Winner of the Pulitzer Prize For Fiction 2014
Longlisted – Baileys Women’s Prize 2014
Audie Award Finalist, Literary Fiction, 2013
Aged 13, Theo Decker, son of a devoted mother and a reckless, largely absent father, survives an accident that otherwise tears his life apart. Alone and rudderless in New York, he is taken in by the family of a wealthy friend. He is tormented by an unbearable longing for his mother, and down the years clings to one thing that reminds him of her: a small, strangely captivating painting that ultimately draws him into the criminal underworld.
As he grows up, Theo learns to glide between the drawing rooms of the rich and the dusty antiques store where he works. He is alienated and in love - and his talisman, the painting, places him at the centre of a narrowing, ever more dangerous circle.
The Goldfinch is a haunted odyssey through present-day America and a drama of enthralling power. Combining unforgettably vivid characters and thrilling suspense, it is a beautiful, addictive triumph - a sweeping story of loss and obsession, of survival and self-invention, of the deepest mysteries of love, identity and fate.
©2013 Tay Ltd (P)2013 Hachette Audio
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"Did not want it to end!"
This is the best book that I have read (listened to) in years. The story line is so varied covering many different places, plots surprises etc.. The narrator was perfect for this story excellent at the different accents. I have since purchased three hard back copies for friends, hoping they shall enjoy it as much as I have,.
"Well worth the long wait"
Riveting, surprising, satisfying
Hobie, because he is always there for Theo no matter how catastrophic Theo's behaviour and actions become
Theo because we see him grow and develop from a boy to a man in the course of the book
No I wanted to make it last and last
This is a long book and parts of it are hard to hear as Theo goes from being a loved and protected boy to a miserable, drunken, drug addicted, deceived and deceiving young adult - all driven by the insane desire to own a small painting of a little captive bird. In a way Theo is as trapped by fate as the bird in the picture he loves so much.
"Tour de Force"
This book would have taken some stamina to read rather than hear but David Pittu gives a superb performance. The somewhat lengthy navel gazing passages are made accessible and meaningful thanks to his careful treatment of the text.
The story is inherently interesting but Theo, about whom the story develops, could easily have become a bit of a bore without the superb characterisation of the narrator.
I doubt this will be to everyone's taste but I thoroughly enjoyed it.
"slow burner but gets there in the end"
You need to persevere with it as after the initial bomb blast, the first half is very slow, but does build towards the end.
The main character is very believable.
I did like his accents, especially the Russian ones. He was able to bring the different characteristics to life, not just with the accent, but with the timbre and expression in his voice.
No! it's way too long, and I think you'd lose the will to live as there is a lot of drug taking throughout and the narrative meanders somewhat.
The end was a little hurried. I only gave it 5 stars as it left me a little deflated.
"Best Listen of the Year"
I have just finished the Goldfinch and life can now get back to normal.
This is an utterly compelling listen with beautiful writing and a sensitive performance.
The novel deals with profound themes of love and loss and the nature of reality. It is also very engaging on a narrative level, with an exciting story with many unexpected twists and threads which weave together over the course of 32 mesmerising hours. Although very long, my interest never wained and the book never felt over long or too detailed. The sense of time and place is amazing and it is possible to become totally involved in the book and suspend disbelief entirely.
"Best book I ever listened to!"
There is not a word wrong, I was utterly sucked in, living the book, loving the characters with all my heart! It was a wonderful story, so moving and so many intriguing lines drawn concerning history, art, suffering, longing, families, belonging..... I get the dickens comparison but also though there was some jack kerouac in there.
Boris and Zandra. I loved the narrators accents, made me really fond of them.
I have never heard anything else but he was incredible. Perfect.
Yes! But it was a great long book to spread over a couple of weeks.
Overwhelmed with how fantastic this book and its performance is. So pleased to have experienced it.
"Far too slow moving for me."
I know loads of people adore this book and Donna Tartt fans will love it. However, I found the descriptions weighed down the book and took any pace and urgency out of it. The narrator went on constant mind meanders, thinking about this and thinking about that before he got to the point. I was intrigued by the premise of the story and the tension was set up well at the beginning of the book, but forward motion was so slow in terms of moving the plot forwards. I didn't particularly enjoy Tartt's writing, as in, I wasn't content to listen to her write and write about all sorts before she got to the point of her story, so I abandoned ship and didn't finish it.
"Excellent story but very very long"
The story was good but much too long. Tons of description so that you get weighed down by it.
"Oh for God's sake, woman. Get to the POINT!"
I spent many a happy hour trying to work out which Dickens character she is using at any given point (warning--it can be a couple of them at the same time) .
The bus journey from Nevada to New York, smuggling a forbidden passenger (a small dog) in a bag.
This is the first reading by Pittu that I have heard. He did well considering all the voices involved, but failed pretty badly with the character of Boris who, born in Ukraine, had spent several years in an Australian environment as a child. The narrator describes him as speaking good English but with a strange combination of accents--"Russian" but mixed with some Australian. Pittu made no attempt to put the Australian in and the boy in his early teens was given a slavic accent which remained every bit as strong even after he had grown up to adulthood in the US. You'd think at least the edges would have worn off by then.
Considering its length, one sitting would have been possible only if I had no family, no life and was hooked up to an intravenous coffee drip and a urinary catheter.
The book could have been about half the length without any loss of plot or punch. It was a good story and well populated by interesting people. The younger Theo is very well represented and Tartt gives us some thought-provoking insights into the world of an adolescent boy growing up in difficult, chaotic circumstances. Although in my opinion we can thank Dickens for the templates, particularly of the more eccentric characters and the style which involves a lot of unlikely, fortunate co-incidences and convenient legacies, there is nothing wrong with bringing a winning formula up to date.
I remain quite annoyed with Tartt, though, for killing Steerforth's brother instead of Steerforth himself.
Really loved this. So tender and sad and beautifully crafted, with such memorable characters. I thought the narrator was brilliant.
Did not want it to end.
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