Oscar and Lucinda

By: Peter Carey

Narrated by: Steven Crossley

Length: 20 hrs and 29 mins

Publisher's summary

Oscar Hopkins is a high-strung preacher's kid with hydrophobia and noisy knees. Lucinda Leplastrier is a frizzy-haired heiress who impulsively buys a glass factory with the inheritance forced on her by a well-intentioned adviser. In the early parts of this lushly written audiobook, author Peter Carey renders the seminal turning points in his protagonists' childhoods as exquisite 19th-century set pieces.

Young Oscar, denied the heavenly fruit of a Christmas pudding by his cruelly stern father, forever renounces his father's religion in favor of the Anglican Church. "Dear God," Oscar prays, "if it be thy will that thy people eat pudding, smite him!" Lucinda's childhood trauma involves a beautiful doll bought by her struggling mother with savings from the jam jar; in a misguided attempt to tame the doll's unruly curls, young Lucinda mutilates her treasure beyond repair. Neither of these coming-of-age stories quite explains how the grownup Oscar and Lucinda each develops a guilty passion for gambling. Oscar plays the horses while at school, and Lucinda, now an orphaned heiress, finds comfort in a game of cards with an odd collection of acquaintances.

When the two finally meet onboard a ship bound for New South Wales, they are bound by their affinity for risk, their loneliness, and their awkwardly blossoming (but unexpressed) mutual affection. Their final high-stakes folly - transporting a crystal palace of a church across (literally) godforsaken terrain - strains plausibility, and events turn ghastly as Oscar plays out his bid for Lucinda's heart. Yet even the unconvincing plot turns are made up for by Carey's rich prose and the tale's unpredictable outcome. Although love proves to be the ultimate gamble for Oscar and Lucinda, the story never strays too far from the terrible possibility that even the most thunderstruck lovers can remain isolated in parallel lives.

©1988 Peter Carey (P)2015 Recorded Books

Utterly compelling, and odd!

This unusually well written book has metaphors and similes of great depth, beauty and originality. They dress up this story like Christmas baubles bedeck a tree. It was only the denouement that was entirely unexpected, and completely changed the meaning of the story. Bravo!

peter carey writes delicious prose

Worth it, loved, it, awesome storytelling and well read. this is one of my favs!

excellent read!

this is my first time reading Carey and it was a roller coaster I'd ride again and again. What an adventure!

Reminiscent of Charles Dickens

A range of characters, a range of tones, all set in a compelling historic context.

Not a romance!

This was offered under the Romance package. I realized that it was more of a historical saga, which is fine, as I like those. I expected something about the founding of Australia and the connection of 2 people. The story was episodic and very talky, with long conversations and some characters that really had little to do with the story. The main characters are very odd. It's actually anti-romantic, which again isn't bad in itself but not what I expected. The narration was very good but the book was way too long for what tit conveyed.

A masterpiece

Incredible characterisation. Beautifully crafted like a Dicken's' novel. Poignant and evocative. I would highly recommend this novel.

Good Yarn

I am a pretty serious Peter Carey fan so I was eager to see what many critics think his best book would be like. I loved the True History of the Kelley Gang, was disappointed and confused by Parrot and Olivier in America and enchanted by My Life as A Fake. I'm sorry I was led to believe Oscar and Lucinda would somehow rise above these because then I could have appreciated it for what it is, which is pretty good. It is another historical yarn--not a romance even though it has a love story at its centre--built around two flawed, unlikeable characters--one a stiff-necked puritan man and the other a wilful, independent woman--who combine to create a scandalous, eccentric legend in colonial Australia. It was fine, but it went on too long about Oscar's ridiculous trials of conscience, Lucinda's unlikely feminism and meanwhile abandoned its one amusing character, the scoundrely Fish. Still, a good thumping read.

A book to wade in, submerge into.

“She thought: When we are two, they do not notice us. They think us a match. What wisdom does a mob have? It is a hydra, an organism, stupid or dangerous in much of its behavior, but could it have, in spite of this, a proper judgement about which of its component parts fit best together?”
― Peter Carey, Oscar and Lucinda

A book to love. A book to wade in, submerge into. A novel that tempts one to grab it around the middle and squeeze, even as it dances away like a shadow. It flickers like the quiet, mirrored Doppler effect of water flowing around a pair of swans. It plays coy. It trips backwards. At times, it really IS too much. But I still love/d it. The prose? Beautiful. The story? Magnificent. Worlds of glass, chance, love, passion, obsession, stars-crossed, God, compulsion, sin, materialism and generosity of spirit. Just like a coin spun/tossed/launched at midday into the sky will twist head over tails -- at once both reflecting and in turn blocking the sun-- this book twists between obsessive Oscar and compulsive Lucinda and spun wildly around a whole slew of characters and just spun there, suspended forever, threatening never to come down. And then it did. And it was glorious.

Beautifully written and performed

Oscar and Lucinda sheds light upon various facets of the human condition that often go ignored in contemporary literature. These days, certain curious qualities found in characters-- being quietly vulnerable, theologically torn, stubbornly self-defeating, or frustratingly ashamed-- aren't necessarily glamorous enough to grab the average reader's attention. The book unravels slowly, yet each page adds to the richness of the story and all of its players. It blends the Dickensian themes of societal boundaries and the spirit's inner turmoil with the fantastical love and vibrant beauty so often associated with Latin American magic realism. It is a treasure that will play at your heart strings. If you're open to the ambling nature of the tale, you'll soon find yourself surprisingly, and totally, engulfed in the lives and intertwining fates of Oscar and Lucinda.

Arrogant, Boring, Unlikable Characters.

I read Peter Carey's book The True History of the Kelly Gang recently and loved it, so I had high hopes for this one. Unfortunately I found this one a bit dull and uninteresting, mostly due to the fact that I didn't really like either of the title characters. (And for me characters are everything.
I need them to be real, raw, flawed, and messy. But I also need them to be likable.)

Oscar and Lucinda tells the story of two odd people who are both gamblers. Oscar Hopkins is the son of an old-school, fire and brimstone preacher and Lucinda is an heiress who owns a glass factory. Oscar is obsessive and I really didn't like anything about it. I didn't find any empathy for him despite his upbringing, which is unusual for me. Lucinda's story was a bit better for me as Carey did a good job of illustrating the roadblocks she faced as both a business owner and a gambler. But other than the vivid descriptions of Australia this was the only thing I liked in the book.