David Hajdu reveals how comics, years before the rock-and-roll revolution, brought on a clash between postwar children and their prewar parents. Created by outsiders from the tenements, garish, shameless, and often shocking, comics became the targets of a raging generational culture divide. They were burned in public bonfires, outlawed in certain cities, and nearly destroyed by a series of televised Congressional hearings. Yet their creativity, irreverence, and suspicion of authority would have a lasting influence.
©2008 David Hajdu; (P)2008 Blackstone Audio, Inc.
"Every once in a while, moral panic, innuendo, and fear bubble up from the depths of our culture....David Hajdu's fascinating new book tracks one of the stranger and most significant of these episodes, now forgotten, with exactness, clarity, and serious wit." (Sean Wilentz, Professor of History, Princeton University)
"This book tells an amazing story, with thrills and chills more extreme than the workings of a comic book's imagination." (The New York Times)
What a terrific book. As a child in the fifties I vaguely remember my parents warning me about comic books. But this book tells all the background information I could have never understood.
And the birth of MAD magazine is a great bonus to the birth of all the comic creations.
How our country got so wrapped up in fearing comic books is absurd, but not surprising given the hubbub a few years back over the flash of a breast at the Super Bowl.
This book is worth every moment of time. And while I usually enjoy the narrator, his attempts to do a "Noo Yawk" accent was a little too "dese, dems, and dose" to enjoy.
I like books that have interesting characters and easy to follow plots. For example, Cormoran Strike, is a great character for me.
Most people believe that we live in a country where freedom of the press is guaranteed by the Bill of Rights. This book, which is very well written, shows a slice of our history in which this right was removed. What was done to the comic book industry was the equivalent of Salem witch hunts. I was horrified and nauseated at the descriptions of massive comic book burnings. I had no idea that this event occurred and reminds me that we have to be ever vigilant to attempts by people who attempt to dictate what my morals and tastes should be. This book was gripping and very informative.
This well researched book clearly details how Comic Books were used as a quick easy target for the difficult problem of violence in society. One can't help but see the parallels to current events as we scapegoat video games as the cause of violence in young people, even though violent crime has gone down as the sale of video games has gone up over the last 5 years. It is precisely the same dynamic described in this book.
A fair criticism is that there are too many sources referenced. I would have liked less quantity and more in depth interviews. However, as a fan of old EC Comics, I enjoyed hearing from all of the people who created them; many who lived through the ban went on to create modern comics. And all of the first person dialog brings the tone of the times to life.
Now I understand why my grandmother, to my horror, threw away all of my comics when she discovered them in my room in 1962. She thought I was headed for a life of crime!
The narration was excellent.
I listen to books when I'm at work or doing chores. I prefer history and fantasy. My favorite audio book is Going Postal by Terry Pratchett.
I think everyone ought to read this book so they might understand what happens when you impose outside censorship on any medium. I'm glad someone thought to do a book about this incident. My only complaint is that the author has a poor sense of sentence structure and the awkward, crammed-together, run-on sentences make the text hard to follow when it's read out loud.
The book itself is well written; I will have to look at the other book he has out on audible.
Rudnicki is a great narrator, but when he attempted a "New York" accent he sounded like one of the characters from his reading of ENDER'S GAME, whom I hadn't realised where supposed to be New Yorkers, and it's kind of jarring.
Other than that, no complaints.
Say something about yourself!
This is some pretty solid reporting of the Comic Book Scare of the late forties, early fifties. It may be a little long for its topic, but very informative and enjoyable nonetheless. It makes me wonder what comics would be like if the brakes hadn't been put on creativity for twenty to thirty years.
I loved every minute of this excellent book. The comic book scare is a sad little chapter in American history, and the author brings it to life, taking us inside the lives of dozens of comic creators, publishers and fans who were caught up in a bizarre morals crusade. As a fan of comics and comics history, I was predisposed to liking this book, and it didn't disappoint. But even if you are just a fan of American history, I would recommend this title.
I found this book enjoyable, but. . .
I think a comic book collector should and would cling to most of this book. It sort of got a little dry in the middle with historical information that I started to just want to work through.
Having said that, I really liked the book overall. I am a fan of Mad Magazine, and I particularly enjoyed reading about its history in this book. This book also does remind us that censorship has been around a long time--and will continue for a long time to come. I particularly love how we use blame and censorship to absolve us of blame for the behavior of our children. G(g)od forbid we should blame genes and poor parenting.
Enjoy this book and fast forward when it gets too dry. Many moments are quite entertaining.
This title contains a great deal of information for those of us who are interested in the history of comic strips and/or comic books. That same group, however, are likely to be apalled at Stefan Rudnicki constantly mispronouncing the name "Sub-Mariner." He says it like the word "submarine" with an "er" at the end rather than "mariner" (as in Rime of the Ancient...) preceded by "sub."
Rudnicki is still one my favorite narrators. Other than the above problem his performance is excellent as usual, but for comics geeks that one issue can be fairly irritating.
Coffee and a Book Chick
Man. It's been a while since I've not been able to finish an audio. Just remember that I'm no audio expert, but since I'm cataloguing my reading choices, I really can't ignore this one. I can only tell you that I've hit play on this audio twice and... I just don't think I can plod along with it anymore.
The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America tells the story of how comic books first came about after World War II and before television became mainstream and accessible, and the subsequent hysteria generated by those who felt that comic books were lowering standards and ethics for the youth of the day.
This held so much promise. I love comic books, history, and audio. I wanted to fall in love with this. I started it a couple months ago, and stopped it after one hour because I just couldn't get into the story and wasn't the biggest fan of the narrator's voice.
The second time I started it, this past week, I went much further along with it to around the six-hour mark, but I decided today I needed to just stop. I found my concentration wavered and I was easily distracted.
I might try this one more time...maybe I should try it in the printed version instead? I can say that I am most definitely in the minority on this. The reviewers on Audible.com gave it high marks, so make sure you consider that as well. I'm in no way the final authority.
Audio Notes: I know Stefan Rudnicki has a great fan base and he does have a very nice, soothing voice. Although it is a comforting tone, I felt there wasn't much variation in the characters' voices, or in the overall narration. An Audible.com reviewer also pointed out that he unfortunately pronounces "submariner" as though it's "submarine" with an "r" at the end, like sub-ma-reen-er, but the correct pronunciation is sub-mare-uh-ner. It sort of drove me nuts as well. Click here for the sample at Audible.com.
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