A family is wiped out after a burglary gone wrong. An executive accused of embezzling kills himself and his loved ones. A house fire claims the lives of all its inhabitants. Separate incidents with two common threads - a first wife who took her own life, and a secret the victims took to their graves.
Stephanie Coburn has barely recovered from her sister's mysterious suicide before her brother-in-law and his new wife are murdered, her face disfigured beyond recognition. Stephanie never met the bride, has never even seen a clear photograph. But she knew her sister, and she knows something is desperately wrong. The police won't listen. Her only ally is another victim's son. Step by step, they're uncovering a trail of brutal vengeance and a killer who will never relent-and whose forgiveness can only be earned in death.
©2014 Kevin O’Brien (P)2014 Tantor
The reviews of "Awesome", and "You won't be sorry", led me to purchase this book expecting a really interesting ride. I just fast-forwarded to the end (at about the two thirds mark) because I could not stand any more of the following: ridiculous choices made by some of the characters (supposedly in mortal fear for themselves and their families), such as inviting a complete stranger you met on the street into your home to babysit your children; involving a potential suspect's father in your top secret investigation; not involving the police because the crimes had all taken place in different jurisdictions; tortuously detailed paragraphs along the lines of, "She stepped on the brake pedal until the car slowed to a crawl. With her hands at two and ten o'clock, she swung the steering wheel to the left to pull into the driveway. She brought the car to a halt in front of the garage doors. Reaching into a zippered pouch on the side of her purse, she pulled out the remote garage door opener. Pointing it at the garage doors, she pressed OPEN". And all of this contrived tedium was narrated in a snore-inducing drone. Definitely sorry for the wasted credit.
There are few things in life better than losing yourself completely in a really exceptional story. I enjoy reading others' reviews.
If you waste a credit on "Tell Me You're Sorry", you'll be sorry alright. I plodded through 3 hrs of this turkey, hating nearly every minute of it, before I finally pulled the plug. This hot mess will have you saying, "God, this is awwwful!" every 5 mins. or so. The story, the performance, the everything about this, is boredom personified.
I wish I could find a silver lining, something positive to say, but honestly, I couldn't possibly care less who killed whom, let alone the why of it. And the narration...gah! It was like adding insult to injury. This guy can't do character voices, period. Everyone ends up sounding snobbish with only slight variations, even when they're supposed to be sympathetic. His performance was as ghastly as the author's work so, I suppose, in a horrible twist of fate, they were perfect for each other.
There are too many great novels out there to waste your time or money on this tripe. I don't know if this author has other works to his credit or not, as you couldn't pay me to try another one of his creations, but this one is simply awful.
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