Spitalfields, 1840. Catherine lives with her Uncle in a rambling house in London's East End, with little to occupy the days beyond her own colourful imagination. Then news reaches her of a disturbing murderer known as The Man of Crows. Catherine becomes more and more involved as she hungrily devours the news, and is soon snared in a deadly trap, where nothing is as it first appears...
As the murders continue, Catherine gradually realises she is snared in a deadly trap, where nothing is as it first appears... and behind the lies are secrets more deadly than anything her imagination can conjure.
©2012 Kate Williams (P)2012 W F Howes Ltd
There are no reviews for this title yet.
This is appalling writing, and a tedious unbelievable plot. The primary narrator is the pits as well (breathy,drawling monotony). I can't believe I listened all the way to the end. I think I was listening in disbelief, hoping it would get better, but it just got worse.
"Difficult to follow"
The narrators do a wonderful job, but even so, after 5 hours of listening I gave up, something I very rarely do, as I simply couldn't follow the plot and had no idea what was going on. Perhaps one to listen too in sections of 3-4 hours.
I find it hard to emphasise how much I hated this book. The authoress drags it out and the plot stumbles and meanders and it's just so boring. I kept on until the bitter end hoping that it would get better. It didn't.
"This book was a waste of time"
The book relied on being sensational. The characters where unbelievable and not very well explained. It was set in an insufferably hot London that was at the same time damp.
The author tries to build a sense of thrilling tension by not giving too much away but ends up confusing the reader. The chapters become monotonous with out moving the plot along. Having finished the book I'm still unsure of the motivation for Catherine. It's simply unbelievable that a girl of her class and status would be allowed to go around alone the way she did. Certain elements of the plot were never explained or resolved, characters were never fully explained, were they red herrings ? At one stage Catherine goes to the family home to find it abandoned and derelict. Why ? Was it her house ? Then she is surprised there by her uncle. But again, why ? how ? and what ? She's referred to as being rich but theres not much evidence of that. clearly there is a link between the men who abducted her brother and the present but Why, How, What ? Too much was unresolved and poorly constructed. Reading it became a bit of a bore.
I would have told her to go back and re write it from scratch.
"glad to get to the end"
I persevered with this book because the characters were quite intrguing and the storyline following the murders of the lower class girls in London was interesting. I did not understand why the main female character was so tormented by her past and the regression on many occasions to previous experiences/dreams/fantasies made the whole read very disjointed. Having finally discovered the truth of her past, she simply runs away and the final 3 chapters on her life in France as a teacher seem to bear no relevance to the rest of the story whatsover and I have no idea why it was included. Unfortunately this one book by Kate Williams has put me off reading any future ones.
I would have preferred more progress through the plot.
All the narrators sounded like the same person putting on different voices, every one of them forced and unbelievable.
I was disappointed with the book: I think I was expecting a solidly mysterious story such as Wilkie Collins might have written.
Some of the passages were very clever, in particular the cryptic description of Lady Eduarda seducing her maid (you could just about tell where, in the text, it happened) - and in the same way, the technique of slightly obscuring the exact moment of death of the murder victims.
Report Inappropriate Content