Twenty years ago, it was as if someone turned on a light. The future blazed into existence with each deliberate word that William Gibson laid down. The winner of Hugo, Nebula, and Philip K. Dick Awards, Neuromancer didn't just explode onto the science fiction scene - it permeated into the collective consciousness, culture, science, and technology.Today, there is only one science fiction masterpiece to thank for the term "cyberpunk," for easing the way into the information age and Internet society. Neuromancer's virtual reality has become real. And yet, William Gibson's gritty, sophisticated vision still manages to inspire the minds that lead mankind ever further into the future.
©1984 William Gibson (P)2011 Penguin Audio
This is a book that, if you are approaching it for the first time, suffers from having been imitated so much that it seems derivative of its own successors. Neuromancer was genre-defining and it blew a million little geeky minds back in the day, but reading it in 2012, I failed to be enthralled by the goshwow factor. 'Cyberspace' is mainstream now, and stripped away of the novelty that made fans back in 1984 say "This is so freaking cool!" the book is kind of a techy-tech high concept thrill ride with cardboard characters.
So, Case is a 'cyberspace cowboy' who used to "jack in" to the Matrix and go on 'runs' (stealing data from big corporations, governments, etc.) in a near-future where the U.S. has fragmented into tribal/corporate nation-states, but the USSR is still around. (In the foreword to this edition, Gibson comments on his own prescience or lack thereof, acknowledging also all the other things he didn't get right which will strike modern readers, like the existence of payphones and the lack of cell phones.) He tried to steal from one of his employers, and in retaliation they poisoned him in a way that left him unable to jack into the matrix again. Now he's a down-and-outer in Chiba City (yes, there's a taste of 80s "Japan is so cool!" weeabooism here) when he gets recruited for a job by a mysterious guy named Armitage who says he can fix him up. Case also meets Molly, a "razor girl" street samurai. With the rest of his motley crew, Case goes on an adventure that takes him into high orbit to the playground of the super-rich. There are futuristic ninjas, artificial intelligences, and your basic cyberpunk RPG adventure. Again, not really fair to dismiss it like that, because this book invented cyberpunk RPGing and cyberpunk everything else, but unless you really love all things cyberpunk and/or Gibson, you may find, as I did, that Neuromancer just doesn't quite live up to the hype it earned in 1984 with its Hugo and Nebula awards.
William Gibson's writing is superbly clever and descriptive, and boy does he spin ideas. But this is the third book of his I've read, and while I appreciate his craft on a technical level, his stories just don't do much for me. I don't care about his characters.
For SF fans, this may be a good book to read to be familiar with, you know, the "seminal" works of the genre, but I just don't feel compelled to go read the rest of the Sprawl trilogy.
I couldn't even get through the first 30 minutes of this book. The reader chose a voice that was supposed to be gritty, dark, cynical. To me, it was an unlistenable reading -- bland, too slow, substanceless, even disrespectful to an audience trusting the audiobook narrator to interpret character voices and drama. I've had a similar cringy reaction listening to authors reading their own fiction. It was just terrible.
And, even more sad for me (I'm feeling pretty silly, considering the other positive reviews and overall legacy of the book), I.... just didn't like the writing. As far as I could force myself to listen, the author's skill in this case was not worthy of the intelligence and concept of his vision -- which was brilliant. Even within the initial pages/words of the book I recognized his creations as conventions now folded into our whole cultural consciousness. From other reader comments here and elsewhere, it's obvious this book is the genesis of a subgenre of fantasy and science fiction we now take for granted. I love the idea, I'm fascinated by the creativity, and I am passionate about great stories that helped shape fiction.
But I just couldn't get through this spoken book.
I started it again thinking I had been distracted and would tie into it the second time. Nope. So I paused the book. I listened to traffic and my head for awhile. I flipped off a driver who cut me off. I called a friend on speakerphone. I tried the radio. That was even worse. I was procrastinating at that point. I turned the book back on. Still not doing it.
I'm going to take advantage of the new Audible "exchange" feature and exchange this book for something by Neil Gaiman, and then try Necromancer again in ink to see if shaping my own voice and style for the book brings me to the epiphany everyone else had. If you got through my review, thanks for reading.
The amazing language used by the author created vivid and realistic images in my mind. The reader's voice was a little creepy, at first, when he attempted the female character voices, but I became accustomed to the sound and compensated.
I can easily see that this was a primary source for many other stories and movies since it was released. Why have I never seen a Neuromancer movie? I mean, we definitely have the technology to create most of what I saw in my own mind. Johnny Mnemonic is the closest thing I have seen in the way of this style of story. Suddenly, The Matrix seems like a cheap copy-cat. I absolutely wish this story would be made into a movie.
No. I've had a poor track record recommending anything of Gibson's to my friends. They just don't get it. Reading (or listening to) his work is like reading poetry: either you get inside his headspace and understand, or you scratch your head and wonder why other people like this drivel.
No. Robertson Dean's narration suits the Bigend Trilogy far better than it does the Sprawl Trilogy. He's laconic and doesn't have much variation to his voice to differentiate between characters. Neuromancer builds to a fever pitch, and Dean can't match it. If you can manage it, listen to the abridged version that's read by Gibson himself. It's out of print, but can occasionally be found on eBay. It's worth it. (Note to Audible - please obtain the rights to that version!!!)
Despite the narration, I'm glad to have this version as well. Unabridged is always more fun.
The one liners. So much disposable wisdom, it will always remain relevant because Gibson is a talented author.
It's like a western bank robbery set in the future, with Rastafarian pilots and girls with razors in their fingers. Sex and drugs and violence. Exotic locations, and realistic fantasies. Why hasn't this been turned into a movie yet?
Molly's voice. I actually wanted a different actress to step in and read her lines, because Robertson Dean sticks with the voice he's created for her well, but there are some lines that shouldn't be read softly. A dude speaking softly can never sound like a pissed off woman.
When Case see's the third figure standing with the boy, and Jane, and knows who it is, I actually got chills, the hard cold kind that cling to your back.
I listened to this because I've listened to Ready Player One about seven times now, and wanted something similar, so if you want cyber adventure, I'd say you should also check out Ernest Cline's masterpiece.
Tell us about yourself!
I've read this book a handful of times but had never listened to an audiobook version of it.
Honestly, the story is so vivid in my mind I was a little worried about what a bad narration would do to it. Well, never fear - Robertson Dean does a marvelous job! So it has been a treat listening to the story come alive through my headphones. Great job bringing the story to life.
A part-time buffoon and ersatz scholar specializing in BS, pedantry, schmaltz and cultural coprophagia.
Gibson reinvented the science fiction genre novel with his novel Neuromancer. A Verne-pitched, future novel that seems to have amazingly apprehended and captured much of the core and substance of the 21st century. The closest novel in both form and function is Stephenson's Snow Crash, but Gibson wrote this 8 years (an eternity in cyberspace) previous to Snow Crash. Gibson's prose (and clothing-fixation) is sometimes really REALLY annoying, but his style remains difficult to reproduce or replicate. Some writers can temporarily capture the asiangloss of Gibson's sprawl and cyberspace but lack the methgrit of Gibson's haunted prose clutter. Not a perfect SF novel, but still an amazing book.
I enjoyed listening to Neuromancer. Mostly for it's historical significance and concepts that are, for the most part, still fresh today. But I find that, in retrospect, Books like Gibson's Pattern Recognition are so much more polished and enjoyable than his earlier work.
If you are a dreamer, a wisher, a liar, A hoper, a pray-er, a magic-bean buyer. If you're a pretender come sit by my fire
This book, unfortunately, had a lot of hype. To a degree it lived up to it and delivered an unexpected story that made me, a child of the '90's, rethink some of the pop-culture I thought I knew (cough Matrix cough). That being said, I often felt like there was too much going on -- traditional sci-fi, cyberpunk, noir, etc.. -- and for the life of me couldn't shake a feeling of being disconnected from the story. Maybe that's part of the desired ambiance? I think that this is a must-listen if only to provide the appropriate pop-culture base for people who appreciate sci-fi, but, while this is a genre-defining story, keep your expectations reasonable going into it.
After listening to this audiobook it's obvious that Neuromancer has been a source of inspiration to many other creatives in the field. Movies like the Matrix and also every cyberpunk anime in existence have borrowed heavily from this book. If you like those works this is required listening.
However, for all of it's landmark ideas, this book seems poorly written. I haven't read the book so perhaps its just the narration. Of the 30 some audiobooks I have listened to so far, this has by far been the most jarring, disjointed and hard to follow of them all. If you're not into the genre, or the concepts it spawned, I would avoid it.
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