Defense attorney Mickey Haller returns with a haunting case in the gripping new thriller from number-one New York Times best-selling author Michael Connelly.
Mickey Haller gets the text, "Call me ASAP - 187," and the California penal code for murder immediately gets his attention. Murder cases have the highest stakes and the biggest paydays, and they always mean Haller has to be at the top of his game.
When Mickey learns that the victim was his own former client, a prostitute he thought he had rescued and put on the straight and narrow path, he knows he is on the hook for this one. He soon finds out that she was back in LA and back in the life. Far from saving her, Mickey may have been the one who put her in danger.
Haunted by the ghosts of his past, Mickey must work tirelessly and bring all his skill to bear on a case that could mean his ultimate redemption or proof of his ultimate guilt. The Gods of Guilt shows once again why "Michael Connelly excels, easily surpassing John Grisham in the building of courtroom suspense" (Los Angeles Times).
©2013 Michael Connelly (P)2013 Hachette Audio
"The combination of this fast-paced courtroom drama and Giles's steady and consistent narration makes for an engrossing listening experience…Giles's rich portrayals help listeners differentiate the multiple characters as Haller becomes convinced that his client is not only innocent but also the victim of an elaborate setup involving local police and DEA agents." (AudioFile)
"Connelly knows when to put his foot on the gas and when to take it off. Once he has you on board, turning the pages, you won't want to climb off." (Boston Globe)
"Haller is the kind of slick, cynical showman who can't resist making high drama out of every legal procedure....There's always something deadly serious behind Connelly's entertaining courtroom high jinks" (New York Times Book Review)
I love Michael Connelly, have read everything he's written, and, for the most part, enjoyed it. "The Gods of Guilt" was a real disappointment.
The story is complex and, if this were up to the standard of Connelly's previous work, I think it would be satisfying - but the detail, the characters, the driving suspense that I expected were all absent here. This came off as a straight-to-screenplay outline for the next "Lincoln Lawyer" movie, which, extrapolating from the afterword, is exactly what it is.
Still, it's a Connelly novel and wasn't awful. Peter Giles is a solid narrator, if not terribly nuanced. If you like Connelly and have enjoyed prior installments in this series, it might be worth a credit.
A couple of years ago, I went on a weekend long Michael Connelly Audible bender. My kids were with their Dad, and I was doing what single moms do when the kids are out of the house for a few days. No, I wasn't at Sena, the local tapas bar, drinking a cold Pinot Grigio in an oversized, delicate wine glass and eating surprisingly good ceviche on thick home made tortilla chips. I was cleaning, decluttering, and rearranging my house, accompanied by "The Lincoln Lawyer" series.
Mickey Haller's haunts are the tired courthouses of Los Angeles, with the echoes of heels in the marble tiled hallways really built for men in expensive and noiseless loafers; the soft whisper of attorneys and their clients tucked into doorways, agonizing over jury selection; and the hopeful eyes of hallways of petty criminals looking for an attorney to get them out of whatever hole they've dug. Connelly has a way of writing Los Angeles so the sad and fraught places are intimate and special.
In "The Gods of Guilt" (2013) Connelly works the same magic on people on the edges. The murder victim is a prostitute who had a chance to make it out once, but an old life cruelly clawed her back. The suspect is her technologically advanced but guilt wracked pimp, who punishes himself far more than the legal system ever could or would. Connelly's "Gods of Guilt" are nominally the jury, but perhaps they are really the voices of our conscience.
The title of this review is from an Oscar acceptance speech of Matthew McConaughey, the original silver screen "Lincoln Lawyer". Oh, I know McConaughey won for "Dallas Buyer's Club" (2013) and the term 'silver screen' is a 1940's throwback, but Connelly so reminds me of Raymond Chandler (1888 - 1959) and his cynical detective, Philip Marlowe. And Humphrey Bogart was the original Marlowe.
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I usually don't want the end to come but this book had too many things going on in it so I really just wanted it to be complete.
Michael Connelly never disappoints! He keeps the reader intrigued. I love Mickey Haller's series. Can't wait for the next book!
the plot ' s twists and turns kept me guessing till the end
love the Mickey Hollar series just as much as the Harry Bosch books
In true mystery fashion, the author weaves his tale of suspense to a climactic ending which leaves the reader with the satisfaction of "justice" done.
The "Lincoln Lawyer" novels have turned out to be a really solid series. Connelly does a good job to use a different tone than he does with the Harry Bosch books. This story isn't the deepest mystery nor does it have a mind-bending twist, but it's engrossing and keeps you ready to find out what happens next. My biggest complaint is that the narrator for the Haller books can be a tad too dramatic at times, but this is a minor quibble. Overall, he does a very solid job.
The twist & turns lead you on a journey riding right along side Micky. You'll laugh, cry, and beat your fist in the air as he scores one for truth & justice.
This is typical Mickey Haller, trouble with his daughter, etc. The Lincoln Lawyer has spun a legal web more involved than usual. A good novel and I love the narrator, he has become Mickey Haller to me.
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