Ruth Galloway receives a phone call that bears shocking news. A friend of hers from college, Dan Golding, has been killed in a fire at his Lancashire home. Her shock turns to alarm when she gets a letter from Dan. He has made a discovery that will change archaeology forever but he needs Ruth's advice. Even more alarming, he sounds vulnerable and frightened. DCI Harry Nelson is also rediscovering his past. Up north for a holiday, he meets his former colleague Sandy MacLeod, now at Blackpool CID. Sandy tells him there are strange circumstances surrounding Dan Golding's death. Many of those who worked with Dan seem to be afraid.
Many have secrets to hide. Ruth is drawn deep into the mystery, and where she goes, so does her toddler daughter, Kate. This time, it's not just Ruth's life at risk.
©2013 Elly Griffiths (P)2013 Quercus Publishing Plc
No. I generally don't listen to books again for quite some time but this would not be one. The narrator, especially the very uneven volume levels, the screaming Kate and the overloud Sandy completely spoiled my enjoyment of the book. Books should be read, not considered a 'performance'
Very disappointing and contrived.
Jane McDowell read the early Galloway and she was excellent. I won't buy any more as long as Clare Corbett is the reader
For goodness sake read the book and don't do the accents.
The narrator was fine with the female characters but did a terrible job with the male characters.
I hate to say this -- I resist saying this as often as possible - but the narration here for any character other than Ruth is horrible. Children should not necessarily be depicted as cartoon characters and worse, men should not be voiced as childrens' teddy bears in a fake gruff voice. Every scene including a male character is ruined.
Please see above.
I still enjoyed this book in the series, but I agree with other reviewers that stated that the narration was distracting. I was so disappointed in the sonorous, droning tone bestowed on Cathbad, who in previous versions was an Irishman, that I almost couldn't follow the story at first.
Also, when performing the children's voices the narrator because loud and piercing in order to maker her voice sound 'childlike.'
By the next book in this series that is read by the same narrator I became a bit more used to it, but still missed the other narrator.
I've loved listening to this series, but I was dismayed to hear the new narrator. Jane McDowell was FAR superior. Clare Corbett's female characters are fine, but her male characters sound more like caricatures of what "men" sound like. Ugh. If I didn't love the series so much, I'd stop listening to this one.
The story was about as well written as the previous entries in the series. Unfortunately the amateurish narration ruined this and the subsequent entry I've read, The Outcast Dead. Clare Corbett renders all of the characters' voices, especially those of children and males, as unbearable caricatures of over-emoted stereotypes. I struggled through the entirety of The Dying Fall in an effort to continue the series, and because I hoped that possibly Clare Corbett's narration would improve in later volumes. That didn't happen. Her narration in The Outcast Dead was so poorly done that I couldn't finish the book.
See other comments about the narrator.
A brain dead question. Jane McDowell or someone with her talent should have been been hired as narrator. The publishers either couldn't or wouldn't do that, for the usual reasons that they give when explaining their failures and collecting their bonuses.
I think it needs a replacement with a new narrator, not just a follow-up. The previously published follow-ups narrated by Clare Corbett should also be re-released with a different narrator. Ideally, Jane McDowell should be that different narrator.
I am applying for refunds for The Dying Fall and the Outcast Dead. I will not be listening to The Ghost Fields unless the narrator is changed.As of this date, 05/06/2016, the latest entry, The Woman in Blue, is available on Amazon in print and Kindle editions only. If an audiobook version is released, I hope that the narrator is not Clare Corbett. Otherwise, I'm through with this series.
The performance was awful. The narrator's attempts to voice the characters was torturous.
A Maisie Dobbs book from the library.
As was true with the previous four books in the series, the story is great! The characters are diverse and compelling.
The narrator's voice for Cathbad makes him sound like an old cigarette smoking drag queen. And her voice for Kate, particularly when she is calling out is ear piercing! I was not thirty minutes into the story before I had called my partner to ask about the narrator change. He completely agreed it was horrible, so much so that we both debated buying the sixth book because it was again narragted by Clare Corbett!
Miserable voice for Cathbad and a voice so irritating for the two year old Kate that I could not listen with earphones on because the volumn would hurt my ears if she did kate and I could not hear the other voices if I adjusted to a Kate acceptable level.
NOT read by Clare Corbett...
I must remember that Elly Griffiths likes to write in the present tense and I dont like listening to stories written in the present tense. Whilst the story was interesting enough I found that the tense grated on me and I spent more time listening for that than I did for the plotlines. Shame, the premise is good, the locations mean something to me but I wont be getting any more.
"You might have to grit your teeth"
I would recommend this story, with the warning that you may have to grin & bear some of the 'voices'. Fortunately, the story was enough to keep me hooked.
A different narrator would have improved the book out of sight. The men's voices were awful - I almost pictured the narrator putting her chin down to her chest to try & deepen her voice - and I considered giving up the story two or three times. I decided to hang in there, though, because I was interested enough in the story.
"Another good Ruth Galloway mystery."
I love audio books, so I'm already a convert.
Ruth is great, trying to balance work, motherhood and police work. I like cathbad too, he adds a bit of mystery to the proceedings.
This was the first Elly Griffiths book I've read so I had to go back to number one in the series, it's worth doing as the characters grow with you.
"Change of accent"
One of the main characters has been changed from an Irish accent to posh English and it really bothered me.
"Has the narrator ever been to north?"
I have listened to the Ruth Galloway books in order and thoroughly enjoyed them until I heard the narration on this one.
Has this narrator every been been to the north west.? I can assure her that the men in these parts don't sound anything like that and what has happened to Nelson? his voice is terrible. I only persivered with this book because of the good story line and I want to know what happens between Ruth and Harry, because of this I will listen to the next book and try to ignore the terrible male voices.
"My favourite Ruth Galloway so far - with a twist!"
I found this series through an Audible offer that turned out to be No.6, the Outcast Dead, and got hooked enough to buy the rest and listen from the beginning.
I enjoyed them all, but this one stands out for me because of the Arthurian theme. Did he exist, and if so who was he? I've read so many theories and the Northern British ones are fascinating. Yes, this is a novel, but so are the late Mary Stewart's Crystal Cave series and they are brilliant. (Wish Audible would record them, unabridged)
With this you get everything - a classic Ruth Galloway book, well written, with developments in the lives of all the regular characters. A murder mystery that keeps you guessing a lot of the time. Archaeology proving more interesting than I ever imagined. Plus King Arthur!
Yes, Ruth still dithers when she should act, never seems to learn from previous risky experiences and often you want to shake her in irritation but that's the person she is and the mark of how well Elly Griffiths has created her as an individual. Well read as always, and with a wonderfully intriguing twist...
No spoilers! Listen for yourself...
Like all Ms Griffths books this one was fantastic
I love Ruth and little Kate, listening to like Kate growing up and how Ruth deals with her very new age without being silly.
I thought the way the fire at the brining was brilliantly written you felt you were with Dan as he tried to escape the flames, chocking on the black smoke
I always cry in Ms Griffiths book but I also laugh at Nelson, waiting his cake an all.
I wish I had found her books sooner, can't wait to finish reading them all over again but this time I the right order...haha
"Not as good as previous stories"
This story missed some of the benefits of the earlier novels, in that the Norfolk setting has a character and atmosphere of it's own. The action here is transferred to Blackpool, and the fact that a number of recurring characters manage to be there is a little contrived. In addition, while it is a cliche that having listened to 4 audiobooks with one narrator any listener is going to be a little disappointed with a new performance, I do actually think that Jane McDowell's performance was better, particularly with the male characters.
This is the first Ellie Griffiths book I've listened to. I really enjoyed it, I liked the mix of murder mystery with a little archeology. The pace of the story was consistent, drawing you in, wanting to know more and then building the story to a dramatic finish. I will definitely listen to more of her books.
Awful, cluttered style of writing. And now I am forced to write more before I can submit this review. Awful awful awful awful awful
This is Elly Griffiths at her best, unfortunately at is ruined by one thing; the narrator's characterisation of Cathbad's voice.
The story is classic Ruth Galloway and it cannot be faulted, the usual suspects are all there, with the twist that the main plot is set on the Lancashire coast. Most of the voice characterisations, which is very important when listening to a book, are fine. The voice of Cathbad, however, is dreadful. The Druid grew up in rural Ireland and has spent his adult life, as far as we have been informed thus far, in Manchester and rural Norfolk; the narrator makes him sound as though he were a bad actor trying to portray the result of a Home Counties upbringing coupled with Eton and Oxbridge.
The book itself would be a definite "five stars", but I just cannot do the same for this audiobook as a whole.
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