Winner of the Pulitzer Prize For Fiction 2014
Longlisted – Baileys Women’s Prize 2014
Audie Award Finalist, Literary Fiction, 2013
Aged 13, Theo Decker, son of a devoted mother and a reckless, largely absent father, survives an accident that otherwise tears his life apart. Alone and rudderless in New York, he is taken in by the family of a wealthy friend. He is tormented by an unbearable longing for his mother, and down the years clings to one thing that reminds him of her: a small, strangely captivating painting that ultimately draws him into the criminal underworld.
As he grows up, Theo learns to glide between the drawing rooms of the rich and the dusty antiques store where he works. He is alienated and in love - and his talisman, the painting, places him at the centre of a narrowing, ever more dangerous circle.
The Goldfinch is a haunted odyssey through present-day America and a drama of enthralling power. Combining unforgettably vivid characters and thrilling suspense, it is a beautiful, addictive triumph - a sweeping story of loss and obsession, of survival and self-invention, of the deepest mysteries of love, identity and fate.
©2013 Tay Ltd (P)2013 Hachette Audio
Different, gripping journey. Don't let the length put you off.
The relationship between Theo and Boris
Everything. The narrator is wonderful. The characters are 'alive' ... the story believable.
Boris. I am in love with Boris.
Boris! (see above)
But also loved Theo and Hobie. Even the awful characters are made interesting and likeable in a way...
The Goldfinch. This is actually a book with a name that is really suited to it.
Don't hesitate to listen to this book...it is 32 hours of your life you will not regret!
exquisite, beautiful writing
the fine understanding of the ache of being a human being
no, but intend to
very well read by David Pittu, very good and sustained voice characterisation of different characters
Clever, thoughtful, compelling
I couldn't say
So many great scenes. But perhaps the final one.
Hobie, I think he'd be so charming & fascinating.
The perfect marriage of story and narrator. David Pittu is brilliant. I will be looking out for books narrated by him from now on.
I like good books, I will follow a good author and i listen to friends recommendations. Love audio books and am fascinated and learning.
I was delighted to find such a long and classy novel. Very pleased to think 'comtemporary Dickens' and find this confirmed in reviews! I will remember it - this is the highest accolade i can give.
I have given it to my 17 year old to read - she finds it hard to get into books as she is caught up in an instant gratification age of social media. Im pleased to report that she's hooked too!
Tartt's writing is, as usual, gripping. There were so many things I couldn't predict and kept wondering where this story could possibly go after X or Y happened. She sure knows how to keep a girl hooked!
I haven't but think he is a most excellent narrator. Really spot on with nuance and tone and loved how he could make the various voices sound so different from one another.
This really was a fanatastic book. It just went on too long in parts and I'm not sure I like the ending. It felt far too preachy and out of sync with the rest of the book.
"Began so well and then deteriorated"
The first few hours of the recording promised an engaging story with well-drawn characters, however it went downhill after that. Theo Decker, the teller of the story, is a 13 year year old who loses his mother under traumatic circumstances when a bomb goes off at a museum they are visiting. He survives and encouraged by another victim grabs a priceless painting that shapes the rest of the book as we follow him into adulthood. The book begins to flag when he goes to Las Vegas with his estranged father and teams up with Boris: a Russian delinquent who introduces him to bad ways. Endless descriptions of the two of them getting wasted on drink and drugs was frankly boring. The book improves briefly as Theo returns to New York and re-unites with Holbie a furniture-restorer, he met shortly after the accident. My heart-sank when Boris returns to the narrative and had to endure more tedious descriptions of being drunk and the effects of various drugs. There’s a good story buried under all this self-destructive wallowing. The end of the book is even worse: long monologues of pop-psychology about the meaning of life from Boris that might have worked as satire, but I think it was meant to be taken seriously.
It’s as if the author had several books in mind: a boy’s coming-of-age story; a US version of Train-spoting; a crime novel; a guide to furniture restoring techniques; art appreciation; a crime story and a handbook of how to make the best of your life. If only there had been a ruthless editor to get rid of all the waffle and navel-gazing this might have been a really good book.
The narrator is excellent.
"just couldn't get into it (sorry)"
I know this book is feted and I have listened to the whole thing to try and give it a chance. it is beautifully narrated and I can totally appreciate and respect the beauty of much of the descriptive narrative. But as a story designed to enthral, grip, excite, inspire, scare or shock me- it totally failed. I was bored throughout. Overly long descriptive passages merged together and I felt disconnected from the anti-hero and all his exploits. Not even the vibrant passages relating to the art interested me-it just left me totally bored and unable to appreciate the appeal. I love a good story but with this I could take it or leave it. I feel guilty writing this, I persevered to the end but would I recommend this book? Only if you want to fall asleep and learn about drugs. Beautifully narrated however.
It is beautifully narrated
Narration and production values
"Absolutely brilliant! Best book since Shantaram!"
The characters in this story have real depth and tge entire storyline is fascinating and engaging.
There are too many memorable moments to pick out just one.
Yes, most certainly and for several days I could barely wait to get back to listening!
The subtlety and finesse of Donna Tartt's writing is in a league above most others.
"Depressing depressing depressing - all 32 hours"
This book certainly wasn't for me! I like a challenge but to lurch from one disastrous scenario to another without respite was just too dismal. I appreciate there will be people out there who sadly go through similar events to these, but I could not take the relentless agony.
The only redeeming quality for me was the narration. David did an excellent job of portraying the characters
"A good listen"
The book is overlong, and its ending anticlimactic. I loved the opening section describing what happens at the museum but the pace lags thereafter and never regains that initial excitement with its emotive punch. Main character Theo Decker is too self-centred and unsympathetic to spend such a long time in his POV, and his youthful sophistication and precociousness didn't ring true to me, very much a case of an older, wiser narrative voice imposing on his earlier self which comes off as pretentiousness. Increasingly I was drawn to the charming miscreant Boris who is by far the more interesting character. I would love to read more about him whereas I have heard more than enough from Theo. The main problem I had, though, is that it felt out of period, i.e. as though the story takes place in the 60s or 70s rather than 00s so when things such as mobile phones and laptops are referenced they were jarring.
Seems to fizzle out, and my attention drifted away. To be honest I was surprised by how positive the ending turns out to be.
The narration of this book is exceptionally well done and held my attention for the most part. I particularly enjoyed how David Pittu brings individual characters to life with distinctive accents. Somehow I doubt I would have enjoyed the book as much if I had read rather than listened to it.
I had never heard of Fabritius or his painting of the Goldfinch before listening to this book and Tartt certainly crafts a good story around this work that has profound things to say about the role of art and precious objects to human experience and providing a link between past/present. As a coming of age story it works despite problems I had with main character Theo. The parts of the story dealing with drug use and addiction rang true, the criminal gang aspects not so much, however, like something out of a bad movie.
I liked Tartt's writing about antiques and old furniture, and the character Hobie with his lovingly crafted reproduction pieces. I don't think it was necessary to give Theo an unattainable and unsatisfactory female love interest when there is such a well developed relationship between Theo and Boris.
"Did not want it to end!"
This is the best book that I have read (listened to) in years. The story line is so varied covering many different places, plots surprises etc.. The narrator was perfect for this story excellent at the different accents. I have since purchased three hard back copies for friends, hoping they shall enjoy it as much as I have,.
"Well worth the long wait"
Riveting, surprising, satisfying
Hobie, because he is always there for Theo no matter how catastrophic Theo's behaviour and actions become
Theo because we see him grow and develop from a boy to a man in the course of the book
No I wanted to make it last and last
This is a long book and parts of it are hard to hear as Theo goes from being a loved and protected boy to a miserable, drunken, drug addicted, deceived and deceiving young adult - all driven by the insane desire to own a small painting of a little captive bird. In a way Theo is as trapped by fate as the bird in the picture he loves so much.
"Tour de Force"
This book would have taken some stamina to read rather than hear but David Pittu gives a superb performance. The somewhat lengthy navel gazing passages are made accessible and meaningful thanks to his careful treatment of the text.
The story is inherently interesting but Theo, about whom the story develops, could easily have become a bit of a bore without the superb characterisation of the narrator.
I doubt this will be to everyone's taste but I thoroughly enjoyed it.
"slow burner but gets there in the end"
You need to persevere with it as after the initial bomb blast, the first half is very slow, but does build towards the end.
The main character is very believable.
I did like his accents, especially the Russian ones. He was able to bring the different characteristics to life, not just with the accent, but with the timbre and expression in his voice.
No! it's way too long, and I think you'd lose the will to live as there is a lot of drug taking throughout and the narrative meanders somewhat.
The end was a little hurried. I only gave it 5 stars as it left me a little deflated.
"Best Listen of the Year"
I have just finished the Goldfinch and life can now get back to normal.
This is an utterly compelling listen with beautiful writing and a sensitive performance.
The novel deals with profound themes of love and loss and the nature of reality. It is also very engaging on a narrative level, with an exciting story with many unexpected twists and threads which weave together over the course of 32 mesmerising hours. Although very long, my interest never wained and the book never felt over long or too detailed. The sense of time and place is amazing and it is possible to become totally involved in the book and suspend disbelief entirely.
There are no listener reviews for this title yet.
Report Inappropriate Content
If you find this review inappropriate and think it should be removed from our site, let us know. This report will be reviewed by Audible and we will take appropriate action.