To give birth to her "chap", demon-mother Mia has usurped the body of Susannah Dean and used the power of Black Thirteen to transport to New York City in the summer of 1999. The city is strange to Susannah...and terrifying to the "daughter of none" who shares her body and mind.
Saving the Tower depends not only on rescuing Susannah but also on securing the vacant lot Calvin Tower owns before he loses it to the Sombra Corporation. Enlisting the aid of Manni senders, the remaining ka-tet climbs to the Doorway Cave...and discovers that magic has its own mind. It falls to the boy, the billy bumbler, and the fallen priest to find Susannah-Mia, who in a struggle to cope, with each other and with an alien environment, "go todash" to Castle Discordia on the border of End-World. In that forsaken place, Mia reveals her origins, her purpose, and her fierce desire to mother whatever creature the two of them have carried to term.
Eddie and Roland, meanwhile, tumble into western Maine in the summer of 1977, a world that should be idyllic but isn't. For one thing, it is real, and the bullets are flying. For another, it is inhabited by the author of a novel called Salem's Lot, a writer who turns out to be as shocked by them as they are by him.
Set in a world of extraordinary circumstances, filled with stunning visual imagery and unforgettable characters, The Dark Tower series is unlike anything you've ever heard. Here is Stephen King's most visionary piece of storytelling, a magical mix of fantasy and horror that may well be his crowning achievement. Don't miss the other volumes of Stephen King's The Dark Tower.
©2004 Stephen King; (P)2004 Simon & Schuster Inc. AUDIOWORKS is an imprint of Simon & Schuster Audio Division, Simon & Schuster Inc.
"There's something about a crippled, black, schizophrenic, civil rights activist-turned-gunslinger whose body has been hijacked by a white, pregnant demon from a parallel world that keeps a seven-volume story bracingly strong as it veers toward its Armageddon-like conclusion....The biggest cliffhanger of King's career." (Publishers Weekly)
Another amazing adventure. This one is more of a crossroads book. A direct continuation from "Wolves of the Calla". A lot of the Dark Tower books leave you in a cliff hanger and this is no exception. The beauty is that because we're reading these books now, we can move directly onto the next one and not wait for years like tons of people did during the times of publication.
George Guidall is amazing and after his return on "Wolves of the Calla" I've totally gotten use to his voice differences from Frank Muller.
Now onto the last of the Dark Tower series, Book 7 "The Dark Tower".
This book was excellent! Major cliff hangers through the the book that kept me turning the page, I can't wait to start the next one. All my friends say I'll hate the last book. I'm getting a bit nervous as the end grows closer.
I flew through this novel like I was on a mission.
I found in the other dark tower novels that the beginning would be very slow and then pick up rapidly. But not this one. Mr. King takes you on a non-stop drama that could only mean the beginning of the end.
George guidell did a wonderful job on this novel as he did in the last. Of course big ups to Frank muller who knocked the first 4 books out of the park
The dark tower looms ever closer as more information is revealed about our Gunslingers. A smooth read with lots of details and character development.
george guidall imparts a wonderfull timber and cadence to all the characters as he speaks life into them. book 6 is more Alice n Wonderland like than the others thus far. a great listen and unpredictable plot will keep you entertained as I was, only sorry to know the series is near the end.
Marilyn D. Alcorn
And in doing this he kept his promise which I dare say he is not aware that he had! Thank "U" Stephen. What promise you ask?
With the exception of a few fantastic scenes (the battle at the general store, the long awaited meeting of a key as yet unmet character), I really didn't care for the the long stretches of Susanna's crowded internal dialogue. I'm still a huge fan of the series and the narration, as usual, is top-notch.
Gen-Xer, software engineer, and lifelong avid reader. Soft spots for sci-fi, fantasy, and history, but I'll read anything good.
Book Five of the series, The Wolves of the Calla, is where it stumbled for me. The underlying story wasn't bad, but it felt less inspired compared to the other books and the whole thing could have been a couple hundred pages shorter.
In this book, at least, King seems to remember that he has a tale to finish, and starts moving towards the endgame. Susanna, whose body and mind have been occupied by the strange interloper, Mia, has been taken through the dark doorway into 1999 New York City, where Susanna is to be delivered of her demon baby, to dark ends. Following her by another route through time and space come the rest of the ka-tet. However, only Jake, Father Callahan, and Oy actually make it to 1999 -- Eddie and Roland go back to 1977, and straight into troubles of their own.
Much of the story, as one might guess, revolves around Susanna and her attempts to deal with Mia. Sometimes, this struggle seems to drop them into places from Mia’s experience, such as the otherworldly Castle Discordia, where her origins and nature become clearer. Other times, the two must work together, with Susanna trying to steer Mia on the right path before both of them fall into the hands of the Low Men.
Eddie and Roland, meanwhile, are on the trail of the troublesome Calvin Tower, whose inability to obey instructions leads to a sharp battle for the gunslingers. On the tail of that, they find themselves drawn to someone instrumental to their quest, who just happens to live in 1977 Maine.
As you might have heard, most of the controversy around this book has to do with the fact that Stephen King wrote himself into his own novel. On one level, he seems to be making a point about how the Dark Tower’s metaverse really *is* all encompassing, and even famous writers serve the Beam, if only as flawed creator figures. But, on another level, the whole gimmick seems to be begging the reader to believe that the Dark Tower books are Really Important. Which is why the author needed a gunslinger to show up in his own backyard and compel him to write them. To be fair, there’s probably a metaphor about substance abuse and channeling one’s addictions in there, but I wonder if King might have pulled this off better with a fictional author character, rather than his actual self -- who, presented here, isn’t all that interesting.
But, I didn’t mind this self-indulgence too much, and it was sort of interesting to hear an author palavering with his own characters. How many writers have much of anything in common with their creations?
The rest of the story moves along pretty briskly, though it’s mostly setup for the final book. There’s a sense that the characters are beginning their last approaches with destiny, and that the ultimate battle may be a hard one. For better or worse, I’ve gotten this far, and I’m in for it.
Audiobook narrator George Guidall replaces Frank Muller. Muller was popular and the reasons for his departure were sad, but I actually prefer Guidall’s more restrained approach.
Report Inappropriate Content