Showing results by author "Maurice Broaddus" in All Categories

From his early days as a Baltimore cop to his time with the Department of Military Sciences and then more recently leading Rogue Team International, these stories cover the range of the Ledger timeline bringing back old favorites and introducing new ones. The stakes are as high as ever, and Joe Ledger is there to save the day!

Thelonius Mitchell is tired of being labeled. He’s in special ed, separated from the “normal” kids at school who don’t have any “issues”. That’s enough to make all the teachers and students look at him and his friends with a constant side-eye. (Although his disruptive antics and pranks have given him a rep, too.) When a gun is found at a neighborhood hangout, Thelonius and his pals become instant suspects. Thelonius may be guilty of pulling crazy stunts at school, but a criminal? T isn’t about to let that label stick.

Marvel Studios’ Black Panther has become more than just a movie—it has shaped conversations about art, culture, science fiction, representation, justice, fashion, comics, creativity, and so much more. Celebrate the legacy of the film with this collection of all-new personal essays and reflections that shed light on its monumental impact, including firsthand stories from artists involved in the film, cultural analysis from journalists and academics, and thoughtful insights from writers and comics legends.

Featuring all-new tales of dark fantasy, cosmic horror, supernatural revenge, and the sorcery of terror from masters of the craft, this issue includes stories and poems by Alma Katsu, Heather Graham, Maurice Broaddus, Fran Wilde, Priya Sharma, Anne Walsh, Yvonne Navarro, Jake Bible, Gabrielle Faust, and Christina Sng.

All the poet called Sleepy wants to do is spit his verses, smoke chiba, and stay off the COP’s radar—all of which becomes impossible once he encounters a professional protestor known as (120 Degrees of) Knowledge Allah. They soon find themselves on the wrong side of local authorities and have to elude the powers that be.

From the drug gangs of downtown Indianapolis, the one true King will arise. The King Arthur myth gets dramatically replayed through the destiny of street hustler King, as he tries to unite the crack dealers, gangbangers, and the very real monsters lurking amongst them, to do the right thing. This is an edgy, fantastical debut, genuinely unlike anything you've ever read before.

The Muungano empire strived and struggled to form a utopia when they split away from old earth. Freeing themselves from the endless wars and oppression of their home planet in order to shape their own futures and create a far-reaching coalition of city-states that stretched from Earth and Mars to Titan. With the wisdom of their ancestors, the leadership of their elders, the power and vision of their scientists and warriors they charted a course to a better future. But the old powers could not allow them to thrive and have now set in motion new plots to destroy all that they've built.

Bella “Unfadeable” Fades is determined to stay out of trouble. A wiser-than-her-years graffiti artist known for tagging walls and bridges in her Indianapolis neighborhood, the Land, Bella plans to spend her summer break laying low and steering clear of anyone who might tip off to social services that she’s living on her own. But keeping a low profile is all but impossible when Bella discovers people in high places are trying to defund the Land. She has to find a way to fight back.

Spurred on by ever-more-urgent visions by his mystic advisor, Merle, King attempts to unite the warring gangs. But the knights of Breton Court are assailed on all sides by greed, temptation, and some very real monsters. But worse, there is betrayal from within King’s innermost circle.

King has been betrayed, but he has no time to lick his wounds – he has to draw his people together to fight the ultimate foe in this conclusion to the stunning Knights of Breton Court trilogy.

There is an African proverb, “Se wo were fi na wosankofa a yenkyi,” which translates as “It is not wrong to go back for that which you have forgotten.” This is why we continue to remember the tales of struggle and tales of perseverance, even as we look to tales of hope. What a people choose to remember about their past, the stories they pass down, informs who they are and sets the boundaries of their identity. We remember the pain of our past to mourn, to heal, and to learn. Only in that way can we ensure the same mistakes are not repeated.