When Rosalind Leigh accepts a commission to write a book about Olive, she finds herself wondering what lies behind all of these facts that everyone knows. When Roz first visits her in prison, she finds that Olive is not quite what she expected. And if - as Roz is repeatedly warned - Olive lies about almost everything, then why did she confess so readily to two hideous murders? The deeper she is drawn into the shadowy world of the Sculptress, the more firmly she is convinced that Olive is hiding something - perhaps even her innocence. But whom could Olive be protecting - and why?
©1994 Minette Walters; (P)2009 Brilliance Audio, Inc.
Yes, but only if they can overlook the tedious narration.
The last few sentences...
Anyone British. Most Americans do dreadful British accents and Sandra Burr's accents were labored and forced. I was always aware that she was an American "acting" the part. It was distracting.
It has already been filmed as a BBC film.
This book made me want to read more Minette Walters.
Unlike the other review here, I didn't find the romantic plot twist a distraction from the story. The twists and turns of the narrative were first-rate and the plot kept me guessing until the last few chapters. Great stuff and a terrific listen.
I was intrigued by the grotesque nature of the book, admittedly I have a fondness for such things! Too bad the story didn't hold it's momentum and quickly devolved into a romance that was literally a red herring (sp.?) I don't mind romance when it's germane to the plot, here it was not. How do these people find each other and then fall in love and decided to move in.... in like a few weeks? Rosalind, the protagonist, finds herself in one violent situation after another, whether with a lover, ex husband, or evil guy, and her reaction is basically the same--glazed over indifference. Her character was a little formulaic for me, beautiful, running around fooling everyone, and solving the murder when no one else ever had a clue. She makes a decision about halfway through the book about the guilt or innocence (I won't say, it'll spoil it for you) of the Sculptress, and there is absolutely no basis for this decision, kind of a hunch. Then the story, and the girl, gets plain goofy, stabbing bad guys with a hat pin, secretly tape recording a thug threaten to kill her. I felt like I was reading Nancy Drew! (nothing against the heroine, I read all her stuff as a girl) I was first attracted to TS because I like a gritty psychologically deviant story. This one was more like a treasure hunt, each clue is picked up where the last one is found.
I am aware of the story line having seen it on UK TV decades ago and was interested to hear the book for this reason, as I know there is a twist but can't remember the end. However the american accent trying to do British accents was a mixture of poor Audrey Hepburn accents!
The prison guard who sounds like Eliza Doolittle (before) and the British main character who sounds like Audrey in a Roman Holiday with an american accented inner dialogue (which is actually a blessing)! Olive comes from DaRlington not Dallington and surely even Americans frown, not frowen - and I'm not through the first hour yet!
Select any British accented narrator - Pauline Quirk who played Olive in the UK Drama would have been excellent....at all the accents.
It was and it starred Pauline Quirk who was brilliant in it.
Really you couldn't find any British accented person to narrate this book?
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