Showing results by narrator "Stephen Briggs" in All Categories

Arch-swindler Moist von Lipwig never believed his crimes were hanging offenses, until he found himself with a noose around his neck, dropping through a trap door, and falling into...a government job? Getting the moribund Postal Service up and running again, however, may be an impossible task. Worse, the new Postmaster could swear the mail is talking to him.

Commander Sam Vimes of the Ankh-Morpork City Watch will be damned if he lets anyone disturb his city's always tentative peace, and that includes a rabble-rousing dwarf from the sticks who's been stirring up trouble on the eve of the anniversary of one of Discworld's most infamous historical events.

Football has come to the ancient city of Ankh-Morpork - not the old-fashioned, grubby pushing and shoving, but the new, fast football with pointy hats for goalposts and balls that go gloing when you drop them. And now, the wizards of Unseen University must win a football match, without using magic, so they're in the mood for trying everything else.

The Ankh-Morpork Post Office is running like...well, not at all like a government office. The mail is delivered promptly. Postmaster General Moist von Lipwig, former arch-swindler and confidence man, has exceeded all expectations - including his own. So it's somewhat disconcerting when Lord Vetinari summons Moist to the palace and asks, "Tell me, Mr. Lipwig, would you like to make some real money?"

At nine, Tiffany Aching defeated the cruel Queen of Fairyland. At 11, she banished an ancient body-stealing evil. At 13, Tiffany faces a new challenge: a boy. And boys can be a bit of a problem when you're 13. But the Wintersmith isn't exactly a boy. He is winter itself.

The new Discworld novel, the 40th in the series, sees the Disc's first train come steaming into town. Change is afoot in Ankh-Morpork. Discworld's first steam engine has arrived, and once again Moist von Lipwig finds himself with a new and challenging job.

Tiffany Aching, the boldest heroine ever to swing a frying pan against the forces of evil, is beginning her apprenticeship in magic. She expects to work hard, learn spells, and become a witch. She doesn't expect to find herself doing chores, caring for the careless, and trying to outthink an ill-tempered nanny goat. There must be more to witchcraft than this!

Armed only with a frying pan and her common sense, Tiffany Aching, a young witch-to-be, is all that stands between the monsters of Fairyland and the warm, green Chalk country that is her home. Forced into Fairyland to seek her kidnapped brother, Tiffany allies herself with the Chalk's local Nac Mac Feegle, aka the Wee Free Men, a clan of sheep-stealing, sword-wielding, six-inch-high blue men who are as fierce as they are funny.

In the small country of Borogravia, there are strict rules citizens must follow. Women belong in the kitchen—not in offices, pubs, nor pants. And certainly not on the front lines when war comes to Discworld. Polly Perks took over running her family’s humble inn when her brother, Paul, marched off to war. But it’s been more than two months since his last letter home, and the news from the front is bad. To find her missing brother, the resourceful Polly cuts off her hair and joins the army as a young man named Oliver.

Sam Vimes is on a well-deserved holiday. But for the commander of the City Watch, a vacation in the country is anything but relaxing. The balls, the teas, the muck - not to mention all that fresh air and birdsong - are more than a bit taxing on a cynical city-born and -bred copper. Yet a policeman will find a crime anywhere if he decides to look hard enough, and it’s not long before a body is discovered, and Sam - out of his jurisdiction, out of his element, and out of bacon sandwiches (thanks to his well-meaning wife) - must rely on his instincts, guile, and street smarts to see justice done.

A Blink of the Screen charts the course of Pratchett's long writing career: from his schooldays through to his first writing job on the Bucks Free Press and the origins of his debut novel, The Carpet People, and on again to the dizzy mastery of the phenomenally successful Discworld series.

To the thousands of tiny nomes who live under the floorboards of a large department store, there is no outside. Things like day and night, sun and rain are just daft old legends. Then a devastating piece of news shatters their existence: the Store, their whole world, is to be demolished.

Roundworld is in trouble again, and this time it looks fatal. Having created it in the first place, the wizards of Unseen University feel vaguely responsible for its safety. They know the creatures that lived there escaped the impending Big Freeze by inventing the space elevator - they even intervened to rid the planet of a plague of elves, who attempted to divert humanity onto a different time track. But now it's all gone wrong - Victorian England has stagnated, and the pace of progress would embarrass a limping snail.

In the 'fantasy' universe of the phenomenally bestselling Discworld series, everything runs on magic and common sense. The world is flat and million-to-one chances happen nine times out of ten. Our world seems different - it runs on rules, often rather strange ones. Science is our way of finding out what those rules are. The appeal of Discworld is that it mostly makes sense, in a way that particle physics does not.

A bright new dawn is just around the corner for thousands of tiny nomes when they move into the ruined buildings of an abandoned quarry. Or is it?

Tiffany Aching has spent years studying with senior witches, and now she is on her own. As the witch of the Chalk, she performs the bits of witchcraft that aren't sparkly, aren't fun, don't involve any kind of wand, and that people seldom ever hear about: She does the unglamorous work of caring for the needy. But someone - or something - is igniting fear, inculcating dark thoughts and angry murmurs against witches.

Deep in the Chalk, something is stirring. The owls and the foxes can sense it, and Tiffany Aching feels it in her boots. An old enemy is gathering strength. This is a time of endings and beginnings, old friends and new, a blurring of edges and a shifting of power. Now Tiffany stands between the light and the dark, the good and the bad. As the fairy horde prepares for invasion, Tiffany must summon all the witches to stand with her. To protect the land. Her land.

Finding himself alone on a desert island when everything and everyone he knows and loved has been washed away in a huge storm, Mau is the last surviving member of his nation. He's also completely alone - or so he thinks until he finds the ghost girl. She has no toes, wears strange lacy trousers like the grandfather bird and gives him a stick which can make fire. Daphne, sole survivor of the wreck of the Sweet Judy, almost immediately regrets trying to shoot the native boy.

A delightfully funny, fantastically inventive collection of twenty unearthed short stories by Sir Terry Pratchett, the award-winning and bestselling author and creator of the phenomenally successful Discworld fantasy series. These rediscovered tales were written by Terry Pratchett under a pseudonym for British newspapers during the 1970s and 1980s. The stories have never been attributed to him until now, and might never have been found—were it not for the efforts of a few dedicated fans.

The Globe goes beyond science to explore the development of the human mind. Terry Pratchett and his acclaimed co-authors Ian Stewart and Jack Cohen combine the tale of the wizards rewriting human history with discussions of the origins and evolution of culture, language, art, and science, offering a fascinating and brilliantly original view of the world we live in.