Audie Award, Audio Drama, 2013
Award-winning author, narrator, and screenwriter Neil Gaiman personally selected this book, and, using the tools of the Audiobook Creation Exchange (ACX), cast the narrator and produced this work for his audiobook label, Neil Gaiman Presents.
A few words from Neil on Swordspoint: "It's as if Jane Austen wrote fantasy... an imaginary world where the characters are real people: a Vanity Fair of aristocrats, rogues, orphans, and heroes; a book where the best swordsman in the land can make far more money dueling at private parties than he can as a knight-errant. Ellen Kushner casts her sharp eye over them all, but with great affection and lavish detaiI.... couldn't think of a better performer for Swordspoint than Ellen, and her reading is polished, intimate, and – since Riverside is of her creation – wholly authentic.
"What really makes this production of Swordspoint unique, though, is the supporting cast in this special "illuminated production". Several key scenes are fully dramatized, and throughout the entire book's soundscapes you will hear the cadences of the marketplace, the music of the drawing rooms, and of course the ring of steel drawn from the scabbard. Ellen actually wrote new dialogue for the crowd scenes, so the actors aren't just mumbling "rhubarb rhubarb" to simulate speech.... You'll be able to hear performances from acclaimed and award-winning actors, including Dion Graham, Katherine Kellgren, Robert Fass, Nick Sullivan, and the remarkable Simon Jones."
In this exciting new "illuminated production", the author herself reads her own work, supported by a full cast. Author Ellen Kushner is also a popular performer and National Public Radio host (Sound & Spirit). For years, fans have been asking her to record her own audiobook of Swordspoint. To mark the 25th anniversary of the book's publication, Ellen teamed up with Sue Zizza of SueMedia Productions, known for her signature touches of soundscapes and sound effects, multi-voiced dramatizations, and all the techniques of "illuminated production". Together they have made Swordspoint a brand-new audio experience, in which the full supporting cast dramatizes and illuminates key scenes from Ellen's compelling narration.
On the streets of Riverside, a man lives and dies by the sword. Even the nobles on the Hill turn to duels to settle their disputes. And in this city, the swordsman Richard St. Vier is the undisputed master, as skilled as he is ruthless – until a death by the sword is met with outrage instead of awe, and the city discovers that the line between hero and villain can be altered in the blink of an eye. Because every man lives at sword's point, if you can only find his weakness. And even the greatest swordsman in Riverside has one thing he cares for deeply.
Hailed by critics as "a bravura performance, a delight from start to finish" (Locus), "intelligent, humorous and dramatic" (Publishers Weekly) and "witty, beguiling and ingenious" (Interzone) , Kushner's "Melodrama of Manners" has become a classic, a favorite not only of Neil Gaiman but a host of distinguished colleagues, including George R. R. Martin ("unforgettable!"), Orson Scott Card ("powerful") and Gene Wolfe ("as if Noel Coward had written a vehicle for Errol Flynn!").
The artwork used for the audiobook edition of Swordspoint is based on the artwork and design by Thomas Canty for the original first US edition of the book.
To hear more from Neil Gaiman on Swordspoint, click here, or listen to the introduction at the beginning of the book itself.
©1987 Ellen Kushner (P)2011 SueMedia Productions
"A glorious thing, the book we might have had if Noel Coward had written a vehicle for Errol Flynn. It’s wicked and visual and witty, and it pulls you in like the doorman of a Bourbon Street bar." (Gene Wolfe)
"Swordspoint begins with a single drop of blood on a field of new-fallen snow, an image that burned itself forever into my mind the first time I encountered it. I can close my eyes and see it still. It’s a terrific opening, an unforgettable opening... and the book just gets better from there." (George R. R. Martin)
“Ellen Kushner delivers her utterly unique blend of modern fantasy and nineteenth-century novel of manners with absolute conviction, affectionate humor, and perfect phrasing. “Neil Gaiman Presents” has provided original music, lively soundscapes, and the voices of some of the audio world’s most distinguished performers. Hearing Katherine Kellgren, Dion Graham, and others sharpen the cutting, insightful dialogue is pure pleasure.” (Audiofile)
I have worked in information Technology for 25 years and have run my own small business for 23 years. I love books!
I spent a lot of time trying to bond with this book - but it was just horrible. The narrator puts the emphasis in all the wrong places and it just drove me crazy.
I never before heard of this book. From the blurbs I expected a Napoleonic-era type book like Susanna Clarke's Jonathan Strange. I'm a great admirer of Jane Austen and Jane Austen-influenced writers like Patrick O' Brian. I was very surprised to find the book so pervasively homosexual. Neil Gaiman's brain is rather unique, which is perhaps how he comes up with such interesting stories, but no story can display the uniqueness of his brain as much as his assertion that this is the type of story Jane Austen would write. It stands to reason that Jane Austen would never write about an ambisexual hypocritical Thackerian community. But the use of language in this book isn't particularly elegant nor does it possess many of the formal conventions of the Napoleonic era. I can't think what prompted the comparison.
To recap. If you enjoyed reading the print version of this book and you want to hear it performed in an innovative way, then this audiobook will be to your liking. If you like period stories written with a modern voice, then you will probably enjoy this book. If you like lust-ridden characters and homosexual trysts, then you will definitely enjoy this book.
Everything led me to believe this was a swashbuckling fantasy adventure story with elevated language. Nothing informed me that this was a gay-bisexual romance written in a modern voice.
I have been a long time subscriber to Audible and travel for a living. As such I listen to audio books an average of four hours per day. When I research my purchases I take some time to read reviews, etc, and usually they are spot on (not so with this series). Within a few hours of listening I was bombed with scene after scene of homosexuality. No where in the reviews was this mentioned or I missed it. I can endure a bit of that if the rest of the work held up but that was not the case. The writing is what I would expect from a first year college student and seems forced with no real objective in mind. The plotting seems to be a second thought, as though we are supposed to be so enthralled with the descriptions of the sensual thoughts going through the minds of the players as to ignore anything else. There is nothing here of any value to save this work including the author's narration. She needs to leave this to the professionals. This is the first time I have been motivated to write a review. I have been so pleased with my book selections in the past that this one stands out as a big mistake!
As far as I can tell no one reviewing this book mentioned that the story is a sappy, homosexual romance.
I read it because Neil Gimond described it as "what Jane Austen would have written if she wrote fantasy". The comparison is a slander of Jane Austen's writing style.
Swordpoint doesn't have much action and frankly the "witty dialect" and plot consist of characters speaking somewhat in period for Jane Austen's books. This is not enough to entitle a book to the description of clever. The only shrewd part was two sentences on fireworks. I kept waiting for a surprising plot twist or something.
If someone had bothered actually saying what book was about I would not have wasted my time or a credit on such trash. Thank goodness for Audible's return policy.So fair warning.
a dedicated dilettante
Swordspoint is a particularly good example of the challenges of book selling in a world of genre focus and the challenges of making your work known. Swordspoint has been called a "melodrama of manners", a fantasy, a high romance and a fairy tale for grown ups. To me, it seems like an alternate world history novel about the political and sexual intrigues of court. Obviously that's not a genre. One distinguishing feature of the novel, and possibly the fantasy element, is that nearly all of the men are bisexual; none of the women are depicted this way
Her descriptions, characters, pacing (for a book on court intrigues) and world creation are spot on. It is a testament to her writing that I became invested in what happened to Richard. Her descriptions present the world of Riverside in such a way that I feel as though I've furtively traveled through the streets or wandered up the Hill. It's also described in such a way, that I wouldn't like to visit, let alone live there. The characters who peopled her story were often complex and clever. Ironically, the two people who seemed to have the best character were killers: Richard St Vier and Vincent Applethorpe (a former swordsman who ran a fencing school).
It is a well built world I don't care for peopled with complex characters that I mostly don't like and has as its main focus clever politicking and sexual intrigue amongst the lords of the city which I don't prefer as a focus. If you like this stuff (and the bisexual element doesn't bother you), then you'll like Ms. Kushner's book.
I had an opportunity to listen to much of the audiobook (I went between the Kindle and Audible versions using Whispersync for Voice). Overall, it nicely done. It was not quite a full audio play but it was a multi-cast reading with sound effects. While Ms. Kushner has solid narration skills developed doing radio with WGBH (Boston), the tone in her voice is not my favorite. She does a nice job of narration; this is simply personal preference.
I did not like this book. It was slow, tedious and boring. The plot seemed to meander. The characters were depressing with few redeeming qualities.
Graphic Designer. Culinary Enthusiast. Mostly User Friendly.
When I started listening to this book, I was excited to realize that this was an Audible Neil Gaiman Presents selection -- the first that I've listened to. In his opening introduction, he states that "It's as if Jane Austen wrote fantasy... an imaginary world where the characters are real people..." He had me at Jane Austen, of course, and if Jane Austen were a tad spicier, a fair amount darker, and had dealt with same-sex romance, that would be about right. I had a little trouble following all of the intrigue in audio form, even with the theatrical multi-voice narration. I do tend to have trouble with those sort of entwining storylines in general, though. I thought this was a very well-written book, and interesting in it's uniqueness. It felt like a mix of Fantasy and Regency Romance, but with a darker Historical Fiction sort of underbelly that made it seem a lot more real-world than those genres usually do.
Some may not be able to find the actual plot line in this story, It took me 2 listens to realize just what the heck was going on. It finally dawned on me that the story is a chess game, and like a chess game it's the lower pieces that get the most play. I also paid attention to which scenes were dramatized, as it says in the forward "key scenes" that apparently was a hint. I rather liked it even if some of the sound effects were more distracting, I really LOVED that the background talking is actual talking, with lines, instead of people mumbling under their breath.
If you find watching a chess game riveting, this story may be for you.
If you like understated gay romance between 2 amoral men, this story may be for you.
If you like subterfuge and puzzles and a plot line that takes actual work to understand, this story may be for you.
It was for me.
None of the reviews I read mentioned same sex sex scenes.
Only if they have same sex sex scenes.
Haven't listened much - chapter 7 or 8 so far and I've enjoyed the performance style.
I wouldn't say any need to be cut for those who aren't bothered by same sex sex. It just unsettles me and I wish there was a warning so I could move on...
I'd like a refund!
A fun and engaging book. I listened to the whole thing in one go. (Not sure I'd compare it to Austen, though...)
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