Faye Longchamp has lost nearly everything, except for her quick mind and a grim determination to keep her ancestral home, Joyeuse, a moldering plantation. When the property taxes rise beyond her means, Faye sets out to save Joyeuse by digging for artifacts on her property and the surrounding national wildlife refuge and selling them on the black market. A tiny bit of that dead glory would pay a year’s taxes, and a big, valuable chunk of the past would save her home forever. But instead of potsherds and arrowheads, she uncovers a woman’s shattered skull, a Jackie Kennedy-style earring nestled against its cheek bone.
"Faye Longchamp ROCKS!!!"
Archaeologist Faye Longchamp-Mantooth has dug herself a deep hole, and she can't make her way out of it. As she struggles to recover from a shattering personal loss, she sees that everyone she loves is trying to reach out to her. If only she could reach back. Instead, she's out digging holes all over her home, the Florida island of Joyeuse.
"I Love This Series"
Faye Longchamp, back in school to pursue her archaeological aspirations, has landed a job as chief archaeologist for a rural development project, so she heads to the hills of Alabama with Joe, her Cherokee assistant. She’s looking forward to a legitimate dig and hopes to uncover the mystery of the Sujosa, an ethnic group of mysterious origin. The Sujosa have lived in Alabama’s most remote hills for centuries and have shown an impressive immunity to many diseases, including AIDS.
"Better Than the first"
Faye Longchamp is overjoyed to be paid to do archaeological work she would have done anyway - excavating a site that was once her family's. But that joy ends abruptly when intruders break into a dear friend's house and leave him dead among the scattered remains of Faye's artifacts.
"You Go! Mary Anna Evans"
Time is not on Faye Longchamp’s side. She and her husband Joe are working near the mouth of the Mississippi, researching archaeological sites soon to be swamped by oil. The Deepwater Horizon disaster has morphed her run-of-the-mill contract job into a task that might swamp her fledgling company. It isn’t helping that an injured babysitter has left Faye to work with a toddler underfoot.
"Mary Anna Eveans needs to write more!"
Archaeologist Faye Longchamp and her friend Joe Wolf Mantooth have traveled to Neshoba County, Mississippi, to help excavate a site near Nanih Waiya, the sacred mound where tradition says the Choctaw Nation was born. When farmer Carroll Calhoun refuses their request to investigate a nearby mound on his land, Faye and her colleagues are disappointed, but his next action breaks their hearts: He tries to bulldoze the huge relic to the ground. Faye and Joe rush to protect history - with their bodies, if necessary.
"No More for Me"
In New Orleans, the intersection between the past and the present is all too often deadly. Archaeologist Faye Longchamp and her excavating team are horrified when a corpse surfaces that's far too new to be an archaeological find. Faye and her fiancé, Joe Wolf Mantooth, are drawn into the investigation by a detective who believes their professional expertise is critical to the case.
Faye Longchamp doesn't believe in ghosts. But she's an archaeologist - dead people are her life. While working in Rosebower, a rural New York town founded by spiritualists, Faye is surrounded by people who talk to the dead on a regular basis. When the most influential spiritualist in town, Tilda Armistead, invites Faye and her project assistant to commune with the dead, she can't say no. An hour later, her crystal ball shows Faye things no rational mind can explain. Tilda is dead.
"Excellent addition to the series"
Faye Longchamp’s new archaeological firm has landed a project in St. Augustine, Florida. In four centuries, America’s oldest city has accumulated skeletons that should probably stay buried. Within a day of Faye’s arrival, a woman disappears, leaving behind blood, priceless artifacts, and a note asking for Faye’s help.
"I want to be like Faye"