From Marcus Sakey, "a modern master of suspense" (Chicago Sun-Times) and "one of our best storytellers" (Michael Connelly), comes an adventure that’s at once breakneck thriller and shrewd social commentary; a gripping tale of a world fundamentally different and yet horrifyingly similar to our own, where being born gifted can be a terrible curse.
©2013 Marcus Sakey (P)2013 Brilliance Audio
Don't ask me why I hung on for so long. It took me until part 2 to even care what happened. Even then though, I just wanted to know what was going to happen because I had already invested so much time. Once I got to part 3 I was finally hooked. I needed to know what happened by then.
I wouldn't say the overall story was disappointing. It just took me a long time to get attached to the character. I guess I wanted more insight into who Nick Cooper really is.
It's hard to tell if it was the performance or the writing that was subpar. There were times that I couldn't tell what was actually happening and what was in Nick's head. I'm sure if I were reading it, it would be easier to make the distinction. So I guess I'd say the performance was a little dull.
I was satisfied with the ending so I wouldn't say that it wasn't worth my time to listen. But knowing what I know now I wouldn't waste a credit on it. I would wait for it to go on sale...maybe.
I know there is a sequel and I would like to know what happens but after my experience with this book I'm not sure if I'll make it a priority any time soon. It'll stay at the bottom of my list for now.
Obsessive book hoarder, and intense audible lover.
Probably not, but that doesn't mean I didn't enjoy it the first time around.
Not especially. I do love easy listeners once and a while but too much in one sitting and I find myself rolling my eyes and becoming irritated during certain trite instances.
I purchased this book during the daily deal special, where they brought them all back at the sale price. I did enjoy it. But not once did I feel the desire to see if there was a sequel. It was easy going in the sense that it was a rhythm I'm familiar with. Where characters predictably make right/wrong choices and the bad guys could be seen a mile away. I'm not saying don't listen to it, just be aware that you will know what's coming and the end is very predictable.
I have to write 15 words here but I can't think of an answer that isn't insulting to people who like this. But I've filled the 15 words now. So that's a good.
The protagonist's inability to think anything through and the lack of exploration of the sci fi concept the book introduces.
This is how the main character thinks things through: "Someone I love is potentially under threat? OK, I'm going to make that threat harder to deal with and ignore every warning sign I see. But it's because I feel really strong about this, so I don't have to think."
This problem is compounded by the fact the character is meant to be good at analysing characters and their future actions. That's his sci fi super power - predicting the future. The author had an out where initially it's just in specific situations but instead of using that to maybe say there were downsides to these skills/powers because you became too reliant on them, thus explaining his incredibly short term view of the world, the book stresses both that he can't turn the power off and then uses his power to figure it all out.
So he can't turn the power off, even, and he's only been given one small extra piece of information. And he figures out something he could have figured out if he'd ever simply considered a posibility. And his power is always on. So, in over a decade, and especially in the last ~4 years when he knew he had a bigger stake in the issue than just himself, he never with his unable to turn off power ever had a bit of a think.
He was also kind of a moral vacuum, even after his realisation of what was going on, still expressing a strong willingness to sacrifice millions for a small reprive for his family.
The other disappointment was the lack of exploration of the sci fi concept - that instead of idiot savants a bunch of regular savants are born. A fun concept. The further things we learn as the book develops - sometimes really strong savants can't function 'cause of a kind of sensory overload and none of the savants can turn their ability off. That's it. No other pitfalls. No unexpected applications of the abilities. Each ability is introduced early on, is quite simple and doesn't change.
At first I thought he was a bit cheesey sounding but that's just the American announcer voice that male American narrators seem to have. I got into it. He did voices for each character and really had a go.
Is it just me or is this a ridiculous question? But I have to get my 15 words in.Cutting Jar Jar Binks wouldn't have fixed the structural problems and characters in The Phantom Menace. Cutting any one character from this book wouldn't fix the problems with it.
This book had potential but it was squandered by making the main character a bit dim (while claiming he was a genius). For the first half of the book I was genuinely hoping the predictable thing wouldn't happen and instead he'd die and another character would take the lead. That hope was squashed the further I read and the predictable happened.
I hope, for the author's sake, he makes the character a bit brighter or better yet just follow a different person in the same world and has something up his sleeve for the abilities to develop for the sequel.
I won't be reading it, but I hope he does.It really is a fun concept. If you're the kind of person who can genuinely turn their brain off while reading this stuff probably wouldn't bother you.
A lot of my audio rating depends on language- I prefer it clean- and this one does NOT measure the test. If you are on a trip with kids, this one is not for their ears.
I found the concept of the story very interesting, I enjoyed the characters and thought the plot moved at a pretty good pace for a thriller novel. The story could have benefited, I felt from a little more background into what was the cause of the 'brilliant' phenomenon.
The reader was good, but I did not care for his performance, chalk it up to personal preference.
This is not an audio I would listen to again.
This book...what can I say? It blew my mind! The story is so rich and detailed. I loved the idea of a world where more and more humans were born with special talents which made them brilliants, and how a whole web of terrorism and conspiracies was built around it. This book definitely kept me on an edge. But my absolute favourite thing was the talents themselves. They were so cool, and not at all ordinary. I mean, they weren’t superhero type of powers, but rather normal abilities enhanced, and I treasured how the world improved because of them.
Another great feature of this book where its characters. They all had their own unique personalities and it was cool to see them blend together. Some of them are really unexpected, in a way you couldn’t predict.
I adored the relationship Cooper had with his ex wife and kids, and his ability to work as a team. I loved his team mate Bobby, and the easy way Nick and Shannon's conversation flowed.
Every piece of information would come back later on as a relevant clue to the puzzle. Sometimes it seemed that too much unnecessary information was given, but in the end every piece fits perfectly and you realize why they were put there to begin with.
It did appear to me that maybe too many details were added and as an Audiobook sometimes they were hard to follow. They contributed to the sense of what Cooper was seeing, which added some effect of what his power would feel like, but I did get lost in the details. Maybe it’s because I listened to it when commuting, so I could only listen to like 10 minutes at a time, but once you reach part 2 you are already too invested in this story to care.
In sum, this book is thrilling, enticing and will definitely want you leaving more.
Regarding the narration, it’s safe to say that Luke Daniels is THE BEST narrator I’ve heard so far. He definitely added something extra to the already great story; he gave it a black & white old detective movie kind of vibe, even if the book is not much of a mystery; which made it much easier to get into this book and get enthralled by it. I’m definitely going to get the second book in the series as an Audiobook just for the pleasure of hearing him. His voice is so versatile and masculine; but the best part is not even that.
They were so many characters and he managed to give each one of them a distinct voice you could recognize the character in a second when they spoke. He even had a different voice for the narrator. Of course, about the 15th character appearance, voices started to sound alike, but that is kind of inevitable. I’m always so sceptic on male narrators doing female voices, because they tend to make them sound like drag queens, no disrespect intended. But Luke totally nailed Shannon. She felt like a whole woman to me, at least. Overall, Luke’s technique is impeccable! You should definitely watch out for more of his work.
This is a pretty interesting take on the CIA thriller type novel. I can definitely see where governments would attempt to harness the potential of a new evolution of human. People do fear what they don't understand and other people do use that to their advantage. The story is current and the narrator, Luke Daniels, is well suited to this genre. Sprinkle a little bit of sci fi into a Vince Flynn novel and this is what you get. I enjoyed it and would listen to a second novel.
The audio books I get tend to be either 1) scifi or 2) things for my husband and me to listen to on long road trips--humor or history
The sci-fi premise of the book seemed promising: suddenly and with no apparent cause, people start being born who are off-the-charts brilliant at an astonishing rate. Think of it like the "autism epidemic" only with geniuses. At a very young age, the geniuses are taken away from their parents and put in boarding schools where they are placed in competition with one another (reminiscent of Ender's Game). They are taught not to trust other brilliants and to bond only to their teachers, who are not brilliants. These are really interesting ideas.
Unfortunately, the story is encumbered with a one-dimensional protagonist. The main character--a "Brilliant" who has chosen to use his special talents as a sort of special ops guy who tracks down other brilliants for the government--has just one reaction to everything. His special talent is to be able to read people's body language and know just what they are going to do next. This gives him a great advantage in a fight. His backstory adds in the tidbit that he was bullied on the playground when he was a kid. And there you have this "fascinating" (NOT) character whose only reaction to any given situation is to want to fight, hit, push, crush, and otherwise physically assault people. He has this reaction constantly, whether the person he is talking to is a threat or not. If your only tool is a hammer . . .
Other characters seem like they were cut-and-pasted from a bad detective noir novel. The protagonist's side-kick detective is also heavy with the street fighter mentality. Even the women in the book have an aggressive, male vibe--one of them says something like "Whose ball sack do I have to hold in order to get a drink around here?" No one talks like that. The constant aggressive nature of the protagonist and the terrible dialog was so off-putting that I only listened to about 1-1/2 hours of this novel.
That's too bad, because I liked the narrator. Luke Daniels did an amazing job switching voices for each character. He was equally good at doing the male and the female characters.
Movie loving Brit living Down Under. Anything 'end of the world' themed usually gets my attention, but The Stand has yet to be beat.
An original idea.
It was just so formulaic and predictable. Narration was a bit too 'trailer voice-over guy' to give the story any impact, which didn't help, but the characters are just paper-thin. There's treachery, but you see it coming. All is not what it seems, but you see it coming. It's a story that's been done many times and usually better than it's done here.
He's a good narrator in that he's clear and his voices are fairly distinct from one another, but he just can't wind in the 'square jawed hero' voice. Like I said, often his narration sounds like an audition for trailer voice-over work; it was a time of warrrrr.
Nothing, I just didn't click with the story. Some people probably will.
At least I listened to the entire story, so it couldn't have been that bad.
This was a good story and a good read. I would have liked to give it four stars.
But the author doesn't trust the reader to get the point. He hits the reader over the head with it, over and over again. It's like the Holocaust (boink!). It's like making the Jews wear a yellow star (boink!). It's like the WWII Japanese internment camps (boink!). It's like racism (boink!). It's like homophobia (boink!). And then I read an article he wrote and he also says it's about autism.
By doing this, he disrespects the reader and adds a falseness to the story. He's not black. He's not gay. He's not Japanese. He's not autistic. (I don't know if he's Jewish, but even if he is, he grew up in America and never had to wear a yellow star!)
It's always risky to tell a story not your own. But, hey, that's what fiction is. But then just tell the story and trust the reader to make her or his own connections and comparisons.
The narrator was okay, but not my favorite. He only had one alternate voice other than Cooper's and it was rather annoying.
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