Was it the savage blow to the back of Father Gorman's head? Or was it when the priest's assailant searched him so roughly he tore the clergyman's cassock? Or could it have been the priest's visit, just minutes before, to a woman on her death bed? Or was there a deeper significance to the violent squabble that Mark Easterbrook had himself witnessed earlier?
Wherever the beginning lies, Mark and his sidekick, Ginger Corrigan, may soon have cause to wish they'd never found it.
©1961 Agatha Christie Limited, a Chorion Company. All rights reserved; (P)2004 HarperCollins Publishers Ltd, London, UK
"The acknowledged queen of detective fiction." (Observer)
"Wholesale murder by black magic...highly ingenious, wholly enjoyable." (Evening Standard)
Love having someone read me a story. Fires in the hearth, rain on the roof, sunny days and surf. Good friends, good food and J S Bach.
This was a great listen to one of Agatha's mysteries that does not involve Miss M or Msr Poirot. Expect that all is not fully revealed until the end, though it is fun to guess. And this a story where you could perhaps guess.
A woman asks to see a priest. She dies, he dies. So it begins.
Hugh Fraser does Agatha Christie proud with this performance.
Better as an unabridged version, don't know why others have played with it before, it's great as it is.
"Another great Agatha Christie!"
Another great story from Agatha Christie. One of the things I found interesting about this is the contemporary details as to 1960s fashion and appearance. Was this simply the main character's view or was it Christie's as well? A good who (and how) dunnit!
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