From Jeffery Deaver - the New York Times best-selling author of the upcoming Lincoln Rhyme novel The Kill Room (on sale June 4, 2013) - comes an original short story featuring Rhyme.
When a young woman is found brutally murdered in a parking garage, with a veritable mountain of potential evidence to sift through, it may be the most challenging case former NYPD detective Lincoln Rhyme has ever taken on.
©2013 Jeffery Deaver (P)2013 Hachette
I listen while I paint- classic or modern mysteries, true adventure, & books that inspire or motivate
Maybe I know Jeffery Deaver's writing style too well, as I have read most of his books and kind of know what to expect. There is always a little "twist" or "slight of hand" to try and take you in one direction, when the actual perpetrator is someone you would not expect. However, it wasn't hard to figure out. The killer does use a unique method of covering his tracks- which I had not seen done before, and was really pretty brilliant.
However, this short story could have been more enjoyable if it were a little longer, allowing the drama to play out, and letting the characters become more fully developed. On the plus side, the narration was very good.
One problem right after the 1 hour mark, the audio portion has a glitch and some of the content is cut off --parts of sentences are lost. This goes on for about 10 minutes, however, whatever was said during that time probably didn't make much difference to the content or outcome.
***There is a nice preview of his new book coming out in June, which sounds pretty intriguing.
I left a similar comment about another book by another one of my favorite authors. As with that one, because of the way the book is produced, I can't listen and plan to return it. (I love Jeffery Deaver and Lincoln Rhyme, so I'm sure it's great and sure hope it's available on Kindle.) So I gave the story 5 even though I couldn't get through it. So back to the rant - unless a book is meant to be a PLAY, please do not have several 'actors' inject quotes when another person is narrating. It's jarring and just unlistenable. I just finished a book entirely narrated by Edoardo Ballerini and it was great (Speaks the Nightingale, Robert McCammon, book 1, Matthew Corbett series). In some cases, it works to use multiple narrators if there are whole sections coming from the point of view of a certain character and one narrator does all the quotes in a section. Still, my first choice would be Eduardo Ballerini or Colin Firth telling me the whole story....
Producers, please please stop - don't let this annoying style of production become a trend!
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