A debut novel by a brilliant young woman about the coming-of-age of a brilliant young literary man.
Nate Piven is a rising star in Brooklyn’s literary scene. After several lean and striving years, he has his pick of both magazine assignments and women: Juliet, the hotshot business reporter; Elisa, his gorgeous ex-girlfriend, now friend; and Hannah, "almost universally regarded as nice and smart, or smart and nice" and who holds her own in conversation with his friends. But when one relationship grows more serious, Nate is forced to consider what it is he really wants.
In this 21st-century literary world, wit and conversation are not at all dead. Is romance? Novelist Adelle Waldman plunges into the psyche of a modern man - who thinks of himself as beyond superficial judgment, yet constantly struggles with his own status anxiety; who is drawn to women, yet has a habit of letting them down. With tough-minded intelligence and wry good humor The Love Affairs of Nathaniel P. is an absorbing tale of one young man’s search for happiness - and an inside look at how he really thinks about women, sex and love.
©2013 Adelle Waldman (P)2013 Brilliance Audio, Inc.
"Nate is so convincingly drawn you’ll want to hug him, lecture him and shake some sense into him simultaneously. Waldman has deftly written a laugh-out-loud treatise on why he didn’t call." (Allison Amend, author of A Nearly Perfect Copy)
Anglophile. Prefer only British fiction and mysteries. Good translations of Italian, too.
No, I would hope my friends could read it in print. The narrator was awful - whiny, nasal and boring as hell.
Perhaps the Ivy Chronicles.
A woman. A good British male reader. This guy is just awful.
I laughed when I was not annoyed by the horrible reader.
It makes me sad that an excellent debut novel could be ruined by such a bad and clueless reader. That guy is so bad I will never listen to any book he narrates. I would leave the train carriage if he sat next to me and I had to hear him speak. Why do so many American readers think they are actors and over-act? Truly trying and more than a bit annoying. This is why I mostly listen only to British novels, but keep trying to find good american ones. Hard, given the readers.
Any time spent reading/listening to something thought-provoking is time well spent. I did find I preferred to read my hard copy than listen, though. (See comment on Nick's performance.)
I don't think "enjoyable" was what Waldman was going for. She wrote a book that was meant to be uncomfortable, and it succeeded.
The way he does women's voices: most of them sounded like Miss Piggy. I am not kidding. Luckily most of the narrative is in Nate's head, and Podehl is fine when he's doing the male voice.
Oh, I don't think so. Hollywood would do terrible, terrible things to this movie. Even if it were an indie flick, it wouldn't work: too much time in people's heads. There's not enough action to put this into film form.
The book is described as witty, which it is; it's also described as funny, which it isn't. (Except on occasion.) Waldman is an excellent writer and takes the subject of dating seriously, as she says through one of her characters: "I just hate the way so many men treat 'dating' as if it's a frivolous subject ... Dating is probably the most fraught human interaction there is. You're sizing people up to see if they're worth your time and attention, and they're doing the same to you." Waldman apparently does a bang-up job (according to male reviewers) of getting inside the skull of a man, which is no easy task. The positive reviews she's received from men is surprising, considering she is basically skewering them. Nate seems likable enough until the end; his choices at that point push him firmly into pathetic asshole territory. In many ways, though this book is ostensibly about love affairs, and the plot centers on one, it's the polar opposite of the romance novel.
Librarian, writer, book nerd.
I was very excited to start this book as I had read a number of positive reviews, both on this site (and Amazon and Goodreads) and in magazines. In fact, even after reading it I'm inclined to think that I missed something important because I can't understand how anyone could find this book enjoyable.
Our narrator, Nate, is one of the most selfish, snobbish, unlikable narrators I've ever come across. I don't always have to like the narrator of a story (Dorian Gray anyone?) but listening to Nate complain about his life and his lack of respect for pretty much every woman in his life for eight and a half hours--or 250 pages--was like sitting next to someone on the train that just won't shut up. He was like a self-indulgent child that couldn't understand why everything in his life wasn't perfect and gets bored with everything that is. This was probably the point of the book, I realize. But for me to enjoy a book about someone like this, there has to be some redeeming quality in the narrator or some interesting secondary character. There was not.
The plot of the book largely follows Nate's relationship with a new girl, Hannah. To give some background, he has a pretty dysfunctional romantic history. Though it's never explicitly stated, he doesn't seem to consider women his intellectual equals. For maybe the first month of their relationship, the story is very sweet. I found myself hoping that the point of the story was that people can change, that basic human kindness can be found in even the most unlikely of hosts. But then everything starts to deteriorate. I hated Nate for the way he treated Hannah--and women in general. I hated Hannah for being a smart woman and putting up with such a prick. The secondary characters are all caricatures--the Harvard playboy who only dates beautiful women, the bitter intellectual woman who is obsessed with marriage, the slutty damaged girl that every man is fascinated with, even the immigrant parents who came to America to give their son a better life. And I didn't care one way or another what happened to any of them.
I was miserable almost the entire time I read this book. It seemed to be a dreary, hopeless look at the death of romance and human decency in favor of pseudo-intellectual snobbery. (The narrator repeatedly mentions wanting to date a girl who has read Svevo and other hipster-obscure authors.) If you're in the mood to read something that makes you hate relationships or want to feel very smart, this is probably the book for you. Otherwise, skip it.
Smart, perceptive and interesting
The almost break up scene and the break up scene were well done. There was also a lot of insight into how men think about women and relationships versus how women think about men and relationships, and how these differences cause problems and issues between men and women. Men have it easier I think - this book was consistent with that view, although they suffer as well.
I really liked Hannah until she got overly involved in, and hopeful about the relationship, and ultimately kind of desperate - which I could also relate to. Auritt was great of course. I would be friends with Auritt in real life and she would judge me. I thought the performer did her really well
The end, for a moment, and then it didn't anymore
I recommend this book. It really held my interest - I will watch for this author's next book
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