Anthony Powell's universally acclaimed epic encompasses a four-volume panorama of twentieth century London. Hailed by Time as "brilliant literary comedy as well as a brilliant sketch of the times," A Dance to the Music of Time opens just after World War I. Amid the fever of the 1920s and the first chill of the 1930s, Nick Jenkins and his friends confront sex, society, business, and art.
In the second volume they move to London in a whirl of marriage and adulteries, fashions and frivolities, personal triumphs and failures. These books "provide an unsurpassed picture, at once gay and melancholy, of social and artistic life in Britain between the wars" (Arthur Schlesinger, Jr.).
The third volume follows Nick into army life and evokes London during the blitz. In the climactic final volume, England has won the war and must now count the losses. Four very different young men on the threshold of manhood dominate this opening volume of A Dance to the Music of Time. The narrator, Jenkinsa budding writershares a room with Templer, already a passionate womanizer, and Stringham, aristocratic and reckless. Widermerpool, as hopelessly awkward as he is intensely ambitious, lurks on the periphery of their world. Amid the fever of the 1920s and the first chill of the 1930s, these four gain their initiations into sex, society, business, and art. Considered a masterpiece of modern fiction, Powell's epic creates a rich panorama of life in England between the wars. Includes these novels: A Question of Upbringing, A Buyer's Market, The Acceptance World.
©1951 Anthony Powell (P)2010 Audible, inc.
A Dance to the Music of Time, inspired by the painting of the same name by Nicolas Poussin, was rated by Time magazine as one of the 100 Best English-language Novels from 1923 to 2005. Written by the English novelist Anthony Powell, who took almost 25 years to create the 12-volume set, provides a highly-literate and highly-amusing look into the English upper-middle class between the 1920s and the 1970s. The book covers politics, class-consciousness, society, culture, love, social graces, manners, education, power, money, snobbery, humour, and more.
Although daunting in terms of length, the absolutely brilliant narration by the talented Simon Vance rewards the reader over thousands of pages, hundreds of characters, and twelve installments of gorgeous prose. This is a not-to-be-missed collection of novels for any serious reader of English literature.
I won't belabor the point, earlier positive reviewers are right, this is an excellent production of an overlooked gem. It is full of lovely prose and a fascinating re-creation of a bygone era. The interview which accompanies the First Movement, which you should read first, makes an apt comparison to Proust, while pointing out that Powell's acute observations of character focus much less on the narrator and more on the other characters. There is little navel gazing here, and you come to appreciate the narrator "Jenkins" and his modesty which enables him to cast more light on other characters.
Readers of contemporary novels may struggle with the minimal plot of this book... very little happens during the first six hours of narration! But hang in there as Powell populates his world with memorable characters and transports you to another place and time.
Simon Vance does an excellent job.
Powell's Music of Time books are a masterpiece of English literature. Massive in scope but ironically very narrow in its analysis of people, place and time, Powell devoted his life to these novels. His prose are rich, lyrical and incredibly smart. Simon Vance is excellent as always.
The brilliantly sharp humour, and the ever deepening insights of both protagonist and indeed reader as the narrative unfolds. A marvellous portrait of an era long gone. To be compared with Brideshead Revisited.
The different voices and the sense of wistfulness that Powell intended.
No! Certainly not.
I don't blame those people who complained they were bored. It is not for everyone. This is a cerebral slow burner of a tale spread over 12 novels and about 40 years. It's not for those who like a rollicking, tumultuous incident-packed plot. It just aint that sort of work.
For those with time, patience, and an interest in English social history, this is a glorious and profound experience.
YES, but this is difficult to listen to as there are so many characters over such a long period of time.
This understated book is the first of a series that grew on me and became enthralling. Written in form of an autobiography, it tells the life of an author from his boyhood after the first world war through his youth in school and at Oxford, his military service during the second world war, and afterward through his old age in perhaps the late 60s. The story is an assemblage of small moments in his relationships, in the military and otherwise mainly with artists, musicians and authors. One character recurs throughout, acting as a sort of archetypal figure of trage-comedy.
Some may find the pace too slow; there is little action, but give the books a chance. I found myself feeling as if I was there, too, seeing, hearing, feeling, even smelling, life as it was in England then. Taken as a whole, it has a mythic force. I found it haunting and well as amusing. Simon Vance achieves a tour de force of portraying widely diverse characters completely convincingly, enabling me to become immersed in the story.
I recommend listening to rather than reading these, at first, because the various accents of the characters are key to the story. Being unfamiliar with British class society, and their various accents, I would have lost a great deal if I had started with the books.
I majored in English history, lived in England for four years, and loved the other books I've heard narrated by Simon Vance...and I still didn't care for this book. I never got a feel for the narrator - he doesn't seem to have a personality. He could be very descriptive about some of the other characters or settings, which was a tad bit interesting, but didn't amount to a story. I kept waiting for a plot, climax, or narrative arc, but there just isn't one. I listened to the bitter end, sure that the story would get started, but it never did. The only reviews when I bought the book were positive, so I'm hoping that you learn from my mistake and don't waste your money & time on this book! Check out "Cutting for Stone" if you like recent history - that's a brilliant book with a fantastic narrator.
I made it through all four movements of A Dance to the Music of Time -- that's 12 separate novels -- and I think this sits with the third movement as the most appealing. The early parts of this may be the strongest of the entire cycle, but they are also the most conventional. Powell writes with real grace and patience, and he introduces the first of his more than several dozen characters. Still, the star of all the novels is the voice, and it's at its most pure here at the start.
Bottom line, you can read this movement without going on to the others, but you really can't do the reverse.
Retired dentist after 37 yrs & with strong artistic interests left intensive reading until my latter years and am having a ball!
I found this "First Movement" at times to be so snobbish that I cringed at being British ! However the quality of writing and descriptive gift that Anthony Powell is well worth pursuing and although disappointing even slightly boring, as a story,the autobiographical quality of the book really is a fascinating "painting" of life between the First and Second World Wars, in Britain. If one wants to get lost in someone else's life and time which is not too far away from almost memorable glimpses of Old England with the emphasis on entertaining listening, then this is a book, the first of four movements which is worth the literary effort, and will certainly will not fail to be enjoyed.
"The best way to enjoy this true classic"
The written version of this book is rightly regarded as an English classic, but its size (4 volumes)can be off-putting but this unabridged audio version makes it more accessible taking some of the pressure off of your time being read to you whilst driving or working with your hands or when your eyes are 'tired'. This reading highlights the perfect way in which the English language is used throughout the book. Only an unabridged version can really do this book justice. You will find yourself becoming attached to a whole host of characters and following them through their lives and traumas and 4 volumes. And as for value for money... it makes membership even more attractive!!
"Life in a past era in minute detail"
I chose this audio book as I had enjoyed watching the Channel 4 dramatization. The whole audio version comprises three "Movements" and each movement is divided into three parts. It's a lot of listening: over 60 hours. It's ordered chronologically so needs to be listened in sequence as the characters back-stories are detailed in Movement One, part one and so on. It did find it helped that I'd seen the screen version so had a mind's eye view of the characters as there are so many of them. The main characters are a group of men whose lives are described from their school days onwards. It's an upper class life starting in the mid 1920s. It's not a riveting listen more an unfolding of their lives and interactions with other people and tangentially with historical events. I've read elsewhere that the author based many of the characters on real-people (see Wikipedia entry about the books). This first Movement takes the main players from school to early adulthood.
The writing is stylish and the narrator does a splendid job of bringing the characters to life.
"Completely compulsive and absorbing"
This is a listening experience not to be missed! It’s true that the first three books (the first download) are not the best, but I’m giving 5 stars to the whole series because you have to get to grips with the first books in order to understand the whole series. Powell introduces nearly all the characters in the first books and you really have to work your way through the 12 books quite fast in order to remember who is who. Recognised as a 20th century classic, A Dance to the Music of Time holds up a mirror to a certain part of British society in the mid-20th century. It is completely compulsive. Once you have got to know the characters they take on depth and as you listen you become increasingly intrigued and involved in the story. Where the books are at their best is in the mid century, when they describe the war years and then the late 40s. With a very light touch, they evoke both post-war depression (gloomy, dark streets) and post-war optimism (new magazines and art movements). As things gradually get better in London, and Britain in general, the story comments on the major social improvements of the period, and some of the truly weird things which happened in the 60s and 70s – explaining, without judging, both the paranoia of some and the search for an alternative society of others. Simon Vance’s reading is masterly – every character has his or her own voice. He keeps faith with the main character, Nick, who looks on but never judges. This is not however, a bodice ripper – only a brilliant explanation of the 20th century. As far as listening is concerned it’s one of the very best books I’ve ever listened to – absolutely absorbing - you don’t want it to end, but it’s also one of those books you can just start all over again!
"I''m not sure"
I'm not sure why, but I've always been curious about this story and I missed the highly recommended 1990s(?) TV adaptation. I was looking for hours and hours of listening, and having exhausted my favourite Victorian classics (for the time being) decided to give this a go. It gets you interested and then it's hard work - and gets you interested again and then is hard work again.; I'm not sure why the narrator is so important to the story to be there in the first place - actually I'm not sure where the story is going. And its easy to drift off mid extra-long sentence and miss something happening. So I've just downloaded the second volume - I'm not sure why. Maybe Simon Vance?
I did love the writing and the wit, the gentle flow of the 'story' and the atmosphere it sets. Gently unfolding narratives are fine with me, if I am in the right mood and this is what it delivers. I also very much enjoyed the narration - his voices worked well in underlining the social strata we are living in here.
At times, partly due to the calming qualities of the reader's voice and partly due to the sometimes less than gripping sections, my mind did wander and I may have missed several minutes here and there maybe 10 or more sometimes - but it never seemed to matter much.
If you want drama and action, don't buy this. If you want a rich slice of social commentary with almost no pace but a lot of atmosphere to get thoroughly lost in, this is probably for you.
ADTTMOT is perhaps my favourite series of novels. I can understand why people don't like it; it is dry, complex, determinedly upper-class and very long, but it is a masterpiece. The language is fantastic - if complex, the characterisation subtle and accomplished and you really need to read them all to appreciate the grand literary structure that has been created out of nuance, seemingly extraneous conversations and random events..there is a plan!
I too wondered what was going on after the first novel but was irredeemably hooked.
However, despite good narration I think that it's all too much for a simply read audiobook - a dramatisation would have worked better I think as it would still have a large element of narration to explain and set the context but would remove the demand to over-extemporise with the panalopy of different characters.
"Excellent description of its time"
Yes. The book is very well crafted and is in parts hilarious.
A Dance to the Music of Time is a counterpoint to C P Snow's Strangers and Brothers series of books, which covers the same period, was a great read, but did not have Powell's sense of humour.
"Beautiful language, empty characters"
Anthony Powell is playing the long game with this twelve book series - I would be interested to see what becomes of his characters as they go through the second world war. Simon Vance is an excellent narrator - capable of dealing with complex plots and large casts without overemphasis or confusion. I would always consider something he has narrated.
Widmerpool, the gangly awkward and socially inept schoolboy who nevertheless seems to rise and rise in society. Vance gets the tone just right.
It has follow-up books - it is a vast literary work - considered a classic by many, although I find the author's voice so objective and devoid of emotion that it is hard to care about any of the characters.
"A mixed bag"
Where to start with this book. Parts of it were gripping and parts of it were very dull. Some of the language was beautiful and some of the scenes were very funny. Other scenes were interminable and I was waiting for them to be over. Certain characters were great like Stringham and Gypsy Jones, while others, including the narrator, were quite dull. I guess that the ultimate test is will I read or listen to the remaining volumes. On balance, I think I will as I am hooked enough to want to know where this goes next as we hurtle towards WWII.
Although I saw the television adaption years ago I had never read the book. It's First, Second and Third Movements are a sweeping tale of the Twenties, Thirties, Second World War and beyond - those gigantic periods of history not so far away. This epic covers every sort of human condition set against an ever-changing background of social and political life. Simon Vance's narration is a masterpiece making it possible to visualise every scene and character. A truly amazing piece of acting.
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