keith Wickham, which provides continual amusement.
George and Weedon Grossmith were born in London into a theatrical family, and it was natural that they should both take up careers on the stage. Weedon initially studied art but later joined his brother, George, in the theatre.
The Diary of Nobody (1892) created a cultural icon, an English archetype. Anxious, accident-prone, occasionally waspish, Charles Pooter has come to epitomize English suburban life. His diary chronicles encounters with difficult tradesmen, the delights of home improvements, small parties, minor embarrassments, and problems with his troublesome son. The suburban world he inhabits is hilariously and painfully familiar in its small-mindedness and its essential decency.
"Hilarious and Suprebly Read"
Says Charles Pooter, "I fail to see - because I do not happen to be a 'somebody' - why my diary should not be interesting." Surprisingly, Mr. Pooter's life is fascinating! The fascination is two-fold: firstly, his astounding arrogance that we should care about his domestic trivia and narcissistic scribblings. Secondly, we can all sympathize with (and wince at!) this ridiculous slave to convention.