Prepare yourself for a journey through the world of Patton Oswalt, one of the most creative, insightful, and hysterical voices on the entertainment scene today. Widely known for his roles in the films Big Fan and Ratatouille, as well as the television hit The King of Queens, Patton Oswalt—a staple of Comedy Central—has been amusing audiences for decades. Now, with Zombie Spaceship Wasteland, he offers a fascinating look into his most unusual, and lovable, mindscape.
Oswalt combines memoir with uproarious humor, from snow forts to Dungeons & Dragons to gifts from Grandma that had to be explained. He remembers his teen summers spent working in a movie Cineplex and his early years doing stand-up. Readers are also treated to several graphic elements, including a vampire tale for the rest of us and some greeting cards with a special touch. Then there’s the book’s centerpiece, which posits that before all young creative minds have anything to write about, they will home in on one of three story lines: zombies, spaceships, or wastelands.
Oswalt chose wastelands, and ever since he has been mining our society’s wasteland for perversion and excess, pop culture and fatty foods, indie rock and single-malt scotch. Zombie Spaceship Wasteland is an inventive account of the evolution of Patton Oswalt’s wildly insightful worldview, sure to indulge his legion of fans and lure many new admirers to his very entertaining “wasteland.”
©2011 Simon & Schuster (P)2011 Lord Loudoun, Inc
"Patton Oswalt is a brilliant rarity; a relentlessly creative and original comic who is also a superb writer. If you don’t buy this book you are a fool and I will, I swear, fight you.” (Conan O’Brien)
Fans of Patton Oswalt’s standup comedy have always known he was a born writer at heart, and now here’s the proof. This is a surprisingly affecting, sincere and daresay vulnerable collection of essays, all keenly observed, always very funny.” (Dave Eggers)
“Perfect—I can describe Patton’s book the same way I describe his stand up—brilliant and prolific, I am slackjawed, amazed, and left feeling both inspired and fraudulent.” (Sarah Silverman)
“Patton Oswalt is among the funniest on-stage talking humans I am aware of, so it annoys me deeply that he is also an incredibly talented writer. It annoys me, but it does not surprise me. Every sentence in this book is funny (except for the sad ones), but it also brims with Oswalt-ian smarts and surprising poignancy.” (John Hodgman)
i like patton, he's a funny dude.but this book is not funny and jumps all over the place. maybe i just was in the wrong mood, but i just didnt get much enjoyment out of it
maybe but probably not
Drifted from normal speech to quiet kindergarten inaudible. What did he say? Audible book with footnotes is distracting and indicate an unplanned writing.
What was I thinking when I bought it?
This book injected my subcutaneous tissues with a viscous glowing alkaline buffer derived from a mixture of isoproterenol and rabies antibodies collected from bat carcasses. And peanut butter.
I am a lover of good books, good Chinese food, and good Scandinavian Heavy Metal music.
I am a die-hard Patton Oswalt fan. This was a much more intimate look into the mind of an adorable mad-genius than his stand-up routines. I wish there would have been more.
There are four major essays here, and they range from pretty good to classic Oswalt. The title essay describing teenagers as falling into one of three groups is just wonderful. The article about working in a subterranean mall cineplex goes on too long, but the lyrics read by Michael Stipe rock. The last two articles about being on the road in the 1990s feel like two parts of the same article, and are reasonably funny and insightful, but again, go on to long.
Sorry to say, despite the effort that went into an fully illustrated chapter and fake hobo songs, the rest of the book feels either like filler (I wasn't all that interested in his childhood snow fort) or a clever idea that doesn't really work, or both. The hobo songs are especially irksome. The music is actually nice, but the whole "I'm singing ridiculously rude things only to claim they mean something else" is very one note and juvenile.
Having said that, it all goes down really easy; I mean, it's only 3 1/2 hours of material.
If you do buy the book, make sure to download the PDF so you can see the illustrated chapter; the artwork is quite nice. I didn't realize a PDF existed until I heard about it in the book. You can find the PDF in your library just right of the jacket illustration where it says "PDF".
So, to summarize, I continue to be a gigantic Oswalt fan, and have just purchased his second book, which is a real dandy concept. I just wish this book had more first rate Oswalt in it.
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