Over 50 great classic short stories, each around 20 minutes in length - perfect for short journeys, bedtime listening and those moments in between.... 'The Khitmatgar' by B. M. Croker, 'The Mummy of Thompson Pratt' by Charles John Cutcliffe Hyne, 'The Ghost at the Blue Dragon' by William J. Wintle, 'A Tropical Horror' by William Hope Hodgson, 'Miracles' by Barry Pain, 'The Dust That Was Barren' by P. C. Wren, 'His Unconquerable Enemy' by W. C. Morrow, 'A Tiger’s Skin' by W. W. Jacobs....
Forty breathtaking short stories of gripping adventures, secrets and strange conspiracies. 'The Dust That Was Barren' by P. C. Wren. 'The Deserter' by Stacy Aumonier. 'The Lighthouse on Shivering Sand' by J. S. Fletcher. 'The Secret of the Smoked Spectacles' by William Le Queux. 'The 39 Steps' by John Buchan. 'Three Pennyworth of Luck' by Basil Murray. 'The Secret of Dr. Vaux’s Intrigue' by William Le Queux. 'A Thread of Scarlet' by J. J. Bell. 'How I Became a Secret Agent' by Dr. A. K. Graves.
A shot rang out. The Arabs surged forward under a savage fusillade of heavy fire. Nearer and nearer they came, shouting with hate and blood-lust. Geste rushed up and down his side of the roof, pausing only long enough to load his rifle and fire into the shrieking mob below, hoping to trick the Arabs into believing the fort was heavily manned.
"Definitely a classic."
Here is a collection of spine-tingling ghost stories, read by Richard Pasco. They include "The Judge's House" by Bram Stoker, "The Upper Berth" by F. Marion Crawford, "Narrative of the Ghost of a Hand" and "To Be Taken with a Grain of Salt" by Charles Dickens, "The Tell-Tale Heart" by Edgar Allan Poe, "Gabriel-Ernest" by Saki, "The Furnished Room" by O. Henry, "My Own True Ghost Story" by Rudyard Kipling, "Lost Hearts" by M. R. James, "Called" by P.C. Wren, and more.
"Great Classic Ghost Stories with a Good Narrator!"
Three brothers of a well-to-do English family join the French Foreign Legion. This is an abridged staged performance of Beau Geste, starring Sir Laurence Olivier and Orson Welles.
"The Perfect Crime" is written in the first person: "I know I committed the perfect crime." Phoebe Wallowes, a well educated American woman, really irritates him. He also has a genuine terror that she will one day marry him. Something therefore has to be done.