Man Booker Prize, Fiction, 2012
The sequel to Hilary Mantel's 2009 Man Booker Prize winner and New York Times best seller, Wolf Hall delves into the heart of Tudor history with the downfall of Anne Boleyn. Though he battled for seven years to marry her, Henry is disenchanted with Anne Boleyn. She has failed to give him a son and her sharp intelligence and audacious will alienate his old friends and the noble families of England. When the discarded Katherine dies in exile from the court, Anne stands starkly exposed, the focus of gossip and malice. At a word from Henry, Thomas Cromwell is ready to bring her down. Over three terrifying weeks, Anne is ensnared in a web of conspiracy, while the demure Jane Seymour stands waiting her turn for the poisoned wedding ring. But Anne and her powerful family will not yield without a ferocious struggle. Hilary Mantel's Bring Up the Bodies follows the dramatic trial of the queen and her suitors for adultery and treason. To defeat the Boleyns, Cromwell must ally with his natural enemies, the papist aristocracy. What price will he pay for Anne's head?
©2012 Hilary Mantel (P)2012 Macmillan Audio
A part-time buffoon and ersatz scholar specializing in BS, pedantry, schmaltz and cultural coprophagia.
100 pages in and it is hard to miss that this isn't just a nominal sequel to Wolf Hall, but rather the first book's logical annex. There is no drop-off in complexity. No laxity of language. Still Mantel manages to shift form, change structure and reinvent her style. She even manages to give the character of Thomas Cromwell more depth and complexity, a feat which seemed near impossible after finishing Wolf Hall.
Anyway, Mantel is one of the finest writers of English prose living. Each sentence is crafted like a unique piece in an Italian inlaid music box. She has a purpose for each comma and can make words seem to dance, fall and recover right off the page. She pulls the history out of the history and has written Tower interrogations so deft and chilling, one is left afraid of both language and the law. As readers, we watch Cromwell destroy men, overthrow queens, and change history with words, paper and a sharp understanding of men's motives. We aren't afraid because Cromwell is a monster, but because he is so heroically human.
If you do not find intrigue breathtaking, don't read this well written and well researched book. Hilary Mantel is my new favorite author, and what a remarkable writer and teller -of-tales she is! Her writing is dense, insightful, and rich in nuance. She takes the story of Anne Boleyn and makes it come to life (and death), as witnessed through the actions of Thomas Cromwell, one of King Henry VIII's chief counselors. It appears no accusations can be too bold, and no recriminations too slanderous if you are king and want to be rid of a wife you just spent ten years courting into marriage. The dicotomy of a king's whim and a queen's rights could not be more opposite, and if you can rid yourself of a few extra people along the way, why not...
"A reader lives a thousand lives before he dies. The man who never reads lives only one." - Jojen Reed. #ADanceWithDragons
I am slowly but surely becoming a fan of Hillary Mantel here. The combination between her and Simon Vance is was very much fitting here. Most persons I have heard speaking about "Bring Up the Bodies" generally tends to say that they preferred the book in the series, "Wolf Hall", to this. Personally though, I found that I enjoyed "Bring Up the Bodies" more.
I've always liked to read about this particular era in British History... the era of the Boleyn's. The downfall of Anne and the sensationalism that surrounded this time is something that I would never predict to happen in real life. Seeing what happens through the vantage point of Thomas Cromwell is pretty fascinating if you ask me. Having to manipulate and contort the law the way he did to fit the whims and fancies of the King of England at the time, Henry VIII. The narration was what I have come to expect from Simon Vance to be honest. Simply flawless.
Molecular biology professor and researcher. I love history, historical fiction and future/alternate history. Mostly I listen while jogging, about 30-45 min per day.
After listening to this and the preceding Wolf Hall, I despair of ever having so much satisfaction on an audiobook and its performance. Mantel's writing is exquisite. Each sentence is carefully crafted, balanced, purposeful. The story is amusing, engrossing, horrifying, comforting, and always compelling. If feels like history but somehow one is transported into Cromwell's head and behind his eyes.
And Vance must feel the same way I do. His reading...his performance....is absolutely spot on.
I will NOT enjoy any other book, or pair of books, as much. It's all downhill from here.
I just wish we would get another volume...perhaps it will yet come. The last words in the book state that the end is the beginning.
I feel like I have had a course in Tudor history, but with a lot more of the important social and economic detail than you would ever get in a classroom.
Pure magic. Seriously, there must be a lot of scholarship....the details are so dense and believable. But the primary thing is the lyrical writing.
It was too short.
Regret that I am done with it. Play it again, Sam.
Hilary Mantel makes every detail of the Tudor soap opera brand new, immediate and "can't stop listening" powerful.
Her present-tense prose works better read-aloud, at least with so fine a reader.
Cromwell as villain is nuanced by a detailed imagining of his life, his memories, his musings late at night, and even imagining a detained suspect locked, in the dark in the family Christmas closet (puts light on similar stories about More locking heretics in his basement for easier interrogation).
Okay, there will be a volume 3 for sure, or even a volume per wife, but boat loads of us will be waiting for them.
I think that Hilary Mantel is an wonderful author. Her story telling; her use of language; her ability to bring to life a far away period of time weaves a literary spell. I wish the book had been twice as long!!
Now I need to wait for her to write/complete the final book in this triology.
The England of Hilary Mantel is totalitarian state. Simon Vance, one of my favorite readers, reads this book beautifully but, all the same, his voice lacks the necessary malevolence that the narrator of Wolf Hall was able to achieve.
I hope that Audible will soon bring Hilary Mantel's other books into their library.
Dually addicted bookie. Read and listen to most books together. If I don't like reader of audible I dump it and move on.
I'd recommend it anyone who has enjoyed reading "Wolf Hall" or enjoyed listening to Simon Slater's rendering of Part 1. It seems about half as long.
The character of Thomas Cromwell...brilliant and badass...
The dialogue has an additional dimension...and the story requires a superior reader...which Vance is...as was Simon Slater in Wolf Hall.
Yes...a number of laughs at the wit of Mantel's channeling of Cromwell.
I don't know why Simon Slater wasn't chosen to read...since his rendering of Wolf Hall was one of the greatest performances I've heard but Vance does a very good job of it...and the Cromwell voice choices he makes echo Slater's in the earlier book. Hilary Mantel is a superb writer...a witty and brilliant vision of how things may have been in a very mean and ruthless time period. I enjoyed seeing the fall of several of Cromwell's (and Woolsley's) enemies.
This is the sequel to Hilary Mantel’s award-winning “Wolf Hall”. Here we follow Thomas Cromwell, secretary and advisor to King Henry VIII to the beheading of Anne Boleyn. While King henry was enamoured of Anne Boleyn for seven years, which included his divorce and annulment of his 20-year marriage to Katherine of Aragon, his exiting from the Catholic church and starting his own church in England, and his ultimate marriage to Anne, he soon becomes disenchanted with her. Their marriage lasts three years; no son is born alive, and only a daughter, Elizabeth, lives. Katherine finally dies, and within a few weeks of her death, the gossip surrounding Anne grows to a climax as people perceive the king is willing to hear rumors and innuendos about her unfaithfulness to him. Again, Thomas Cromwell is the primary focus of the novel and we see events unfold through his eyes. We see a man who rose to his high office but remains, so far as nobility is concerned, a commoner. He has dedicated his life and service to King Henry VIII but with no illusions that the king and the nobility could turn on him in a moment. He retains his position through his wit, intelligence and long memory regarding the people around him. The weeks involving Anne Boleyn’s trial, and the trial of other men tried for treason for allegedly taking liberties with her, is terrifying. The actual beheading of Anne Boleyn is gut wrenching, particularly when you learn that she must kneel but will have no block to rest her head on. She must kneel perfectly still in one place so the head will come off with one stroke. Reading about this period reminds me very much of the French Revolution period of chaos. I don’t know if Mantel plans more books leading to the eventual downfall of Cromwell or if this is it. Simon Vance does his usual wonderful job of narration with each character having its own vocal expressions, Cromwell always remaining slightly remote and cool. I assume this book will get some awards as well. It is very good.
I would've liked this book more if I hadn't just read Wolf Hall. This is a very different Thomas Cromwell.
Remove the positive recollections of Walter Cromwell - considering Wolf Hall, they didn't make any sense.
I never considered Queen Anne had a French accent.
I finally realized why I don't enjoy the talented and accomplished Simon Vance as a narrator: his voice strikes me as chilly, even though I realize he might in real life be the warmest-hearted person I could ever hope to meet. But what this meant for my "Bring Up the Bodies" listen is that I was left wondering if Hilary Mantel was telling the story of a man (Cromwell) corrupted by power, who had lost some of his human qualities—or if it was just that Simon Slater (for Book One of the series) was better able to express Cromwell's tenderness and regrets. I couldn't tell if Cromwell had changed, or if I was just confused by the change in narrator. Also, while "Wolf Hall" chronicles the rise of the plucky Cromwell and equally plucky Anne Boleyn, and it's the icky Thomas More who loses his head, in "BUtB" it's the demure (and less fascinating) Jane Seymour whose star is rising, and it's hard not to feel sorry for the innocent and/or naive courtiers who end up paying the ultimate price when Cromwell starts calling in accounts. Despite the excellent writing and narration, I didn't enjoy this audiobook as much as its predecessor.
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