The Brothers Karamazov tells the stirring tale of four brothers: the pleasure-seeking, impatient Dmitri; the brilliant and morose Ivan; the gentle, loving, and honest Alyosha; and the illegitimate Smerdyakov: shy, silent, and cruel. The four unite in the murder of one of literature's most despicable characters - their father. This was Dostoevsky's final and best work.
"Narration not to everyone's taste"
In this intense detective thriller instilled with philosophical, religious, and social commentary, Dostoevsky studies the psychological impact upon a desperate and impoverished student when he murders a despicable pawnbroker, transgressing moral law to ultimately "benefit humanity".
"Wonderful reading, disturbing book"
Fyodor Dostoevsky's Crime and Punishment is universally regarded as one of literature's finest achievements, as the great Russian novelist explores the inner workings of a troubled intellectual. Raskolnikov, a nihilistic young man in the midst of a spiritual crisis, makes the fateful decision to murder a cruel pawnbroker, justifying his actions by relying on science and reason, and creating his own morality system. Dehumanized yet sympathetic, exhausted yet hopeful, Raskolnikov represents the best and worst elements of modern intellectualism. The aftermath of his crime and Petrovich's murder investigation result in an utterly compelling, truly unforgettable cat-and-mouse game. This stunning dramatization of Dostoevsky's magnum opus brings the slums of St. Petersburg and the demons of Raskolnikov's tortured mind vividly to life.
Prince Myshkin, is thrust into the heart of a society more concerned with wealth, power, and sexual conquest than the ideals of Christianity. Myshkin soon finds himself at the center of a violent love triangle in which a notorious woman and a beautiful young girl become rivals for his affections. Extortion, scandal, and murder follow, testing the wreckage left by human misery to find "man in man."
"Intense and painfully sad"
Just two years after completing Crime and Punishment, which explored the mind of a murderer, Fyodor Dostoevsky produced another masterpiece: The Idiot. This time the author portrays a truly beautiful soul and one of Dostoevsky's greatest characters---Prince Muishkin, a saintly, Christ-like, yet deeply human figure. The story begins when Muishkin arrives on Russian soil after a stay in a Swiss sanatorium.
"Not a light novel, but certainly worthwhile"
A predecessor to such monumental works as Crime and Punishment and The Brothers Karamazov, Notes from the Underground represents a turning point in Fyodor Dostoevsky's writing toward the more political side. In this work, we follow the unnamed narrator of the story, who, disillusioned by the oppression and corruption of the society in which he lives, withdraws from that society into the underground.
In The Idiot, Prince Myshkin possesses a childlike innocence and trusting nature that leave him vulnerable to abuse by those around him. Returning to St. Petersburg to collect an inheritance, Myshkin realizes he is a stranger in a society obsessed with wealth, manipulation and power.
Exiled to four years in Siberia, but hailed by the end of his life as a saint, prophet, and genius, Fyodor Dostoevsky holds an exalted place among the best of the great Russian authors. One of Dostoevsky’s five major novels, Devils follows the travails of a small provincial town beset by a band of modish radicals - and in so doing presents a devastating depiction of life and politics in late 19th-century Imperial Russia.
"Excellent translation and narration"
A predecessor to such monumental works such as Crime and Punishment and The Brothers Karamazov, Notes From Underground represents a turning point in Dostoyevsky's writing towards the more political side.
In this work, we follow the unnamed narrator of the story, who, disillusioned by the oppression and corruption of the society in which he lives, withdraws from that society into the underground.
"Awful hero, great narrator"
The book probes the possible roles of four brothers in the unresolved murder of their father, Fyodor Karamazov. At the same time, it carefully explores the personalities and inclinations of the brothers themselves. Their psyches together represent the full spectrum of human nature, the continuum of faith and doubt. Ultimately, this novel seeks to understand the real meaning of faith and existence and includes much beneficial philosophical and spiritual discussion that moves the reader towards faith.
"An expert abridgement"
The Brothers Karamazov is the final novel by the Russian author Fyodor Dostoevsky and is generally considered the culmination of his life's work. Published in November 1880, Dostoevsky spent nearly two years writing the novel set in 19th-century Russia. Fydor Karamazov, a mean and disreputable landowner, has three sons, Dmitry, a profligate army officer; Ivan, a writer with revolutionary ideas; and Alexey, a religious novice.
"The Brothers Karamozov"
A father's murder sets the stage for a riveting tale of intrigue and passion that also explores profound issues of faith and ethics. This classic novel - considered Dostoevsky's finest work - tells the story of crazed landowner Fyodor Karamazov and his four sons - Dmitry, Ivan, Alyosha, and the illegitimate Smerdyakov. Fyodor's murder sets the stage for a complex tangle of moral and ethical struggles that involve patricide, betrayal, sacrifice, and glory.
Dostoevsky studied human nature with passion and precision. He plumbed the depths and never winced at what he found, even when it was beyond his understanding. This extraordinary novel is a recital of his findings, told in the story of four brothers: Dimitri, pleasure-seeking, impatient, unruly; Ivan, brilliant and morose; Alyosha, gentle, loving, honest; and the illegitimate Smerdyakov, sly, silent, cruel. What give this story its dramatic grip is the part these brothers play in their father's murder.
"This book is one of the reasons I joined Audible!"
From renowned translators Richard Pevear and Lindsay Volokhonsky comes a new translation - certain to become the definitive version - of the first great prison memoir, a fictionalized account of Fyodor Dostoevsky's life-changing penal servitude in Siberia.
"FYODORange is the New Black"
This is the story of Yakov Petrovich Golyadkin, a government clerk who believes that a fellow clerk has taken over his identity and is determined to bring about his ruin. Considered the most Gogolesque of Dostoevsky's works, the novella brilliantly depicts Golyadkin's descent into madness in a way that is hauntingly poetic. The Double illustrates Dostoevsky's uncanny ability at capturing the complexity of human emotion, especially the darker side of the human psyche.
"Brat'ya Karamazovy" - posledniy roman Dostoevskogo, kotoryy avtor pisal dva goda. Roman zadumyvalsya kak pervaya chast' ehpicheskogo proizvedeniya "Istoriya Velikogo greshnika". Proizvedenie bylo okoncheno v noyabre 1880 goda. Roman "Brat'ya Karamazovy" vklyuchaet v sebya slozhnuyu, otlichno vystroennuyu i psihologicheski vyverennuyu detektivnuyu istoriyu, pri ehtom v kanve detektivnogo syuzheta obyknovennoe (na pervyy vzglyad) ugolovnoe proisshestvie ne tol'ko spletaetsya s istoriey lyubovnogo sopernichestva, no i vstraivaetsya v obshchuyu kartinu sovremennogo Dostoevskomu obshchestva.
This magnificent novel is about the murder of a miserly, aged pawnbroker and her younger sister by a radical, destitute St. Petersburg student named Raskolnikov, and the emotional, mental, and physical effects that follow. It is a remarkable masterpiece about a man's turbulent inner life and his relationship to others and to society at large. Dostoevsky explored the human condition on many levels in this great piece, and among the main themes the novel explores is the rather strange theory that criminals have a spiritual need to be punished - that indeed they demand it.
A predecessor to such monumental works as Crime and Punishment and The Brothers Karamazov, Notes From Underground represents a turning point in Dostoevsky's writing towards the more political side. In this work we follow an unnamed narrator who is disillusioned by the oppression and corruption of the society in which he lives and withdraws into the underground. Notes from the Underground shows Dostoevsky at his best.
"Really good performance"
White Nights is a short story by Fyodor Dostoevsky that was published in 1848. Set in St. Petersburg, this is the story of a young man fighting his inner restlessness. A light and tender narrative, it delves into the torment and guilt of unrequited love. Both protagonists suffer from a deep sense of alienation that initially brings them together. A blend of romanticism and realism, the story appeals gently to the senses and feelings.
A desperate young man plans the perfect crime - the murder of a despicable pawnbroker, an old woman no one loves and no one will mourn. Is it not just, he reasons, for a man of genius to commit such a crime - to transgress moral law - if it will ultimately benefit humanity? So begins one of the greatest novels ever written: a powerful psychological study, a terrifying murder mystery, and a fascinating detective thriller infused with philosophical, religious, and social commentary.
"Crime was punishment"