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Jason and the Golden Fleece
- The Argonautica
- Narrated by: Jonathan Keeble
- Length: 6 hrs and 17 mins
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Publisher's summary
Jason and the Golden Fleece is one of the finest tales of Ancient Greece, an epic journey of adventure and trial standing beside similar stories of Perseus, Theseus and the Labours of Heracles. The finest classic account comes from Apollonius of Rhodes, the Greek poet of the 3rd century BCE and librarian at Alexandria. Though less well-known than Homer's Iliad and Odyssey, and much shorter, it is an epic poem which is both exciting and moving, with remarkably vivid portraits of the main characters, Jason and Medea. In the hands of Apollonius, these are far from one-dimensional figures of ancient myth.
Jason is a very human hero, forced to undertake the quest by a vengeful ruler, and though he leads a ship full of heroes - Heracles, Peleus, Caster and Polydeuces among them - he has moments of doubt and prevarication which he has to overcome in order to ultimately grasp the Golden Fleece. And Medea, a virgin witch possessing consummate skill with spells and an ability to be cruel, is shown here with some sympathy, for she is under the sway of the immortals Hera and Athena. Succumbing to their machinations and Eros's arrow, she finds herself on a dangerous path, flouting the will of her powerful father Aeetes, King of the Colchians, to help the Argonauts.
And then there is the ship itself, Argo, wrought with the help of Athena to survive the challenges of a distant voyage past Scylla and Charybdis into the Black Sea. Apollonius weaves plot and poetry, courage and boldness, tenderness and sympathy, to fashion one of the greatest monuments of Western literature. R. C. Seaton's classic translation has been considerably revised for this recording by Nicolas Soames, and it is read with verve by Jonathan Keeble.
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She and Allan is a novel by H. Rider Haggard, first published in 1921. It brought together his two most popular characters, Ayesha from She (to which it serves as a prequel), and Allan Quatermain from King Solomon's Mines. Its significance was recognized by its republication by the Newcastle Publishing Company as the sixth volume of the celebrated Newcastle Forgotten Fantasy Library series in September 1975.
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Best of the Trilogy
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By: H. Rider Haggard
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The Kalevala
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The Kalevala provides a compelling insight into the myths and folklore of Finland. Compiled by Elias Lönnrot in the 19th century, this impressive volume follows a tradition of oral storytelling that goes back some 2000 years, and it is often compared to such epic poems as Homer's Odyssey. However, The Kalevala has little in common with the culture of its Nordic neighbors: It is primarily poetic, it is mythical rather than historic, and its heroes solve their problems with magic more often than violence.
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This was Meant to be Read Aloud
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The Ramayana
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Here is one of the world's most hallowed works of sacred literature, the grand, sweeping epic of the divine bowman and warrior Rama and his struggles with evil, power, duplicity, and avarice. The Ramayana is one of the foundations of world literature and one of humanity's most ancient and treasured ethical and spiritual works. Includes an introduction by scholar Michael Sternfeld.
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The intricacies of Ramayana lost
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Beowulf: The New Translation
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The origins, history and authorship of Beowulf are shrouded in uncertainty. This heroic epic probably began, as most do, with a wandering troubadour strumming a stringed instrument, sitting before a hearth-fire, and singing the verses to a spellbound audience arrayed before him. Beowulf is a rousing adventure story, filled with intrepid heroes, monsters and fire-breathing dragons, which can be listened to for the sheer enjoyment of the tale.
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Hard to follow as audio
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Mythology: Captivating Greek, Egyptian, Norse, Celtic and Roman Myths of Gods, Goddesses, Heroes, and Monsters
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This audiobook collection includes five captivating books, a huge collection of the best myths and stories of gods, goddesses, monsters, and mortals.
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Not what I expected
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The Children of Hurin
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There are tales of Middle-earth from times long before The Lord of the Rings. The story told in this book is set in the great country that lay beyond the Grey Havens in the West: lands where Treebeard once walked, but which were drowned in the great cataclysm that ended the First Age of the World.
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Powerful and Disturbing
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The Iliad
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Most of the great Greek stories and epic tales are initiated over women, which is exactly what happens in the very beginning of The Iliad by Homer. The Trojan War has been waging for nearly a decade, and really erupted when Helen, the wife to Menelaos, was kidnapped and thus launched the "thousand ships" in pursuit of her. This is the reason that the Achaians and the Trojans have been fighting each other for so long. Achilles, who has become hero to the Greeks, is given the present of a slave girl for his excellence in battle.
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The Iliad
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Medea
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Medea is an ancient Greek tragedy written by Euripides, based upon the myth of Jason and Medea and first produced in 431 BC. The plot centers on the actions of Medea, a former princess of the "barbarian" kingdom of Colchis, and the wife of Jason; she finds her position in the Greek world threatened as Jason leaves her for a Greek princess of Corinth. Medea takes vengeance on Jason by murdering Jason's new wife as well as her own children, after which she escapes to Athens to start a new life.
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Great Narrator makes this story work
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The Theogony of Hesiod
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The Theogony (composed c. 700 BC) is a poem by Hesiod (8th-7th century BC) describing the origins and genealogies of the Greek gods. A theogony is a part of Greek mythology which attempts to articulate reality as a whole. Hesiod's work is a synthesis of various local Greek traditions concerning the gods, organized as a narrative that tells of their origin and how they established control over the Cosmos.
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Epic poem
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Faust
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Faust by Johann Wolfgang von Goethe, is a poem, translated by Bayard Taylor, which tells the beautiful and emotional story of a man who has seen and done it all. However, despite all of his learning and education, his life still feels empty and unaccomplished. He believes wholeheartedly that there is something else out there. Faust, having exhausted all other fields of study, turns to magic for fulfillment. He summons the devil and makes a pact - that if the devil can show him something rewarding and fulfilling, he will give the devil his soul.
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Misleading
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What listeners say about Jason and the Golden Fleece
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Tad Davis
- 04-25-19
Varied but unemotional
This counts as one of those books I’m glad I read, but I don’t expect to be reading it again anytime soon. It falls somewhere between Homer and Virgil, but is far more intellectualized and unemotional than the writings of either of those people. It’s not because of the reading: Jonathan Keeble gives his usual spirited performance. It’s just that for all the murder and mayhem that occurs, it doesn’t convey a sense of the stakes involved for any of the characters. It’s hard to imagine the Argonautika and at the same time try to feel the spellbinding rage of Medea that pours out of Euripides’ play.
There were two big problems for me. One is the unfamiliarity of many of the names. Apollonius doesn’t help matters by starting the poem off with a 20-minute recital of the names of the Argonauts, complete with genealogies. I found a kind of solution by following along in a printed version: it wasn’t the same translation, but it helped me keep my bearings.
Then there was the unfamiliar geography. There are plenty of maps of the Argo’s voyage online, but none of them were detailed enough or readable enough to follow the text closely. Plus I was left with the impression that Apollonius pulled a fast one. One minute the heroes are pulling up on the western shore of the Black Sea; and it seems that only a page or two later they are sailing down what is now the coast of Albania. How did they get there? Reference is made to some rivers that don’t exist, but if the cross-country trek is described in any detail, I missed it. The legerdemain occurs again shortly afterwards, when suddenly the Argo is sailing down the Rhône to the Mediterranean and the west coast of Italy.
As I said, I’m glad I read it, and it’s definitely worth a listen. It does help fill in some of the gaps left by Homer and Virgil. But it felt more like homework than most audiobooks I listen to.
LATER: I went back and tried to retrace the return route of the Argo using different translations and maps. I believe I understand it now. It appears that Apollonius thought the Danube River, which Jason uses to make his escape, branches off to the south at some point and enters the Adriatic Sea near present-day Croatia; and that this entire route was navigable by ship. In the next phase of his journey, he enters the Po River on the east coast of Italy; and again, it seems to be Apollonius’ notion that ships could sail up this river through the Alps and Lake Geneva and directly into the Rhône, which would bring them down to the Ligurian Sea near present-day Genoa. The trips are described so vaguely that he seems to be trying to fudge this. In an introduction, EV Rieu says it’s possible some material was removed from these river trips to shorten the poem.
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5 people found this helpful
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- Adam
- 04-27-20
Epic Adventure on the high seas.
Come and witness a seafaring romp through Poseidon’s ancient waters. You will see pats bend like bows at the tremendous power of heroic oarsmen, battles with harpies and even a dove’s tail shorn off by crashing mountains of rootless rocks in the seas. Would you think that a dove losing its tail feathers would be the prompt to turn around out to go for it? You might be surprised. Medea plays a pivotal role in this story. Maybe go read the play before or after listening to this audiobook.
Ukemi is the first name in audiobooks if you ask me. They are bringing classics to life with world class vocal talent and the very best of translations. You must check out their recordings of the Socratic dialogues of Plato. Side-splittingly funny, and the actor who plays Socrates doesn’t miss a single beat. What fun and so accessible! Better than any introduction to philosophy. Look through Ukemi’s catalog of titles. You won’t be sorry.
Thank you Ukemi for my classical education! Keep up the great work and production value.
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