It is a very rare thing to witness the beginning of a writer’s career and know without a doubt that the first little book is going to launch a worldwide craze, a la J.K. Rowling or Stephenie Meyer. Such is the terrifying yet enviable position of Veronica Roth, who sold this debut novel to a HarperCollins imprint before she even finished college. She also sold the film rights to Summit Entertainment, owner of the Twilight film saga, on the strength of pre-publication buzz alone. The first in a planned series, Divergent is beyond question the best thing to happen to young adult literature in a very long time. More realistic than Harry Potter and less moony-eyed than Twilight, Roth has crafted a world and a protagonist that are easily engrossing and definitely worthy of our long-term attention.
Part of the credit for such charm belongs to narrator Emma Galvin, herself somewhat a newcomer. The young upstart has already garnered praise for her interpretations of Winter’s Bone, the first book spin-off from the Glee television series, and Stephenie Meyer’s recent novella. Galvin is genuinely edgy and emotive, not a trace of sugar to be found in the dialogue or her rendering of it. She captures the bold but conflicted spirit of the main character, Tris, with convincing personality and a real sensibility for the fast-pacing learning curve into which Tris launches the year she turns 16. After being raised in a clan whose primary characteristic is its devotion to selflessness, Tris defects, choosing a life of bravery from among the five factions that comprise her dystopic Chicago. She must pledge the faction, and go through several rounds of training eliminations before becoming a true Dauntless.
Tris is a complex, down-to-earth character with a lot of soul searching to do in a clan where hobbies include jumping from moving trains and tossing knives at small objects resting on the heads of friends, and there are no second chances. Veronica Roth has built a remarkable situation with strong potential for a longevity that will remain fresher than the sum of its parts, and Emma Galvin has this bull of a new series firmly by the horns. This book is confidently going places far beyond the fanatical mindlessness of young adult marketing, and in a hot minute, grownups will not have to feel one iota of shame for having fallen in love with it alongside their less discerning teenagers. Megan Volpert
In Beatrice Prior's dystopian Chicago, society is divided into five factions, each dedicated to the cultivation of a particular virtue - Candor (the honest), Abnegation (the selfless), Dauntless (the brave), Amity (the peaceful), and Erudite (the intelligent). On an appointed day of every year, all sixteen-year-olds must select the faction to which they will devote the rest of their lives. For Beatrice, the decision is between staying with her family and being who she really is - she can't have both. So she makes a choice that surprises everyone, including herself.
During the highly competitive initiation that follows, Beatrice renames herself Tris and struggles to determine who her friends really are - and where, exactly, a romance with a sometimes fascinating, sometimes infuriating boy fits into the life she's chosen. But Tris also has a secret, one she's kept hidden from everyone because she's been warned it can mean death. And as she discovers a growing conflict that threatens to unravel her seemingly perfect society, she also learns that her secret might help her save those she loves.... or it might destroy her.
Debut author Veronica Roth bursts onto the literary scene with the first book in the Divergent series - dystopian thrillers filled with electrifying decisions, heartbreaking betrayals, stunning consequences, and unexpected romance.
©2011 Veronica Roth (P)2011 HarperCollins Publishers
"Though Galvin’s narration is concentrated on giving Tris the perfect voice, she never neglects the secondary characters. Poignant moments with Tris’s mother and Four, her leader and love, are subtly nuanced to let listeners hear the terror Tris often hides.... listeners will hold their breath waiting to see if she can survive the day." (AudioFile)
Fantastic sorry. Great characters. Fascinating world. Gripping plot. Get this!
If you liked Hunger Games, Trudi Caravan books, Fire by Kristin Cashore, or Way of Kings by Brandon Sanderson, and/or Ready Player One, we may share tastes in audiobooks. And if we do, you will LOVE this book more than many of those!!!
Flat out my favorite book I downloaded in 2011. An excellent entry in this genre!
Both are equal but I do think that the audio book gives a little extra something to the story.
I love Four. He is such a strong character but yet he has a soft part.
Tris because Emma portrayed her really well.
Not really but I did get goose bumps when Tris and Four met and at a certain other part!!
Divergent is an amazing book. I've read the book loads of times and know I will listen to the audio book more because it's one of those books that never get old.
The story was weak. I understood the basic premise, but I think the dystopian society created in this book was a little too far-fetched. The romance was lame. The suspense leading up to the reason "Four" was called "Four" was a big letdown. By the end of the book, I had no desire to read the next of the series.
Aside from my disapointment in the book, I thought Emma Galvin's performance was very good. She may be the reason I stuck with the story! She has a pleasing tone to her voice.
My teenage self probably would have LOVED it. The adult me craved more substance.
It's not fair to compare this book to The Hunger Games because there is no comparison. The Hunger Games is in a whole other league.
I never got in touch with this story which probably is because of me lacking understanding af this future language. So I cannot recommend it to anyone and have no more to say about it.
The Action and Suspense is ok if you can suspend your disbelief
I just couldn't suspend reality enough to believe in a "world" where everyone is classified into factions based on one trait.
Main concetpt: Some people are Divergent. Unfortunately the main character is really one-dimensional and self-absorbed.
A better story
She was great!
No not really!
I thought the book was going to be different. I did not like it.
I love Audible!
I rarely write reviews but I feel compelled to share a few thoughts on this one. Perhaps one of the more erudite (pun intended) readers can enlighten me.
I found this book very reminiscent of The Hunger Games book1. There are several parallels between the two dystopic societies with faction/districts fighting the evil government/opposing faction. Really felt like a knock off to me.
Hate to be a downer in the shadow of so many positive reviews but some one may find this opposing point of view helpful.
I bought this because I have a long commute with my teenagers and thought they would enjoy it. They did. I did not. My teenagers enjoyed it so much that I've bought the other two books in the series. We just finished the second and I don't think I can force myself to listen to the third, so it's going on the iPad for them to listen to on their own.
The book's premise is silly. It's based in a walled off Chicago where society is set up into 5 factions. All the people in each faction are supposed to have one dimensional lives. They all live in a world lacking any sort of happiness. The food is bad, they live in institutional settings, even the relationships are marked by anger and very little love. Getting a tattoo is really cool. Having passionate arguments with your boyfriend so you can kiss and make up is really cool. Being tortured and living through it is really cool. Sigh…
Apparently the reason for this societal division will be more thoroughly explained in the last book but I've now lost interest. Of course the 5 factions hate each other and the war that eventually erupts makes you hope they'll all kill each other off. The protagonist Tris is alternately cooing in love over her boyfriend and being physically assaulted in her quest to be the hero, save everyone, save herself and get back to groping her boyfriend. She is constantly having her head smacked against a concrete wall, her shoulder wrenched, her arm half torn off, shot, stabbed - you name it. You end up thinking that you wish someone would just kill her with an axe and get it over with already.
Throughout the book, I found myself being unable to control the "You are an IDIOT" or "Oh how RIDICULOUS!" remarks that just came flying out of my mouth - to the great irritation of my daughter. If your kids would like it, buy it and let them listen to it. Don't torture yourself with it.
We are going to listen to audio versions of some of the lit they've read this year at school as a refresher for up coming exams. They need it and I'll enjoy it. On our beach trip I'm going to look for something we can both enjoy. Something light.
Oh good Lord no. I think I might have been able to tolerate this book if it hadn't been for the narration. All of the dialogue - I mean all of it - is spoken with either anger, sarcasm or truculence. You feel like you're listening to several hours of an angry whiney child berate her friends. Even my children thought the narrator was terrible. I really might have actually liked Tris if it hadn't been for the narrator. UGH!
Well, it has two follow up books but it shouldn't have. They should have killed everyone off in the first book.
Meh. There is better teen lit out there. Fault in our Stars, Where'd You Go, Bernadette, etc.
I have to admit that I'm a total Audible junkie. MUST have book going at all times. I may be the subject of a family intervention someday.
I loved The Hunger Games, and would put this in the same genre (there's a genre of novels about brave heroic young women facing down the evils of a dystopian society now? wow, yay!) Divergent stands on it's own though, not a pale copy in any way despite the similar DNA. Loved it, loved the concept and characters, listened to it in one day. Will start the next in the series right away.
I surprised myself by loving The Hunger Games (I don't usually read YA fiction) and I always like a good dystopian story but this book is terrible. Veronica Roth's writing is cliched and lazy - the only physical description of emotion comes in the form of Tris' "hot cheeks" or bitten lips, both of which are referenced at least once a chapter. Listening to this audiobook made me groan out loud and it was a struggle to finish the whole thing. The teen romance was also cringe-inducing in a way that The Hunger Games was not.
The story itself is imaginative and has a lot of potential - I'm curious to see if I like the move better.
Again, maybe its because this is a YA story and I am older, but I found the narrator annoying. Her melodramatic tone combined with the writing made me feel like I was watching a bad junior high play.
Maybe I would have loved this if I was 10-15 years younger!
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