Dr Aziz is a young Muslim physician in the British Indian town of Chandrapore. One evening he comes across an English woman, Mrs Moore, in the courtyard of a local mosque; she and her younger travelling companion Adela are disappointed by claustrophobic British colonial culture and wish to see something of the 'real' India. But when Aziz kindly offers to take them on a tour of the Marabar caves, the trip results in a shocking accusation that throws Chandrapore into a fever of racial tension.
Lucy Honeychurch and her older cousin, Miss Bartlett, tour Italy in the springtime. However, the pension they are staying at may as well be in London. The proprietress speaks a London cockney, the meat is overdone, and their windows give them a view of dirty alleys. However, when the socially clumsy Mr. Emerson offer to exchange rooms, this does anything but remedy the situation. You see, nobody knows what to make of the Emersons. It's so hard to know how to respond to people who speak the truth.
"very good read"
Maurice is born into a privileged way of life, conforming to social conventions, yet he finds himself increasingly attracted to his own sex. Through Clive, a Cambridge friend, and Alec, the gamekeeper, he experiences a sexual awakening.
"Finally!!! It's past time!"
In this piece of social comedy, E. M. Forster is concerned with one of this favourite themes: the 'undeveloped heart' of the English middle classes, who are here represented by a group of tourists and expatriates in Florence.
"One Italian Spring"
This story describes a world of the future in which humans all remain in their cubicles while all their needs are met by a supercomputer called, "The Machine". They communicate with each other and attend "online" classes and meetings through the Machine and people seldom meet face to face. A problem arises when one man, Kuno, decides he is not satisfied with staying in his room and decides to explore outside.
Lucy Honeychurch, accompanied by her vigilant guardian, Charlotte Bartlett, makes her first foray into the world, touring Italy and discovering a country very different to the English countryside she was brought up in.
E.M. Forster's Howards End is a vivid portrait of London's golden age, before World War I forever changed its values and culture. Forster brings the great city's upper classes to life, detailing their grandiose spending habits, popular fads, Monet and Debussy, the rise of feminism, and the beginnings of urbanization. More than a mere idealization of pre-war London, Howards End provides insightful commentary on the rapid societal changes that occurred at the onset of the 20th century. Masterfully blending the stories of three vastly different groups of people - the independently wealthy, educated Schlegels; the nouveau riche Wilcoxes; and the ambitious but struggling Leonard Bast - Forster weaves a wonderfully rich, unforgettably poignant novel.
"very poor recording"
A vibrant portrait of Edwardian England, Howards End examines personal relationships and conflicting values. The Schlegel sisters, Margaret and Helen, and their brother, Tibby, place their values in civilized living, music, literature, and conversation with their friends. The Wilcoxes, Henry and his children Charles, Paul, and Evie, are concerned with the business side of life and distrust emotions and imagination.
Lucy Honeychurch, an upper middle class girl, and her cousin, Charlotte, travel from England to Italy on vacation. While on the trip, the two women share a guest house with a man and his son George Emmerson. After switching rooms to offer the women a better view overlooking the scenic river, the Emmersons and Honeychurches get to know each other better. Mr. Emmerson suggests that Lucy and George may be a good match for each other.
English widow Lilia causes a scandal by marrying Gino, a highly unsuitable Italian 12 years her junior. But when her relatives are confronted by the beauty of Italy and the charm of Gino, they are forced to examine their own narrow lives.
Howards End is a beautifully subtle tale of two very different families brought together by an unusual event. The Schlegels are intellectuals, devotees of art and literature. The Wilcoxes are practical and materialistic, leading lives of "telegrams and anger". When the elder Mrs. Wilcox dies and her family discovers she has left their country home - Howards End - to one of the Schlegel sisters, a crisis between the two families is precipitated that takes years to resolve.
"Good story. Poor production."
This Edwardian social comedy explores love and prim propriety among an eccentric cast of characters assembled in an Italian pensione and in a corner of Surrey, England. A charming young Englishwoman, Lucy Honeychurch, faints into the arms of a fellow Britisher when she witnesses a murder in a Florentine piazza. Attracted to this man, George Emerson---who is entirely unsuitable and whose father just may be a Socialist - Lucy is soon at war with the snobbery of her class and her own conflicting desires.
E. M. Forster's first novel is a witty comedy of manners that is tinged with tragedy. It tells the story of Lilia Herriton, who proves to be an embarrassment to her late husband's family as, in the small Tuscan town of Monteriano, she begins a relationship with a much younger Italian man - classless, uncouth, and highly unsuitable. A subtle attack on Edwardian values and a humanely sympathetic portrayal of the clash of two cultures, Where Angels Fear to Tread is also a profound exploration of character and virtue.
"Stephen Fry + E.M. Forster = Audio Kismet"
At the heart of Forester's masterpiece lie two families: the wealthy and business-minded Wilcoxes and the cultured and idealistic Schlegels. When the beautiful and independent Helen Schlegel begins an impetuous affair with the ardent Paul Wilcox, a series of events is sparked: some very funny, some very tragic, that results in a dispute over who will inherit Howards End, the Wilcoxes' charming country home.
"Something's Missing in this Abridged Version"
Adela Quested travels to India with her chaperone Mrs Moore, on the premise of deciding whether to marry Mrs Moore's son Ronny Heaslop, the city magistrate. Finding her India very disappointingly English, Adela jumps at the chance the two women are given to travel to the distant Marabar caves with Aziz, a charismatic young Indian Doctor. When Adela is subjected to an attempted assault in one of the caves, Dr. Aziz is arrested and tried in court.
"Exquisite reading, draws the listener in."
E. M. Forster provides a view of the future from 1909. He comes alarmingly close. Humanity has lost the ability to live above ground, but they communicate magnificently through the Machine. As a matter of fact the Machine handles just about everything, taking the freedom of choice, or the need to choose away from humankind. But when the machine breaks, can humanity survive?
In this searching tragicomedy of manners, personalities, and world views, E.M. Forster explores the "idea of England" he would later develop in Howards End. Bookish, sensitive, and given to wild enthusiasms, Rickie Elliot is virtually made for a life at Cambridge, where he can subsist on a regimen of biscuits and philosophical debate.
"Forster, not at his best"
Set in Italy and England, this is a rich and romantic story of Lucy Honeychurch and the choice she must make between love and convention.
"More Funny, Beautiful, and Moving than the Movie"
This brilliant novel depicts cultural clashes between a middle-class English family and a penniless Italian. His marriage to a young widow from Sawston leads to a tumultuous situation within the family.
E. M. Forster’s first novel explores the comic and tragic effects of culture clash between insular, provincial British personalities and sensual Italian culture and atmosphere. Lilia Herriton, an impulsive 33-year-old widow from London, travels to Tuscany, where she falls in love with both Italy and the handsome, carefree Gino Carelli, a dentist’s son 12 years her junior. When news reaches the snobbish Herriton family that Lilia intends to marry again, this time to an unsuitable Italian, the domineering Mrs. Herriton sends her son, Philip, to prevent the catastrophe - but he arrives too late.