Simon Serrailler is faced with that most complicated of investigations - a cold case. Freak weather and flash floods have hit southern England. The small cathedral town of Lafferton is underwater, and a landslip on the moor has closed the roads. As the rain slowly drains away, a shallow grave - and a skeleton - is exposed; 20 years have passed, and the remains of missing teenager Joanne Lowther have finally been uncovered.
Joanne, an only child, had been on her way home from a friend's house that night. She was the daughter of a prominent local businessman, and her mother had killed herself two years after she disappeared, unable to cope.
Cold cases are always tough, and in this latest mystery in the acclaimed series from Susan Hill, Simon Serrailler is forced to confront his most grisly, dangerous, and complex case yet.
©2011 Susan Hill. All rights reserved. (P)2012 AudioGo
I've listened to all of the Susan Hill/Simon Serrailler novels. I can't say what makes them so engaging, but they are. They are not the best mysteries, but it hardly matters, since the characters are so real and engaging, that I'm happy to follow them along as they do their day-to-day activities -- be that cooking meals for their families or solving murders. They are like those long BBC detective series that are long on detail w/o much action, which for me are a great pleasure to watch.
Any P.D. James
While this book does move along the underlying story of the major characters, and it does solve the central crime, it leaves so many open story lines that it is not quite as satisfying as most of the books in the series. Still, I do enjoy this series. The characters feel like old friends. Hill's stories always move along at a good pace, and this one raises some interesting questions. All in all, I enjoyed the book but it is not the star of the series.
Most of the professional reviews of the Simon Serrailler books -- of which this is number six -- talk about 'crime fiction'. In this book, the blurbs note that Detective. Serrailler is trying to solve the mystery of two young girls who disappeared. That's true of course -- that's one story line, and a fine one it is. But there are many more fictional genres woven into these books -- there's the family saga of the inherently fascinating Serrailler family themselves, where a set of now-adult triiplets (Simon is one) were pretty much forced by their demanding and uncompromising father to take up the family profession, medicine. Dr. Cat Dearborn did, Dr. Ido Serrailler did -- but then left for Australia, never to return. So far, anyway.
But Simon, also a gifted artist, refused to study medicine and took up police work instead, a choice he continues to suffer for. The family dynamic in these books is endlessly fascinating -- Dr. Cat's young (doctor) husband recently passed away, leaving her a young widow with responsibilities not only for running their clinic but for their kids as well, some of whom aren't doing as well as they'd like. And then there's Simon's inability -- or unwillingness -- to commit himself to a woman, a theme which continues in this book in a totally unique way.
But each book also addresses a contemporary social issue -- this one involves questions of life and death, specifically who should make the decision about when to die. There's a story line in this book about Jocelyn, a 73 year old woman with a not only incurable disease, but one which will soon bring about a very painful and lingering death. The story of Jocelyn is some of the best writing of this entire series. There was one segment when I was listening so hard I hardly dared breathe, I was so afraid of missing a word. In terms of psychological suspense, this is the best example I've ever read. In terms of "tense", fiction just doesn't get any better than this.
Then there's the unscrupulous death-masters, in Switzerland and elsewhere, who prey on suffering people wishing to end it all with an "assisted suicide". It's said that if you want to learn the truth, you must read fiction, and in that sense, this is the greatest book on the subject anywhere -- not that it will give you answers, but that it makes you ask the questions. Who gets to play Gd? Does anyone? That's one of the recurring themes in this book, and to some extent, in different ways, all the characters find themselves addressing that issue.
Maybe Susan Hill's greatest genius is that she weaves all this together in a 'can't put it down' format -- there's nothing preachy about these books, nothing scholarly, or nothing that would appear to be so. Just strings of absolutely fascinating storytelling, tales of lives so good you simply can't wait for the next book, so you go back and listen to the earlier ones again. And she always leaves a few strings dangling, too -- stories left unfinished, not that it's necessary. Having read one of these books, there's no way you won't be holding your hands out, waiting for the next.
Amazingly gifted story writer. Each one of the books in this series were so enjoyable and Steven Pacey should win an award for his narration. Hoping for another in this series.
This is a captivating story and a good mystery. Much time is spent on the stories of the non-recurring characters. I liked that very much. Their stories caught my interest and kept me listening. I wondered how they would all mesh together. The story of the Serrailler family is also continued and I enjoy that aspect of these books as well. The mystery is good. I wasn't able to guess the solution ahead of time.
This series deals less with the actual police work and more with the stories of the people. I like that aspect of the series very much. However, if you prefer stories that stay strictly within the bounds of a specific crime and it's solution, these books may not appeal to you.
Steven Pacey's narration is excellent.
Yes. Love Steven Pacey, loving the Serrailler family drama's.
It was an interesting story, a little anti-climatic.
No, but I think I will have to search for something I like. Love him...
I've enjoyed and looked forward to Susan Hill's previous books in the Simon Serrailler series but this one is heavy handed and downright sloppy. The story is all over the map...dementia, murder, euthanasia, Simon Serrailler's would-be love life, Cat's struggle with single parenthood, the Serrailler family at odds with one another....Lions and Tigers and Boring, oh my! I feel as though I was beaten over the head with the assisted suicide issue which then didn't contribute at all to the story line, unless I feel asleep and missed something. Simon is so one dimensional that I didn't give a hoot about his romance, which seems as obviously doomed as the best friend in a war movie. And the ending?! Plot lines are left dangling like so many participles. After finishing this I have more questions than answers but don't care enough to want the threads to be picked up in the next book. Let's just put this baby to bed and move on.
I usually appreciate Steven Pacey's narration but his voicing of Rachel completely lacks spirit. and personality. To give him his due, her character is so vapid that perhaps he had no choice.
If you're new to Susan Hill, I recommend reading all the earlier books in this series...give this one a pass.
I have no idea -
The performance was boring - monotone.
The basic storyline is okay, but they kept going off into other avenues - those which I would not have purchased.
One of the worst stories I ever purchased. I would return it - but over 1 year old. However, I would never recommend this book to anyone.
The first four books in the series were good, the fifth just okay and this one, the sixth, is just dull and lazy. I liked the characters in the earlier novels but they are becoming insipid. Steven Pacey is a very good narrator as always.
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