As a boy, William Bellman commits one small, cruel act: killing a bird with his slingshot. Little does he know the unforeseen and terrible consequences of the deed, which is soon forgotten amidst the riot of boyhood games. By the time he is grown, with a wife and children of his own, William seems to be a man blessed by fortune - until tragedy strikes and the stranger in black comes. Then he starts to wonder if all his happiness is about to be eclipsed. Desperate to save the one precious thing he has left, William enters into a rather strange bargain, with an even stranger partner, to found a decidedly macabre business.
And Bellman & Black is born.
©2013 Diane Setterfield (P)2013 Simon & Schuster
Yes. Setterfield's prose is exquisite. She weaves dark sensual landscapes and folklore into a rich narrative.
The imagery created by the author's prose and the characters.
He is excellent.
No, but I developed an intimacy with the characters and a sadness in response to their suffering.
Although the plot is not as clever as her previous work, she still held me spellbound.
Not everyone will like this one, but I did. I love how Diane Setterfield takes books like Jane Eyer in the Thirteenth Tale and now Edgar Allen Poe's The Raven and constructs a new story around the same premise. If you don't get "The Raven" you probably won't get Bellman and Black. The story is so well done. It is a slow moving story of the life of William Bellman. He spends half of his life in pursuit of riches, but at what price? The Raven's sorrowful words of "never more" are brought to mind over and over again. I thoroughly enjoyed this book. It makes me want to enjoy the relationships of those around me and never take a moment for granted of the time I have with those I hold so dear.
I looked forward to reading another book from this author of The Thirteenth Tale. However,I did not enjoy Bellman and Black. Very slow and somewhat predictable story. I frequently had to go back and relisten to parts because my mind would wander.
Say something about yourself!
I loved Diane Setterfield's The Thirteenth Tale, and I was eager to devoir her next work. What Setterfield has produced here is, in my opinion, a work less enjoyable to read and yet similarly well worth reading.
Let me explain.
This is not a mystery in any sense, but rather a classic Gothic novel, working out its dark message with all the unflinching inevitability of works such as Nathaniel Hawthorne's The House of Seven Gables. From the moment 11-year-old William Bellman pointlessly kills a young rook with his slingshot, the reader knows things will go badly for him. As he labors to build his adult life -- with loving wife, healthy children, and thriving business -- the reader realizes he will rise to heights only to fall. Not once was I surprised at what befell Bellman. That is not necessarily a criticism. We don't watch the proverbial train wreck because we think the tracks will mysteriously reroute themselves at the last minute; we watch the proverbial train wreck for the edifying and horrifying majesty of the collision.
For that matter, there is something hauntingly reassuring in the idea -- even as it damns all of us -- that actions, however small and thoughtless, have consequences.
Just as, in the proverbial train wreck, watching the long lead-up to the tragedy has a certain oppressive inevitability that frustrates and wears at the nerves, so too does the bulk of Bellman and Black. This is why, despite Setterfield's gorgeous prose, it is not an enjoyable read. Once the reader completes the work and gains a bit of distance, though, it comes into full focus.
Drawing from folklore and legend about rooks, Setterfield stresses thought and memory as the two most terrible costs of Bellman's childhood act of murder: for the last long portion of his life, Bellman thinks only of death as he painstakingly builds Bellman & Black's to be London's premiere mourning emporium; he loses all memory of the happy home he knew with his family and the satisfying work he accomplished at the mill. His daughter, his sole remaining tie to humanity, grows to adulthood without his attention or awareness.
Setterfield expertly twines the narrative around different aspects of the mysterious, wise, and vengeful rook, using the various collective nouns for the birds -- a parish of rooks, a clamor of rooks, an unkindness of rooks, a parliament of rooks, and ultimately a storytelling of rooks -- as both an underlying theme of and a commentary on various sections of the story. The chilling final note of the book, that we short-lived and fallible humans are an entertainment, puts Bellman and his fall in proper context from a rook's perspective.
I appreciate Setterfield's artistry in the organization and symbolic depth of her tale, as well as her admirable restraint in the supernatural aspects of the story. If you're looking to fall in love with charming characters or be caught up breathlessly in an unfolding mystery, look elsewhere. But for a sobering, bleak, and carefully crafted tale about the human condition written in the great Gothic tradition, you need look no further.
Jack Davenport provided a solid narration for this novel.
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