Audie Award Finalist, Solo Narration - Female, 2014
Joe Hill, the acclaimed, award-winning author of the New York Times best sellers Heart-Shaped Box and Horns, plunges you into the dark side of imagination with a thrilling novel of supernatural suspense that will have you flinching at shadows and checking the rearview mirror again and again....
Don't slow down
Victoria McQueen has an uncanny knack for finding things: a misplaced bracelet, a missing photograph, answers to unanswerable questions. When she rides her bicycle over the rickety old covered bridge in the woods near her house, she always emerges in the places she needs to be. Vic doesn't tell anyone about her unusual ability, because she knows no one will believe her. She has trouble understanding it herself.
Charles Talent Manx has a gift of his own. He likes to take children for rides in his 1938 Rolls-Royce Wraith with the vanity plate NOS4A2. In the Wraith, he and his innocent guests can slip out of the everyday world and onto hidden roads that lead to an astonishing playground of amusements he calls Christmasland. Mile by mile, the journey across the highway of Charlie's twisted imagination transforms his precious passengers, leaving them as terrifying and unstoppable as their benefactor.
And then comes the day when Vic goes looking for trouble...and finds her way, inevitably, to Charlie.
That was a lifetime ago. Now, the only kid ever to escape Charlie's unmitigated evil is all grown up and desperate to forget.
But Charlie Manx hasn't stopped thinking about the exceptional Victoria McQueen. On the road again, he won't slow down until he's taken his revenge. He's after something very special - something Vic can never replace.
As a life-and-death battle of wills builds her magic pitted against his - Vic McQueen prepares to destroy Charlie once and for all...or die trying....
Joe Hill's acclaimed works of fiction, Horns, Heart-Shaped Box, and 20th Century Ghosts, have already earned him international acclaim. With NOS4A2, this outstanding novelist - "one of America's finest horror writers" (Time magazine); "a major player in 21st-century fantastic fiction" (Washington Post) - crafts his finest work yet. Disturbing, mesmerizing, and full of twisting thrills, Hill's phantasmagoric, devilishly playful masterpiece is a terrifying high-octane ride.
©2013 Joe Hill (P)2013 HarperCollins Publishers
"Quite simply the best horror writer of our generation, Joe Hill’s masterful storytelling is on full display in NOS4A2. It is by turns terrifying and hilarious, horrifying and full of heart, and relentlessly compelling." (Michael Koryta, New York Times bestselling author of The Prophet)
"Fascinating and utterly engaging, this novel is sure to leave readers wanting more. One thing is for certain, however. After reading this book, readers will never hear Christmas carols in quite the same way again." (Library Journal, starred review)
"[A] new take on the fantasy-horror genre...Highly recommended." (The Sun Herald Sydney, Australia)
I did not like the main character’s thoughts, choices, and actions.
COMPARING JOE HILL TO STEPHEN KING:
Normally I would not want to compare Joe Hill (JH) to his father Stephen King (SK). But that’s the reason I bought this book. I wanted to see if Joe had his dad’s talent or style. So I am comparing them. When SK was talking to a group he said something about elevators breaking. Then with a grin and a gleam in his eye he said “so when you get on the elevator tonight...” He’s having fun scaring you. In SK’S book “The Girl Who Loved Tom Gordon” the girl is lost in the woods and finds all these icky and gross things. She has to do undesirable boring chores. She trudges along, does the job, and hopes to be done soon. I loved her attitude, and I had hope - lots of hope.
Here, I did not feel hope and I did not enjoy Vic’s attitude (the main character in In NOS4A2). She makes bad decisions. She has poor judgment. She frequently sounds mean (although part of that might be the narrator’s fault). In her conflicts with bad guys she is beaten up, injured, limping, suffering and then briefly does some lucky thing to get away or hurt the guy. And her life is worse than it was before. I want to root for someone. I didn’t feel that here. It was not fun.
JH says he is not a fan of Dudley Do-Right heroes. I’m sure many readers will appreciate that. But the way it’s done in this book is not for me. Another way to put it: SK has fun with his stories. JH beats you up.
Another example. In SK’s “It,” Bill rides like the wind on his bike yelling Hi Ho Silver - Away (or something like that). When Vic rides her bike, bats hurt her, something slips, the bike loses a part, she is injured, she hurts.
I was frustrated when the heroine tries to convince herself that she is insane. She doesn’t believe the truth when Maggie tells her something. She sees the bridge but refuses to believe it exists. She knows the bridge takes her to where lost things are. So when it takes her to Bing, a bad guy, why does she think he’s a good guy? Why does she turn her back on him and get taken? She does not do smart things.
Hunter an FBI agent says “Manx is dead.” Vic repeatedly tells Hunter that Manx is alive and kidnaped her son. That conversation was repeated soooo many times during the last part of the book. I was tired of hearing it.
I was disappointed with the main crisis/fight with Manx. I wanted to see him get it, to see him suffer. I did not have a winning feeling. I would have liked that whole section different.
Some good guys get killed which made me mad. Life is too short to read depressing books.
I loved Mustachio25's review (an Amazon reviewer). He lists several gaps in JH’s logic and plotting. Two of those are: “Why does Manx's magical car heal him, while McQueen's magical bike doesn't? If Vic can replace her bike with a motorcycle to use her inscape, why didn't Manx substitute a prison laundry van for his Rolls-Royce and drive off to Christmasland?”
I did not like the narrator Kate Mulgrew. The adjectives that came to mind as I listened to her: angry, loud, demanding, harsh, strident, irritating, jarring. Too many characters sounded mean. If I were reading, the characters would have sounded different . My favorite narrator Frank Muller had a curiosity and wonder in his voice. That was missing here.
The character Maggie stammered which is ok to read. But listening to the narrator stammer was annoying. I would have preferred she soften and shorten the stammering.
Genre: paranormal suspense thriller
I LIKED THIS BOOK. IT WAS SCARY, SUSPENSEFUL, WEIRD, CRAZY, AND MACABRE. I PRIMARILY LOVE HORROR AND THRILLER SO THIS WAS RIGHT UP MY ALLY. I WILL SAY I DO NOT LIKE ALL JOE HILL BOOKS BUT HE SCORED HIGH ON MY LIST WITH HIS SPOOKY "VAMPIRE" VILLAIN AND HIS SIDE-KICK. FEMALE LEAD WAS AWESOME AND COULD RELATE A LOT WITH HER. HE DOES WRITE LIKE HIS DAY, VERY IN DEPTH CHARACTERS AND STORY LINE.
I believe a reviewer should finish a book before submitting a review. What do you think?
Knowing that Joe Hill is Stephen King's son, I had fairly high expectations for this book and Mr. Hill didn't disappoint. Although the book got bogged down now and then, overall I was hooked! Yea, this story had much of the the "Kingesque" feel, I found myself anxious to get back to the story to see what would happen next. I liked that Hill gave us characters with such depth and I'm happy to report that the narrator was a great fit for the story too. If you want a good super creepy read that suspends belief, this might be just right for you.
Typical cat lady: lazy, sings off-key, craves spicy bloody marys.
At the end of this tale, Joe Hill admits to the reader that "...being told a story is one of the most natural human experiences you can come by," and, boy, can Kate Mulgrew tell a story. Her range of characters that populate Hill's frightful story of perceived and real demons will haunt your waking hours and may even open a door into your own long forgotten imaginations. Three thumbs up for the creepy tale of feeling weird inside and out!
"You better watch out, you better not pout...Charlie Manx is coming 2 town." Don't be surprised if this coming Christmas, when the snowflakes start to fall, the colored lights brighten the night, and Christmas songs tinkle from every speaker everywhere, you find yourself reluctant to trim the tree, refusing to let your children sit on Santa's lap, acting horrified when the kids want to build a snowman, and definitely throwing your Christmas CD's through the air like clay pigeons. Halloween will become the new jolly holiday, jumping next to New Year's Eve, because Joe Hill obliterates everything warm and cozy about the holiday no-longer-to-be-mentioned, including the once delicious homey smell of gingerbread, and choirs of *angelic* children singing carols....it's giving me bad goose bumps just thinking about their innocent toothy-smiling faces.
I have always said that a good scary book is my favorite guilty pleasure, and what I think is one of the hardest kinds of book to find...Merry Christmas to me...I found one, (but almost ruined Christmas in the process)! Hill has a jolly time here, visions of psychologically damaged children grown-up, bearing the weight of their injustices, acting on the misdeeds hard-wired into their little heads. Victoria McQueen (Vic the Brat) we meet during her troubled childhood. On her beloved banana seated bike, she can escape her quarreling parents, or just get away to another world by crossing a magical bridge that she can imagine, or conjure. It takes her to her *inscape*, a place where she finds things that are lost, or where she can stay lost, but a toll is taken out of her, no free ride. She grows into a tattooed, bad-ass, motor cycle mama that's not so good at the mama part to her son, Bruce Wayne -- haunted through the years by her memories of a specific trip across that bridge where she met Charlie Manx -- the Grinch's mean and ugly older brother.
Charlie Manx is no Nosferatu, sucking the blood from his victims; he is more like part Transformer, part chi-vampire, part Mr. Burns as a giant gangly giggly mortician that drives a vintage Rolls Royce Wraith that is connected to him psychically--and he/the Wraith is powered by the goodness and joy of children. He is aided by a demonic, sadistic oaf of an elf, the gas-mask wearing (literally Mo-Fo'er) Mr. Bing Partridge, and his ever present canister of gingerbread-scented sevoflurane (that gas that puts you out on the operating table while you count backwards from 100...and get to 96). The very naughty team do away with the pesky parents, then whisk the cherubic children off to Christmasland, where there are no rules, everyday is Christmas, and no parent can tell them what to do. Christmasland is Charlie Manx's inscape--his off the map destination to keep his hoard of children and stay away from people that want to stop his murderous ways.
Bing is a character that will be remembered (and dismembered?). Belittled and badgered one time too many by his cruel parents, he puts them to sleep for good, and takes over his dad's collection of porn. He is oafish and slow, and fond of childish demented rhyming. Charlie Manx was nagged by a wife that felt he was never good enough, and claimed he was *sucking the life out of his daughters,* (now residents of Christmas land themselves...so what exactly happened to Mrs. Manx?..). There is lots of fun here, so much so that it is hard to look at this as just horror--can we say delicious horror? The puns, the metonymy, the tropes, the references to King's books (Salem's Lot, Christine, It, etc., the movie Psycho? The White Christmas song crooner? Batman? Maxwell's Silver Hammer?...) could make this a great ghoulish game of Bingo, or even better, a wild drinking game..."I found Pennywise!!" down the hatch...
Downside, I'd have to put Kate Mulgrew on the naughty list, her over exuberance did mellow, but jeez, it was painful in the beginning, and I think she herself mixed up the voice of whom was whom. Did an obsessively nagging wife turn Charlie into an energy-sucking fiend, did Santa miss him the year he wished for a puppy to dissect, or what is his black-back story, and how did he hook up with the Wraith? Some etiology or info would have been helpful to understanding his motivation. But then, I guess a monster's motivation is...he's a monster!
There's so much more I'd like to say (oh, the kiddies at Christmasland!) but I don't want to give away even one eye-popping detail. More like a 3.5 star, but like I always say, it's a hard genre to get a good book out of, and this was a lot of creepy scary fun. It could have been whittled down a couple of hours-but the time didn't bother me because I didn't want my trip to Christmasland to be over. Only my second book by the genetically gifted Joe Hill, I had read Heart Shaped Box, but I found this one the better package under the tree! If you are a fan of the genre, get out a tally sheet, or line up a couple of six packs, and definitely download, but remember, when your family is crying because you won't make a snowman with them -- I warned you...NOS4A2 is COMN4U.
Joe Hill himself calls NOS4A2 his "senior thesis on horror fiction", and notes that in some ways that makes it a senior thesis on Stephen King. This is a very accurate description of Hill's latest novel, as he expertly applies the formula his father made famous and crafts a truly chilling story. While I don't think NOS4A2 is as good as King's best work, it's certainly a respectful addition to the genre, and well worth your time if scary books are your thing.
The first ingredient of every Stephen King-esque horror story is a flawed protagonist. Someone the reader can identify with as they start out normal but eventually delve deeper and deeper into the supernatural. As things build and build, our main character will need to overcome their own weaknesses to survive.
In NOS4A2 we follow Vic "Brat" McQueen, an average girl with the not-so-average ability to find things. How does she find things? She rides her bike through an abandoned covered bridge and across space in time, to the exact place she needs to be to find what she's looking for. I'm sure you can guess what happens next: eventually Vic goes looking for the wrong thing, and ends up in big trouble. This is where the story truly takes off.
Charles Manx is the main boogeyman lurking within the pages of NOS4A2. Manx is 150 years old, drives a strange 1930s Rolls Royce, and kidnaps innocent children away to a terrible realm known as Christmasland where the kids deteriorate over time, becoming twisted and evil pictures of lost innocence. At times Manx is a perfectly crafted, terrifying mixture of Hannibal Lecter and Pennywise the evil clown - but at times he wanders a bit too close to some sort of Christmas-themed Batman villain. Does a bad guy using gingerbread-scented smoke as a weapon sound goofy or scary to you? It can obviously go either way, and Hill is an excellent writer who manages to keep it on the creepy side throughout most of this novel. Every once in a while he drifts a bit, but for the most part he stays on the rails.
My main criticism of NOS4A2 is that it's just too long, and for what it's worth I've had a similar opinion of most of Stephen King's latest work (11-22-64, Duma Key, Under the Dome). Personally I'm hoping that Joe Hill's next book breaks away from dear old dad in this department and tightens things up considerably. I think that a tight, concentrated version of NOS4A2 at half the length could have been a 5 star book. It's especially disappointing that despite all of this length, we don't learn much of Manx's backstory. His methods are creative, but his motivation is lacking. He's just kind of generic evil. A writer as talented as Joe Hill should be able to give us more.
Kate Mulgrew does a fantastic job with the narration. Her Manx voice is especially creepy, and the performance is just excellent overall. My only criticism is that she pronounced Haverill as Hay-ver-hill which just sounds weird to this Massachusetts native. Everyone knows it's Hay-vrill! A very minor criticism of her otherwise awesome performance!
A different reader. I am sorry to say the reader really spoiled the story experience. She added too much of her own inflection in the reading of character parts, and her voices were horrible.
Great story, horrible reader.
Joe Hill might be edging his dad out in the creepy story genre.
This story was weird, crazy, eerie, and disturbing. I loved the concept of In-scapes and the characters Hill introduces here. If you like Stephen King, this is right up your alley. The little crossovers between the Hill and King universes are fun for veterans and newcomers alike.
In regards to narration, I'm not sure why Joe Hill enjoys Kate Mulgrew so much. Her performance was dumpy, homespun, and grating. I fought through Part One; I struggled to concentrate on the story while actively ignoring how dopey the "voices" sound. Vic and Charlie Manx aren't really bad, but Lou, Wayne, Vic's parents, Maggie, the numerous extras, etc. all sound like awful Fargo imitators. Her "Bing" voice, in particular, felt like she was trying to imitate Patrick from Spongebob while simultaneously doing her best Lenny voice from Of Mice and Men. Based on this book, I'd never listen to another Kate Mulgrew performance if I could help it.
If can you bear Mulgrew's performance, the payoff is a great story and a fascinating universe I'm eager to see more of.
Joe Hill: Yes Kate Mulgrew: Absolutely not
Stop overacting and making everyone sound like a dolt.
The voices used by the narrator were disturbing and made it difficult to continue to listen. If the story hadn't been so intriguing I would not have been able to complete the book. I would have enjoyed it better if the narrator had simply read the book.
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