• Divergent

  • By: Veronica Roth
  • Narrated by: Emma Galvin
  • Length: 11 hrs and 11 mins
  • 4.4 out of 5 stars (37,814 ratings)

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Divergent  By  cover art

Divergent

By: Veronica Roth
Narrated by: Emma Galvin
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Editorial reviews

It is a very rare thing to witness the beginning of a writer’s career and know without a doubt that the first little book is going to launch a worldwide craze, a la J.K. Rowling or Stephenie Meyer. Such is the terrifying yet enviable position of Veronica Roth, who sold this debut novel to a HarperCollins imprint before she even finished college. She also sold the film rights to Summit Entertainment, owner of the Twilight film saga, on the strength of pre-publication buzz alone. The first in a planned series, Divergent is beyond question the best thing to happen to young adult literature in a very long time. More realistic than Harry Potter and less moony-eyed than Twilight, Roth has crafted a world and a protagonist that are easily engrossing and definitely worthy of our long-term attention.

Part of the credit for such charm belongs to narrator Emma Galvin, herself somewhat a newcomer. The young upstart has already garnered praise for her interpretations of Winter’s Bone, the first book spin-off from the Glee television series, and Stephenie Meyer’s recent novella. Galvin is genuinely edgy and emotive, not a trace of sugar to be found in the dialogue or her rendering of it. She captures the bold but conflicted spirit of the main character, Tris, with convincing personality and a real sensibility for the fast-pacing learning curve into which Tris launches the year she turns 16. After being raised in a clan whose primary characteristic is its devotion to selflessness, Tris defects, choosing a life of bravery from among the five factions that comprise her dystopic Chicago. She must pledge the faction, and go through several rounds of training eliminations before becoming a true Dauntless.

Tris is a complex, down-to-earth character with a lot of soul searching to do in a clan where hobbies include jumping from moving trains and tossing knives at small objects resting on the heads of friends, and there are no second chances. Veronica Roth has built a remarkable situation with strong potential for a longevity that will remain fresher than the sum of its parts, and Emma Galvin has this bull of a new series firmly by the horns. This book is confidently going places far beyond the fanatical mindlessness of young adult marketing, and in a hot minute, grownups will not have to feel one iota of shame for having fallen in love with it alongside their less discerning teenagers. Megan Volpert

Publisher's summary

In Beatrice Prior's dystopian Chicago, society is divided into five factions, each dedicated to the cultivation of a particular virtue - Candor (the honest), Abnegation (the selfless), Dauntless (the brave), Amity (the peaceful), and Erudite (the intelligent). On an appointed day of every year, all sixteen-year-olds must select the faction to which they will devote the rest of their lives. For Beatrice, the decision is between staying with her family and being who she really is - she can't have both. So she makes a choice that surprises everyone, including herself.

During the highly competitive initiation that follows, Beatrice renames herself Tris and struggles to determine who her friends really are - and where, exactly, a romance with a sometimes fascinating, sometimes infuriating boy fits into the life she's chosen. But Tris also has a secret, one she's kept hidden from everyone because she's been warned it can mean death. And as she discovers a growing conflict that threatens to unravel her seemingly perfect society, she also learns that her secret might help her save those she loves.... or it might destroy her.

Debut author Veronica Roth bursts onto the literary scene with the first book in the Divergent series - dystopian thrillers filled with electrifying decisions, heartbreaking betrayals, stunning consequences, and unexpected romance.

©2011 Veronica Roth (P)2011 HarperCollins Publishers

Critic reviews

"Though Galvin’s narration is concentrated on giving Tris the perfect voice, she never neglects the secondary characters. Poignant moments with Tris’s mother and Four, her leader and love, are subtly nuanced to let listeners hear the terror Tris often hides.... listeners will hold their breath waiting to see if she can survive the day." ( AudioFile)

Featured Article: Veronica Roth's Divergent Series, Explained


Divergent is a dark and thrilling young adult sci-fi series from best-selling author Veronica Roth. It's set in a post-apocalyptic Chicago that has separated its population into five Factions, each defined by a given set of values, personality traits, and social affiliations. In the series, we follow Tris. She receives inconclusive results and is labeled "Divergent." She is warned to never tell anyone, but she starts to question the whole Faction system.

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What listeners say about Divergent

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great story and performance

I absolutely love this series. I have listened to it multiple times and imagine I will again. the reader does a fantastic job of capturing the characters and moods.

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    5 out of 5 stars
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This book is a must read

You cannot compare this book to any other book..the entire series is a must read. The narrator is not my favorite personally, but her voices are amazing! I recommend this book to anybody that enjoys dystopian novels.

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  • Overall
    5 out of 5 stars
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Use contractions?

Great story, but Galvin’s inability to use contractions-especially in tense moments- reminds me of the ensemble gamblers from Guys and Dolls. It is annoying, see. I do not like it.

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  • Overall
    5 out of 5 stars
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This one is a favorite

I’ve listened through the book beginning to end 3 times, but I have book marked chapters and scenes all throughout that go back to all the time. It is a YA love story at its core, but the trials and growth the protagonist goes through are pretty intense. I haven’t read the others because this ended in a way that I felt it was a stand alone. Hint: if you read this one and then read “Four” starting at about chapter 12, it meshes beautifully.

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  • Overall
    5 out of 5 stars
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LOVE

This is such a well written book!! The narration is great!! I’ve listened more times than I can count & love it every time.

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Solid story

I am thirty-five and I enjoyed this story. It’s more violent and thought provoking than I thought it would be. I had heard about this book for several years. It’s always on the top ten lists of best books written in the past few decades. And I’d have to agree. It is very well written.

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I love this book

it is very well Written, have listened to it like a hundred times and I still love it.

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great book, great performance.

The book is much better than the movie. The storyline changed so much in the movie from the book, outside the general setup and the character's names, there was not a whole lot there that was recognizable.
I would highly recommend the audio book.
The performer has done a great job in portraying the characters.

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    4 out of 5 stars
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    4 out of 5 stars

Rated for 1st book, reviewed for trilogy

So I often try not to review trilogies until the whole thing comes out and has been read and digested, because I think, "What could be worse than recommending a first book to someone only to have the successive two books suck the life and happiness from the little thrill left by a great first book?" Then I finished this trilogy and had an answer: worse? 2 fantastic books finished with one that makes little sense and ends wholly unsatisfactorily.

I will try not to give spoilers here, so please bear with any vagueries. I try to understand that not everyone will agree with me and refuse to read the series. So...

There are serious plot wholes in the last book. The ending makes no sense. If you think about it too hard- by which I mean almost at all beyond letting action scenes enter your brain and then leave again unrelated to anything- your brain might explode. At the very least, you will be frustrated.

Also, I don't care who you are (and I won't say who), but nobody's death should getmore than a chapter. It's maudlin. It's depressing. It's old.
Even Dobby didn't get more than a chapter, and that was one of the best written death scenes in YA fantasy. It didn't need it, because more than a chapter is maudlin and depressing and all the rest.

The absolute worst part of all of this is that the first two books were excellent and interesting and beautifully done. They are not complete in themselves though, and so can't really be read without the final book. It's like Ms. Roth had this fantastic idea, butdidn't bother to develop the world prior to writing the books, so she just ended up making it up as she went along. I know, it's fiction, and, by definition, made up as she goes along, but she didn't seem to think out the end at the beginning, so the world lacks consistancy, and overwrought scenes of heart-break and radical personality change resulting from said overwrought heartbreak are there to distract us from the knowledge that the Wizard of Oz is just a sad guy behind a curtain. O.K., I'm not sure that analogy works entirely, but I can't think of anything more frustrating than going down this whole road in pursuit of some grand goal only to discover smoke and mirrors and little of substance (O.K., maybe it works as an analogy ).
There is no Wizard at the end of this yellow brick road. There's only road work ahead.

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37 people found this helpful

  • Overall
    5 out of 5 stars

Strong characters, Intense, fantastic

If you're looking for a story with an admirable, complicated, and fascinating young heroine, this book has it. It reminded me of the first time I listened to book one of Hunger Games, though this is certainly unique on its own. Also, the narrator is one of the best I've encountered in the YA section of audible. Wonderful pacing. Easy to listen to. As far as audiobooks go, Emma Galvin and Veronica Roth have made a masterpiece.

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15 people found this helpful