Slough House is Jackson Lamb’s kingdom; a dumping ground for members of the intelligence service who’ve screwed up: left a secret file on a train, blown surveillance, or become drunkenly unreliable. They’re the service’s poor relations – the slow horses – and bitterest among them is River Cartwright, whose days are spent transcribing mobile phone conversations. But when a young man is abducted, and it’s threatened that he’ll be beheaded live on the Internet, River sees an opportunity to redeem him.
Is the victim who he first appears to be? And what’s the kidnappers’ connection with a disgraced journalist? As the clock ticks on the execution, River finds that everyone involved has their own agenda….
©2010 Mick Herron (P)2010 Isis Publishing Ltd
When I had listened to about a third of this book, I wondered why other reviewers had rated it so highly. Thankfully, I took a reviewer's note to heart, continuing to listen until I couldn't put it down. When I finished reading, I realized what a gem this audiobook is: Mick Herron treats the reader like an adult, allowing the plot and characters to mature to a very satisfying conclusion. Highly recommended.
I am a co-author of The Cluetrain Manifesto, and author of Gonzo Marketing: Winning Through Worst Practices, and The Bombast Transcripts.
Starts off slow and depressingly dark, but stick with it -- the characters and plot develop in all sorts of unexpected ways. I really enjoyed this one, and the narrator was perfect for the material.
Wonderful writing, vivid characters, arresting descriptions!
And the PLOT!!! I've listen to a lot of books, but this plot was new to me and I loved it.
Perfect narration, too
This is one of my favorite downloads ever (frequent listener, mostly crime fiction, for about 6 years). I didn't find the set-up to be slow... The author dove-tailed the description of a band of quirky characters with the set-up to the main storyline and when the main action gets going, you're fully engrossed. There was humor, suspense, great characters... all well-done. I also liked how the story wasn't about another spy trying to save the world.. the crime in question stays "small", with bigger ramifications, but still within reasonable bounds. Really, I wished it had been longer. (or that there might be some sequels?) Finally, narration seemed right-on to me, but I'm not British, so can be fooled in that regard. Highly recommended.
I agree with the other reviewers that after the "slough" start, the book pays off with absorbing action and characters. It's a thriller that avoids the shallow, formulaic hero and spunky/beautiful, etc. heroine. The characters themselves take as many unexpected but well grounded turns as the plot and one of the most repellent characters becomes the most admired. (He also has the best lines, making this book a good listen for the humor alone.) Even the parts that I didn't find believable did not detract from my enjoyment of the book as it progressed.
The narrator can make or break a book and Barrett's edgy reading was perfect.
You know those books where immediately after you finish it, you think, "I hope this is the beginning of a series!" Yeah, me neither. Except I felt that way about "Slow Horses." Dismissing it for months because of the title (horses = wild west = yawn) After a spate of unwise, underwhelming book choices, I finally read this novel's description and gave it a try. Well, as they say, 'even a blind pig finds a truffle every once in awhile,' and I found a treasure in "Slow Horses." The title is a wordplay and the pejorative term used to describe those British intelligence officers who have somehow messed up just enough to take themselves off the MI5 fast track but not quite enough to get fired. In author Mick Herron's words, (Slough House) "serves as an administrative oubliette where alongside a pre-digital overflow of paperwork, a post-useful crew of misfits may be stored and left to gather dust."
You can see the vein of gold waiting to be mined right there: the back story of each disgraced officer, what they reveal to each other, how they accept their lot, the painful interactions with MI5 high flyers when their duties involve an errand to Regent's Park. Add to that the kidnapping of a British national with foreign roots and we're off and running for an enthralling ride of intrigue. It is tempting to agree with the other excellent reviews describing this book as full of 'twists and turns.' But in an effort to say something new, I'll describe it as a book with ongoing revelations that cause the reader to think, "Oh, so that means...." As the story progresses, details about each character emerge and they are always smart and they always make sense. The head of Slough House, Jackson Lamb, is an acerbic, vulgar "anti-Smiley" who lives less in his head than George Smiley does, but is just as old school in his fierce loyalty to those agents entrusted to him.
Narrator Sean Barrett delivers the story well and without distraction."Slow Horses" contains portions of intense dialog so being able to differentiate the speakers is crucial and Barrett does this well.
Back to the series idea. I'm picky and have probably shot myself in the foot by avoiding some great reads just because I've seen them in airport bookstores. I'm not proud of my literary pretensions, but I believe they have protected me from excessive eye rolling and exasperation over the years. I'll immediately pounce on a Dalgliesh mystery from P.D. James, a Wexford novel from Rendell, and an Inspector Gamache from Penny. Other series? Wary as a cat. However, a book like "Slow Horses" leaves me hungry to read more novels involving this great cast of characters. So, Mr. Herron, it's been decided: a series it shall be. Write on.
I would probably not listen to it again, but just because I never listen to a book twice. I might read it twice, but not listen twice.
I liked the characters and the plot twists. I liked that the book actually surprised me a couple of times.
Sean Barrett was excellent. Loved his voice, made the book even better. I'm not sure it would have been as entertaining if I had only read it and not had it read to me. I'm not sure I've had a better narration so far.
Yes, but I rationed it out driving to and from work.
Very enjoyable listen and story. I highly recommend it.
Set in London in the dark troubled british security services, the senior management attempts to save the life of the organization. A small group of failures in the service, who have done something bad or have been relegated to the minors for offending someone is suddenly at the center of a major crisis that could bring down not only the service but the government itself. The entire book is woven together in such a way that every page manages at least one surprise. The bad guys are brutal but there are worse bad people who are suave and hidden. With a secret dogging each of the sympathetic heroes, one is never confident that the decisions these types make will make things better or worse. In this aspect, it is very true to life. The writer helps keep each of the characters separate and one must follow each of their development as the crisis deepens and resolution seems impossible.
There are several that stand out. This is the virtue of the book. I enjoyed the bad guys who were horrible and the good guys who were sometimes pathetic but the boss manages to keep a disparate group together despite the obvious despair plaguing each of them.I suppose the boss in his sloppy idiocyncratic ways as he manages to get the most out of his hapless mob of helpers.
WHAT LIES BENEATH
A delightful audio book well presented that will keep you up reading late at night.
slow horses was a no brainer as far as interesting stories go - who can resist the underdog. I usually go to sleep with english narrators, but this one kept me listening without a break.
I signed on today to see what other reviewers were saying here and on amazon - I am better than halfway through Slow Horses but is is so painfully slow I am having a hard time finishing. Yes there are a lot of characters and yes he describes them well, but there is such a lack of cohesion - a rambling tale, oft times changing characters suddenly and in odd directions. But OK - several people here are saying it is worth staying with it to the end so I'll keep slogging... I cannot say I'd give top reviews to any book that requires me to get more than halfway before the story gets interesting. The reader, Sean Barrett, is excellent.
"Intelligence, wit and great plot"
The idea of intelligence services maintaining influence and their budgets by encouraging a satisfactory threat level is not totally new, but when linked in with the notion of a home for reject, dissolute spies, you have the springboard for a very entertaining novel. With old, forgotten skills kicking in, in a manner vaguely reminiscent of 'Six Days of the Condor';, the hacks take on the best. Not wanting to spoil the plot I will leave it there. I have however, seen general criticism of Mick Herron's novels on other sites as 'overwritten'; and 'leaving too much unexplained'. Some books are so adrenaline driven that it is possible to ignore poor writing, lack of wit, or depth of character, although I do not forgive some of Dan Brown's unfortunately deathless prose. It is true, you will notice Herron's writing style, it stands out because it is a stand out. To have intelligence and wit along with a great plot is rare indeed. Also, if something is left slightly open at the end of a novel, do what the author does and make it up yourself. Enjoyed this immensely.
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