“It happened fast. Thirty-two minutes for one world to die, another to be born.”
First, the unthinkable: a security breach at a secret U.S. government facility unleashes the monstrous product of a chilling military experiment. Then, the unspeakable: a night of chaos and carnage gives way to sunrise on a nation, and ultimately a world, forever altered. All that remains for the stunned survivors is the long fight ahead and a future ruled by fear—of darkness, of death, of a fate far worse.
As civilization swiftly crumbles into a primal landscape of predators and prey, two people flee in search of sanctuary. FBI agent Brad Wolgast is a good man haunted by what he’s done in the line of duty. Six-year-old orphan Amy Harper Bellafonte is a refugee from the doomed scientific project that has triggered apocalypse. He is determined to protect her from the horror set loose by her captors. But for Amy, escaping the bloody fallout is only the beginning of a much longer odyssey—spanning miles and decades—towards the time and place where she must finish what should never have begun.
With The Passage, award-winning author Justin Cronin has written both a relentlessly suspenseful adventure and an epic chronicle of human endurance in the face of unprecedented catastrophe and unimaginable danger. Its inventive storytelling, masterful prose, and depth of human insight mark it as a crucial and transcendent work of modern fiction.
©2010 Justin Cronin (P)2010 Random House
“Read this book and the ordinary world disappears.” (Stephen King)
“Magnificently unnerving . . . The Stand meets The Road.” (Entertainment Weekly)
“Justin Cronin has written a wild, headlong, sweeping extravaganza of a novel. The Passage is the literary equivalent of a unicorn: a bona fide thriller that is sharply written, deeply humane, ablaze with big ideas, and absolutely impossible to put down.” (Jennifer Egan, author of A Visit from the Goon Squad)
This book was great, but I am betting the longer version is much better. Solid character development, with enough suspense to keep you on the edge of your seat. Not the typical Vampire garb either, which is nice.
Not your typical vampire or zombie book, but very good nevertheless. A few reviewers complained about the transition 100 years later in the middle of the book. Did not phase me, actually I think the 2nd half is better than the first (actually more like 2/3 is in future). This is a pretty deep book and written very well. If you have read zombie/vamp/apocalypse book I would rate as this: deep writing similar to the Road (not as deep), good story but not quite as 'fun' as Day-by-Day Armageddon, so all-in-all a good solid read. Actually, a bit better than good. The Strain is another great vamp novel. 13 Bullets I did not like due to the focus on femininity and the reader was bad. So here you have it...give The Passage a read if you are a fan of DBD Armageddon, The Strain, The Road, or even 13 Bullets. Same would apply to World War Z and the other zombie books. The Passage certainly holds it own. A mix of the aforementioned books and a little of The Stand (not too much). So go buy/rent and enjoy! You will not be disappointed. I give it 4 1/2 starts, but rounded up so that others will not miss this great story.
I'm a guy. I like books about war and sci-fi. I listen to 2 or 3 books a week.
Well, I chose the abridged version for Edward Herremm. I'm regretting that because I found it very good and wish I would have went long form! Can't wait to read the second one.
I would not try another Justin Cronin and/or Edward Herrmann book
I would listen to another book but I would be very leery to make the purchase
The performance was very good
Its not on my top 20 list
This book started out great, but the further along it went the more convoluted the plot became. It never reached its potential. It ultimately turned out to be a disappointment.
I was very much engaged through the opening chapters. The narrator is exceptionally good. However, when the story zoomed ahead 100 or so years, it became dull. And it remained dull. The first part of the book features the virus as a central character. This was interesting stuff, exciting, captivating, fast-moving, visually rich, and intriguingly provocative. The rest of the novel lacks the immediacy and suspense of the first part - there are thrilling sections - but they are few and far between. What's left is an opportunity for character development, and this is where Cronin goes under for good. His characters are unabashedly crafted for film adaptation. They are thin, unifaceted, caricatures of stock action characters: the manly woman, who is both alluring and vigorous; the techy-nerd whose virility is more than it initially appears to be; the good-guy gone surprisingly bad, etc. These characters are moving paper dolls with stiff joints. Lastly, I was bothered by the lack of contextual cohesion. Life in the colony is portrayed as pre-technology primitive - at times the dialogue is two shakes shy of grunting. Then, from out of nowhere, Cronin will portray the leading characters as utterly modern. Just didn't work for me. As primitives they were uninteresting; as moderns they were ineffectual. This novel is an obvious effort to create an Epic spectacle, and I'll tell you, it desperately needs special effects.
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