"I believe there is another man inside every man, a stranger...." writes Wilfred Leland James in the early pages of the riveting confession that makes up "1922", the first in this pitch-black quartet of mesmerizing tales from Stephen King. For James, that stranger is awakened when his wife, Arlette, proposes selling off the family homestead and moving to Omaha, setting in motion a gruesome train of murder and madness.
In "Big Driver", a cozy-mystery writer named Tess encounters the stranger along a back road in Massachusetts when she takes a shortcut home after a book-club engagement. Violated and left for dead, Tess plots a revenge that will bring her face-to-face with another stranger: the one inside herself.
"Fair Extension", the shortest of these tales, is perhaps the nastiest and certainly the funniest. Making a deal with the devil not only saves Dave Streeter from a fatal cancer but provides rich recompense for a lifetime of resentment.
When her husband of more than 20 years is away on one of his business trips, Darcy Anderson looks for batteries in the garage. Her toe knocks up against a box under a worktable and she discovers the stranger inside her husband. It's a horrifying discovery, rendered with bristling intensity, and it definitively ends a good marriage.
Like Different Seasons and Four Past Midnight, which generated such enduring films as The Shawshank Redemption and Stand by Me, Full Dark, No Stars proves Stephen King a master of the long story form.
©2010 Stephen King. All rights reserved. (P)2010 Simon & Schuster, Inc. All rights reserved
"[T]hese tales show how a skilled storyteller with a good tale to tell can make unsettling fiction compulsively readable." (Publishers Weekly)
"King has gone on record saying he believes that American readers should pay more attention to the virtues of short fiction... if anyone can get reluctant short-story and novella readers into the swing, he certainly can with this book." (Booklist)
Each story was worth a credit. They were very gripping and very dark. These stories are not for the faint hearted, but some of Kings best work.
Craig Wasson is the reason I bought this book. He was so good in 11-22-63 I wanted more! I was not disappointed with his performance in 2 of these Novellas. The other Narrator, Jessica Hecht was different for sure but the stories were perfect for her. I was thrilled with both "Big Driver" and "A Good Marriage". It was appropriate since the lead character was female, and compelling with her distinctive style and character development. I find myself missing her now that I am on to "From a Buick 8" and the female voice is someone else.
Addicted to audiobooks & podcasts. 5 Stars=I Loved It, 4 Stars=Enjoyed it Thoroughly, 3=Kinda Good, 2=Bad/Boring, 1=Complete Waste of Credit
I really enjoyed this collection of dark tales - they gave me the creeps and entertained me - what more could one ask for? As usual, King's character development and gift for dialogue are the real stars of the show - he gives you a chance to allow your internal critic to relax a bit and just enjoy the ride. Worth a credit - worth the time.
This is the kind of book that makes you really glad to finish it and go back "to the light", as Stephen himself puts it. The stories are great, the editing is great, and the narrator does a GREAT job. Mr Wasson is definitely one of the best!
Stephen King is best when he keeps it short. His best output has been his novellas and short stories. Full Dark, No Stars continues this trend with 4 great stories that are more character studies than horror stories. But they work as both. All the stories have a theme of people who lose themselves to deal with some dark side of themselves.
I do not want to give any of the stories away as half the fun is hearing how the stories and characters evolve and the decisons they make (as well as their reasons for making the decisons). There is also a bit of a feminist leaning to 3 of the 4 stories; which I thought was interesting (seeing as a large chunk of horror seems to involve damsels in distress).
This is a great listen and a reminder of how Stephen King elevates a sometimes tired genre of horror into great fiction.
Retired Clergy. PhD in Comparative Religion. Enjoying retirement of golf, motorcycling, model railroading, gardening, and reading.
Stephen King at his very best. I can't remember being any more captured by this storyteller engaged in his articulate craft. Don't enter into the world(s) of these stories unless you are ready to be completely caught up in the narrative(s). I will listen to them again, I think, but not until I'm once more willing to face myself wholly for one (like the characters in each tale) who may very well be possessed of two (at least) people. For the moment I'm just going to let these morality tales ferment someplace deep within me. Wonderful. Engulfing. Stephen King at his best.
The male narrator was okay - not great, but okay. Definitely not as bad as the female narrator. Each word from her sounded like it was being wrung from a whining drama queen's neck. If I could do over, I'd have just read this book instead of listening to it.
These are all great stories, well told. The first one is so dark it was very uncomfortable to listen.
My only criticism is the trend of actors "over-performing" the books they read. There's a fine line between telling a good story and imposing one's interpretation on it. Wasson was over the top in the first story but much more even in his second. Hecht goes way too far in both her stories and her voices are distractingly similar in each even though the characters are completely different. If I were running the zoo I'd stop hiring actors to do these reading and enlist storytellers instead.
It was so nice to have short stories that take me back to Four Past Midnight and Bachman days. The narrators are fantastic and add a great deal to the story. I hope King's following books keep up this energy.
I am what you'd call a "constant reader". I've been reading and listening to SK for close to 20 years. I really enjoyed this book. I usually don't care for SK's short stories/novellas, but these were all very, very good. I very much enjoyed the second story, but it is quite disturbing and a bit more graphic than I am used to with SK. Some reviewers had a problem with the readers, I really didn't mind them, they weren’t the best performance’s, but it was still ok. I also appreciated SK’s afterword. I would recommend it to everyone who likes SK. All in all, it's a great read!
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