©1936 James M. Cain; (P)2005 HarperCollins Publishers, Inc.
Classic book from which the "film noir" of the same name is based. This is a story of seedy seduction, double dealing and intrigue leading to ultimate doom. Film ends quite a bit differently from the book, but bottom line is that these two main characters really deserve each other. This is a good presentation, capably read. I found it quite an entertaining listen and give it a solid recommendation.
Double Indemnity; when Cain is good, he is brilliant. Who else writes crime like this-sudden and gripping? Not word that doesn't drive the story forward with a you-are-thereness few writers can rival. Crime in Cain's novel is like an impulsive, illicit passion, when it's done, the partners separate in mutual disaffection. The intricate insurance scam and murder plot is masterful. Cain's style is odd yet apt and he can write dialogue with the real rhythm of speech and remarkably, Cain's language doesn't feel dated. I found that the terse, controlled tone of the narrator, James Naughton, exactly suited Walter Huff, telling us just how it was, his nightmare venture into crime.
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Not the kind of story I like to read, but it was different.
It’s probably above average for readers who like hard-boiled crime fiction noir.
It’s famous so I was curious. It’s told in first person by Walter Huff. At times he talks directly to the reader using the word “you.” Walter is an insurance salesman. He sounds like a good salesman – a smart guy. But he’s a dweeb or goof or something odd when it comes to love. He talks to a woman a couple times and claims he’s in love. Something happens and he is immediately out of love. He talks to another woman a couple times and says that is true love. And when he loves someone, murder is just something to do for them. Weird. But I like weird things.
Although, his murder motive is not just for love. Huff claims the big score appeals to him. And since he’s an insurance guy he knows how to get around the problems.
The main story is about two people planning a murder. They are the bad guys. We are never in the murder victim’s head. We are in the good guys’ heads just briefly – when we listen to insurance company executives discuss the insurance claim. That part was a little boring.
I did not like the ending. It was disappointing and vague. I had to make assumptions. It was bad news for the bad guys, so I suppose that makes it a happy ending for good guys. But I wanted something more.
This was written in 1935-36. There’s something neat about the dialogue. The writer did not grow up watching TV, movies, etc. So he sounds different from contemporary writers. I liked it. There is a directness about it.
It is a third the length of a regular novel.
James Naughton was excellent.
Genre: crime fiction.
Cain is always good. And this is deservedly a noir classic. Like Postman, excellent and a lot accomplished in a short novel. Many writers could learn from his lean style.
I have already listened to this several times -- sometimes as soon as I have finished it I start it from the beginning again.
Double Indemnity (the original) is my favorite movie, and although I knew that the story was quite different (I knew some of the twists that the movie left out so they didn't surprise me), I had not expected it to be this good. Seeing Phyllis -- and her doomed husband-- Lola, Nino, Norton and especially Keyes through Walter Huff's embittered eyes adds a dimension to them that the narration in the film doesn't really show. This doesn't take anything away from the film, and I am glad that Billy Wilder had the sense to stay out of the weeds that this story takes its readers into.
There were a couple of them that were not in the film. The scene in which Phyllis and Walter are bickering in the car after the murder was a hoot. (She tries to throw him out of the car and he threatens to "sock" her.) The scene in which Barton Keyes figures out how the murder was arranged and blows his stack over how Norton had botched the claim was a close second.
Don't. It's been done to perfection already. (The remade Richard Crenna/Samatha Eggar/Lee J. Cobb version was awful.)
Sometimes that narrator seemed to slip into what I can only call "a Goodfellas accent." It was rather jarring and sporadic, but this is just a small quibble in what was generally a riveting and well-told story.
I'm a huge fan of this movie - it's one of my very favorites - so I was eager to give the source material a listen.
Maybe I'm just spoiled by Fred MacMurray, but the performance on this was just very lackluster. So much so that I'm not sure I recommend you waste a credit on this title.
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Written in 1936, this is one of those old fashioned novels in which the main character narrates to the reader. It is a cute form of writing and takes me back to my youth watching those old black and white detective movies. "Her dress was in the hollywood style and could not hide the body that was in it and she knew it." Not an exact quote but close. In this short novel the main character falls in love with two different women, based on looks alone. He kills for one woman who he barely knows. He is an insurance salesman who knows all the angels. He plans the murder and they carry it out. He does this to get $50,000. His only claim to the 50 would be if the wife wants to share. He does not seem to think this is a problem though. It is all very cleverly planned and carried out. Like in all murders, there are some twists and it seems he does not know his lover that well. Like in the Postman Always Rings Twice, which I liked better, he actually gets away with it, but ends up paying for it in the end.
"James Naughton is perfect for Noir"
Love this book, the story is clever and full of quotable lines...the film was excellent and James Naughton narration suits this genre.
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