The stunning conclusion to the New York Times best-selling Magicians trilogy.
Quentin Coldwater has been cast out of Fillory, the secret magical land of his childhood dreams. With nothing left to lose he returns to where his story began, the Brakebills Preparatory College of Magic. But he can't hide from his past, and it's not long before it comes looking for him.
Along with Plum, a brilliant young undergraduate with a dark secret of her own, Quentin sets out on a crooked path through a magical demimonde of grey magic and desperate characters. But all roads lead back to Fillory, and his new life takes him to old haunts, like Antarctica and the Netherlands, and buried secrets, and old friends he thought were lost forever. He uncovers the key to a sorcerous masterwork, a spell that could create magical utopia, a new Fillory - but casting it will set in motion a chain of events that will bring Earth and Fillory crashing together. To save them he will have to risk sacrificing everything.
The Magician's Land is an intricate thriller, a fantastical epic and an epic of love and redemption that brings the Magicians trilogy to a magnificent climax, confirming it as one of the great achievements in modern fantasy. It's the story of a boy becoming a man, an apprentice becoming a master, and a broken land finally becoming whole.
©2014 Lev Grossman (P)2014 Penguin Audio
old school sci-fi geek and fantasy...
I will listen to " The magician's land " agian. I have this trilogy on cd and in my Audible library . Mark Bramhall does a great job bringing this book to life.
I have never read the Harry Potter books but have heard this series of books compared to them as the " adult version" of Harry Potter.
This book moves fast, could easily been thirty hours long, I would love to have read the unedited version. I think one of my favorite scenes was Alice's meltdown and recovery.
A two day listen on the road, great entertainment. Love the book and the series...worth a credit.
Great series but felt the last book was a quick wrap up. I wished it was longer, seemed to be rushed and left me wanting the story to continue. Nobody writes like Grossman, his style stands alone and Mark Bramhall's performance is perfectl.
I know a lot of people where annoyed by the Pevensie/Potter references in this series. But I've gotta tell you, that was probably my favorite part of these books. I loved every quirky minute of the Brakebills Academy description. And really, if you haven't always wanted to travel to a magical kingdom full of sentient trees and talking animals, I'm not sure if we can be friends.
Another complaint was the seriously flawed characters. And really, everyone of them behaved pretty badly at some point. But I think Grossman did an awesome job describing what real people would do in the the strange setting of living in the "real" world while knowing there is a magic side to life. By the end of the series, everyone of them had shown enormous growth. And isn't that what life is really about?
All in all, I loved this series. And I would recommend it to anyone willing to read PG-13 books. If your offended by swearing and a few (rather tame) sex scenes, then this is not the series for you.
This series has been wonderful. I'm not a "young adult" reader, yet I remain enchanted with Grossman's tale and Bramhall's rendering.
Abracadabra! The Magicians, as a garden (go with it), was patchy, brambles mixed with incredible blossoms (great book), while the The Magician King erupted into a wild English garden. The second book was better than the first, but you cannot view the books that way, one apart from the other, and the two-book combination is about as good as anything that fantasy literature has to offer, but The Magician’s Land surpasses the second book, and makes a whole that is as beautiful a magical piece as is The Lord of the Rings, or all of Narnia. It might not be fair to say that this is Harry Potter for adults, but this trilogy is certainly not for children (although you wish it could be, but 17 years of age is about as young adult as possible). No spoilers herein, but I gotta tell ya, some impossible things happen, things you wanted to happen since the first book closed, and these are not literary cheats (well, you know, maybe three or four, but all expertly dealt, and you will not mind the appearance of those purloined aces from up the sleeve). Grossman has become a master of backstory, and some of his best writing is in the storytelling (breaking the modern tv-era-demand of “show-don’t tell”, and it is wonderful storytelling, including journal entries, characters sharing stories, secrets whispered, I loved it from beginning to end, way to go, Grossy). Magical (duh). And thank goodness for Mark Bramhall’s continued elegant reading (I still think he sounds like a slightly tipsy David Hyde Pierce), a rich voice that fairly sounds a siren’s call, with apt Brooklyn accents, and hoity-toity faux British nose-lifters, and a rich musical constant that rivals Scott Lee, although the Australian twang still needs a tweak or two, but it is a very minor complaint; Bramhall makes Grossman pop, so to speak). The Magician’s Land is a sure thing, a masterful accomplishment, and if you do not end up rereading the three books at least three times in the next three years, it just could trigger a magical apocalypse, so you are cautioned. Lev Grossman is the dude. Art et Amour Toujours
For just an hour or so, at the beginning, disappointment started to creep in as I listened. I thought, oh well, you can't crank out a 5 start every single time. But I was wrong. Every word written in the first few chapters of this third book of the series is necessary to set up the story to come. The novel moves back and forth through time and worlds, but does so easily and without reader confusion... even if the chapters don't start with a date, etc. The people and events of the two worlds face each other, interact, and then collide into a great story. There are new characters we knew by name in the first two novels that we get to know in depth. Narration is very good. This series needs to be read in order.
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