Audie Award Finalist, Solo Narration - Female, 2014
Joe Hill, the acclaimed, award-winning author of the New York Times best sellers Heart-Shaped Box and Horns, plunges you into the dark side of imagination with a thrilling novel of supernatural suspense that will have you flinching at shadows and checking the rearview mirror again and again....
Don't slow down
Victoria McQueen has an uncanny knack for finding things: a misplaced bracelet, a missing photograph, answers to unanswerable questions. When she rides her bicycle over the rickety old covered bridge in the woods near her house, she always emerges in the places she needs to be. Vic doesn't tell anyone about her unusual ability, because she knows no one will believe her. She has trouble understanding it herself.
Charles Talent Manx has a gift of his own. He likes to take children for rides in his 1938 Rolls-Royce Wraith with the vanity plate NOS4A2. In the Wraith, he and his innocent guests can slip out of the everyday world and onto hidden roads that lead to an astonishing playground of amusements he calls Christmasland. Mile by mile, the journey across the highway of Charlie's twisted imagination transforms his precious passengers, leaving them as terrifying and unstoppable as their benefactor.
And then comes the day when Vic goes looking for trouble...and finds her way, inevitably, to Charlie.
That was a lifetime ago. Now, the only kid ever to escape Charlie's unmitigated evil is all grown up and desperate to forget.
But Charlie Manx hasn't stopped thinking about the exceptional Victoria McQueen. On the road again, he won't slow down until he's taken his revenge. He's after something very special - something Vic can never replace.
As a life-and-death battle of wills builds her magic pitted against his - Vic McQueen prepares to destroy Charlie once and for all...or die trying....
Joe Hill's acclaimed works of fiction, Horns, Heart-Shaped Box, and 20th Century Ghosts, have already earned him international acclaim. With NOS4A2, this outstanding novelist - "one of America's finest horror writers" (Time magazine); "a major player in 21st-century fantastic fiction" (Washington Post) - crafts his finest work yet. Disturbing, mesmerizing, and full of twisting thrills, Hill's phantasmagoric, devilishly playful masterpiece is a terrifying high-octane ride.
©2013 Joe Hill (P)2013 HarperCollins Publishers
"Quite simply the best horror writer of our generation, Joe Hill’s masterful storytelling is on full display in NOS4A2. It is by turns terrifying and hilarious, horrifying and full of heart, and relentlessly compelling." (Michael Koryta, New York Times bestselling author of The Prophet)
"Fascinating and utterly engaging, this novel is sure to leave readers wanting more. One thing is for certain, however. After reading this book, readers will never hear Christmas carols in quite the same way again." (Library Journal, starred review)
"[A] new take on the fantasy-horror genre...Highly recommended." (The Sun Herald Sydney, Australia)
When I like something I'll let you know. If I don't, I'll let you know that too!
Joe Hill has written an amazing story about a young Victoria with a talent to use her bicycle to find lost things. Unfortunately, Vic finds some things she really isn't looking for. Vic meets many memorable and well developed characters as she puts a child abductor in jail. I don't want to say too much about the story because I'm afraid that I'll spoil your enjoyment of allowing the story to unfold for you. Let me say that this is a riveting story. When you're finished I think you'll understand why I'm not giving out too many details.
Now, let me say that Kate Mulgrew is every bit as amazing and awesome as Joe Hill's story. If you don't care for the story, listening to Kate Mulgrew's performance alone is worth the credit. Bravo Ms. Mulgrew, bravo.
NOS4A2 is a great experience and I cannot recommend it highly enough.
A shorter version...it was to long in the middle, I personally did not like the profanity, dysfunctional families, pedophile suggestions, and the rape by Bing was gross. I struggled to get through this audible book...several times I was going to fast forward just to be done because, the story dragged on and on.
No. I am a fan of S.King have listened or read all of his books. I like this genre just couldn't wrap my head around where J. Hill was going with this story. In some parts holes were left in the story and in other parts holes were filled in to the point that it was overflowing and unnecessary.
Tone and diction were fine...but for me the male and female character voices were blurred Vic sounded masculine and Lou and Max were high pitched.
The redeeming qualities were seeing the results of bad parenting and dysfunctional families can lead to another generation of bad parenting and dysfunctional family.
Vic was clearly the hero, it was good to listen to her redeem herself at the end after years of a tortured life with drugs, sex, and demons. She admits to her part of over-reacting to her parents behavior towards her and that she wasn't a good mother when she abandoned her son (Bruce Wayne). This was my first Joe Hill book...I may try again.
I was going to give the over all story 1 star but after listening to the author at the end explain his rationale for writing the story I moved up to 2 stars. The preview I listen to sounded okay. Reading the comments...most were positive and only a few were negative so I made my purchase because the positive comments out-weighted the negative comments. However in this case the negative comments were on target with my thoughts on this audible book.
Haverhill is pronounced Have-rill ! I don't understand why the narrator isn't given help on the correct pronunciation.
I liked the book but it felt like a mashup of his father's earlier books. A little more originality is in order.
Aside from the incorrect pronunciations, the narrator was ok.
Strangely, nothing. As a survivor from the "Old Yella dog must always die and you must cry" movies, I was unmoved by the death of Boomer.
I did not like the main character’s thoughts, choices, and actions.
COMPARING JOE HILL TO STEPHEN KING:
Normally I would not want to compare Joe Hill (JH) to his father Stephen King (SK). But that’s the reason I bought this book. I wanted to see if Joe had his dad’s talent or style. So I am comparing them. When SK was talking to a group he said something about elevators breaking. Then with a grin and a gleam in his eye he said “so when you get on the elevator tonight...” He’s having fun scaring you. In SK’S book “The Girl Who Loved Tom Gordon” the girl is lost in the woods and finds all these icky and gross things. She has to do undesirable boring chores. She trudges along, does the job, and hopes to be done soon. I loved her attitude, and I had hope - lots of hope.
Here, I did not feel hope and I did not enjoy Vic’s attitude (the main character in In NOS4A2). She makes bad decisions. She has poor judgment. She frequently sounds mean (although part of that might be the narrator’s fault). In her conflicts with bad guys she is beaten up, injured, limping, suffering and then briefly does some lucky thing to get away or hurt the guy. And her life is worse than it was before. I want to root for someone. I didn’t feel that here. It was not fun.
JH says he is not a fan of Dudley Do-Right heroes. I’m sure many readers will appreciate that. But the way it’s done in this book is not for me. Another way to put it: SK has fun with his stories. JH beats you up.
Another example. In SK’s “It,” Bill rides like the wind on his bike yelling Hi Ho Silver - Away (or something like that). When Vic rides her bike, bats hurt her, something slips, the bike loses a part, she is injured, she hurts.
I was frustrated when the heroine tries to convince herself that she is insane. She doesn’t believe the truth when Maggie tells her something. She sees the bridge but refuses to believe it exists. She knows the bridge takes her to where lost things are. So when it takes her to Bing, a bad guy, why does she think he’s a good guy? Why does she turn her back on him and get taken? She does not do smart things.
Hunter an FBI agent says “Manx is dead.” Vic repeatedly tells Hunter that Manx is alive and kidnaped her son. That conversation was repeated soooo many times during the last part of the book. I was tired of hearing it.
I was disappointed with the main crisis/fight with Manx. I wanted to see him get it, to see him suffer. I did not have a winning feeling. I would have liked that whole section different.
Some good guys get killed which made me mad. Life is too short to read depressing books.
I loved Mustachio25's review (an Amazon reviewer). He lists several gaps in JH’s logic and plotting. Two of those are: “Why does Manx's magical car heal him, while McQueen's magical bike doesn't? If Vic can replace her bike with a motorcycle to use her inscape, why didn't Manx substitute a prison laundry van for his Rolls-Royce and drive off to Christmasland?”
I did not like the narrator Kate Mulgrew. The adjectives that came to mind as I listened to her: angry, loud, demanding, harsh, strident, irritating, jarring. Too many characters sounded mean. If I were reading, the characters would have sounded different . My favorite narrator Frank Muller had a curiosity and wonder in his voice. That was missing here.
The character Maggie stammered which is ok to read. But listening to the narrator stammer was annoying. I would have preferred she soften and shorten the stammering.
Genre: paranormal suspense thriller
Myst/thrillers, some contemporary and ✨fun fantasies✨are my favorites but always open for a good story.
It is so refreshing to come across a writer that writes to the, "smart reader". This was my first Joe Hill book and I was surprised and impressed by the caliber of his writing, he has definitely inherited his fathers, (Stephen King's), ability to spin a spooky yarn that takes you on a gripping roller coaster ride.
A fast pace, combined with well constructed characters provoked some thrilling and unexpected intensity. From the mystical heroine to the horrible villains, the characters have such depth that they draw you right into their dreadful altered reality. For the thriller/horror seeker this scary and suspenseful read will not disappoint.
A 115 year old convicted kidnapper/murderer, awakens from a 5 year coma,.. dies,.. gets embalmed, and then....walks out of the hospital...
As an act of revenge against the young girl who aided in his conviction years earlier, he and his creepy, murdering minion, snatch her young son with the intent of taking him into a bone chilling, fantasy world; "Christmasland". He would only be one of the many.
A brave, mystical, but also, damaged heroin must use all of her recourses and abilities to try to save her son from a dammed eternity.
The narrator did a great job with the up and down pace and the different character voices. I will be looking for Hills next book with the hope that he can keep up the highly exciting, first rate plot lines.
Only mildly creepy with a prolonged story almost as if it was originally a novella that was lenngttthennned to become a novel.
I struggled to get through it, finally quit it most of the way through.
I know that I'm in the minority, but I did not enjoy the experience of listening to this at all. Most of the voices for the characters were fine, but the description of the main antagonist's voice did not match how Kate Mulgrew chose to act it out. I found the main protagonist unlikable for most of it, and the descriptions of most everything dragged on too long. At the 1/4 point, I was ready for it to be over. It could have been made into two books very easily. I don't normally stop a book or audiobook and walk away entirely, but the deciding factor were some of the over-the-top disturbing descriptions that were given. I'm no stranger to horror, but this was too much.
I thought Kate Mulgrew was an excellent narrator, but I chose the story expecting it to be scary. It was far too long, dragging on with unnecessary descriptions, and the author seemed obsessed with giving overly literary and flowery descriptions of gore and injuries. There were dozens and dozens of people getting killed and injured in gruesome ways, and the main purpose for writing the book seemed to be for the author to be able to write bizarre metaphors for each injury and describe it in every gory detail. It became incredibly boring and really got in the way of the plot, which dragged on over 20 odd years. Wouldn't recommend it.
Careful editing might have reduced the slow pace of the story. It dragged out needlessly, sometimes seeming to imitate Stephen King's style, but without success.
Gratuitous obscenities. Gratuitous vulgarity. Gratuitous violence. It was as though the author set out to decide what behavior and images would be most repulsive, sickening, offensive, disgusting, or distasteful and, then, put it all into his book. The fantasy was not fantastic--it was unrelenting nightmare.
Yes. The narrator was not the problem. The problem was the story and the author's conception.
The whole book is flawed, and so are the characters. Even the main character was not a particularly pleasant person. Normally, that would not bother me. I've read many dark books with dark characters. But this one offers no relief from ignorance and bad judgment.
Tell us about yourself!
You know those audio books that you love so much that you start writing the glowing review in your head while doing crunches at the gym when you've barely reached part 2? The kind of book that has you lowering your headphones and casting a withering glare for only the most dire of interruptions?? The kind you finish in record time, pausing only to bathe and even then skipping conditioner and all but the major body parts??? Well this is that book, and if you enjoy nerd humor, awesome characters, a seriously creepy narrator and an even creepier Christmas madman then buy it!!- and listen allllll the way to the end....
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