Paul Madvig was a cheerfully corrupt ward-heeler who aspired to something better: the daughter of Senator Ralph Bancroft Henry, the heiress to a dynasty of political purebreds. Did he want her badly enough to commit murder? And if Madvig was innocent, which of his dozens of enemies was doing an awfully good job of framing him? Dashiell Hammett’s tour de force of detective fiction combines an airtight plot, authentically venal characters, and writing of telegraphic crispness. A one-time detective and a master of deft understatement, Dashiell Hammett - author of The Maltese Falcon - virtually invented the hard-boiled crime novel.
©1931 Alfred A. Knopf, Inc. Copyright © renewed 1958 by Dashiell Hammett. All rights reserved. (P)2011 AudioGo
But I write for myself, for my own pleasure. And I want to be left alone to do it. - J.D. Salinger ^(;,;)^
I loved it. I thought Hammett was amazing before, but the Glass Key just solidified it. Definitely his tightest, most coherent novel. The characters were sharp, the pacing was quick, the plot was Goldilocks. No wonder the Coen brothers couldn't get enough.
Near the middle.
I liked Hammett's prose, the noir atmosphere, and the portrait he painted of a 1920's political machine.
I didn't particularly like the ending, which I can't explain without giving it away, or the pacing, which lags for a bit in the early-middle.
All in all, The Glass Key isn't Hammett's best, but it's still more than listen-able.
I can't think of anything special that Mr. Thorne brought to the reading, but he was perfectly competent. He did everything that I would expect an audiobook reader to do, and I would have no problem listening to him again.
It's not really a book that induces great emotion.
I had read various stories by Dashiell Hammett before and found him crisp, humourless in a deadpan way, and quick-paced. I don't know what it was - maybe the hard-boiled crime novel is paling on me - but I found this novel surprisingly bland. There is not noticeable humour in it, which surprised me for Hammett, and I did not get any real sense as to who Nick Beaumont - the main character - is, or why he deserved to be telling this story. I had a much better sense of Paul Madviig, the person Beaumont describes himself as the one to whom he is hanger-on. Maybe this is realism; I myself found it unevenly to the point of boring, And again, as a fan of Hammett, I am surprised at the accolades this novel garners, which is why I picked it to listen to.
Also, I did not think the narrator was an especially skilled reader, which is why I wish there were a way of previewing books on Audible.
This is possibly the worst book I have ever read! I was shocked at how poor the writing is. I have read at least 4 Dashiell Hammett books and most were quite good, but this one should never have gotten past his editor, or I'm tempted to say that he couldn't possibly have had one.
I quit at the end of the third CD(out of five) without really knowing just what the plot is, and who the characters are, and what their positions are. Many of Hammett's descriptors are inappropriate, teenage level.
I don't understand how this book got such high review ratings.
I'm not sure I would try another Hammett without listening to a good representative part of it.
The reader isn't bad, but not particularly good, either.
What scenes would I have cut? Just about all of them.
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