Often called the greatest novel ever written, War and Peace is at once an epic of the Napoleonic wars, a philosophical study, and a celebration of the Russian spirit. Tolstoy's genius is clearly seen in the multitude of characters in this massive chronicle, all of them fully realized and equally memorable. Out of this complex narrative emerges a profound examination of the individual's place in the historical process, one that makes it clear why Thomas Mann praised Tolstoy for his Homeric powers and placed War and Peace in the same category as The Iliad.
War and Peace was translated by Louise and Aylmer Maude.
(P)1998 Blackstone Audiobooks
Indeed the Narrator is an acquired taste especially for Americans not familiar with the "proper" English accent or the Russian Language. What some have called out as an annoyance (the raising of the inflection of the voice at the end of sentences) is actually part of its genius for that is how Russians speak. Not only did the narrator tell the story, but he captured the very essence of the book. Very well done!
This is indeed a classic both the book itself and the narration. The author does an excelent job with character development. His analysis of History was very thought provoking. The Narrator does a comendable job with voice variations and expression I found I could almost see the characters as he brought them to life. Very worth the investment, if you have the huge amount of time it takes to get through it.
I bought this more than a 3 years ago and have not been able to complete the story because of the narrator effeminate accent... Arrrghhh!
Too long gone, two wrongs right, to a brighter day and Tupelo night . . .
To be clear, this review relates to the Frederick Davidson narration of War and Peace, with an Audible release date of 01-21-05. What a horrible recording, mastering, and narration! I sincerely regret that I didn’t purchase the Neville Jason narration, instead (Audile release date: 04-27-07).
Do not be encouraged by the favorable reviews given this Davidson narration. I was. That and I was too cheap to pay two credits for volumes 1 & 2 of the Neville Jason narration.
Criticisms of narration and production:
1.This is a poor quality recording. During pauses in narration, there is a low hissing background noise – almost like the always-present noise made by my old cassette recorder as it captured the friction of tape being pulled over the recording head. This becomes extremely pronounced (and annoying) when listening with noise-cancelling headphones.
2.The digital mastering of this rendition only heightens the annoying affect of background noise. At the discretion of the editor mastering this recording, the narration is frequently augmented with post-capture extensions of narrative pause. The stark silence of these edited-in pauses contrast, sharply, against the noise-filled pauses captured during narration.
3.Points 1 & 2 would be tolerable, if only Davidson’s narration wasn’t so bad. My chief complaint with Davidson’s narration is this: he reads War and Peace as though it were Jane Austin’s Pride and Prejudice. Not appropriate and even laughable at some parts. Also, Davidson’s character voices for women are grating and shrill. As he narrated certain women’s dialog, I had to pull the headphones from my ears to escape the pain his increased pitch and volume caused to my eardrums (seriously!). After one such insanely pitched, loud narration of a women character’s line, he then read: [character x] said, mildly. He then paused, awkwardly, as though thinking: guess I shouldn’t have hit that line so hard.
Criticisms of the story:
To be fair to the story, please understand I have aborted listening to this book after only fourteen hours (I’ve listened to 2 of 10 parts). Although I love long books, I couldn’t tolerate another 46+ hours of Davidson’s narration. So, my criticisms of content relate specifically to the first 14 hours.
1.Too many characters to get a clear idea of who is who or why the reader should care about any of them.
2.Most (as in 90%) of battle/action scenes are described in hindsight, through various characters’ point of view. Not a lot of showing, mostly telling.
In short, I regret buying the Davidson narration of this book. I wish I’d spent 2 credits on the 2 volume narration by Neville Jason, instead of wasting 1 credit and fourteen hours on this Davidson narration.
I would urge any reader interesting in tackling this classic Tolstoy novel to avoid the Davidson narration. Listen, carefully, to the Jason samples before taking the miserly path I took. Spend the 2 credits on the Jason narration and avoid the frustration of spending time with this Davidson narration.
Love to read, and Audible has made the two-hour daily commute enjoyable!
Tolstoy's huge tome constantly moves in three spheres, a plethora of characters and their families during the Napoleanic Wars both on the 1) battlefield and the 2) home front. The third sphere is a detailed look at the history of the era and his thoughts on freedom that are interspersed through out the book.
I learned more about the Napoleanic Wars than I had known - but I have to say that the discussion at the end about philosophy and freedom of choice made me weary. Overall, there are some glorious parts as Tolstoy covers the themes of War, Peace, Love, Betrayal, Revenge and God.
I was excited about this book because I loved "Anna Karenina", but this was just too much. By the end of the 60+ hours, I was ready to move on.
I was very disappointed in the performance. It's funny how some narrators do different voices and you don't even think about it. Davidson's older women sounded like Jonathan Winters in drag - that took me a bit to get over. In addition, the sound quality was atrocious - you could hear airplanes/machinery, pages turning, etc.
I might try it again in the future, but definitely either reading it, or with a different narrator.
This is an outstanding work by Tolstoy, and an excellent performance of the reader. The reader, though now deceased, has done great work for historic works as I can attest from his reading of "The History of the World" also in Audible. Believe me, this is well worth the time and cost even for those that don't usually use audiobooks.
True multitasking is "reading" a book while walking, running, kayaking, doing chores, gardening, driving or just drifting off to sleep.
The narrator does a fantastic job with a very challenging book. It is a pleasure to listen and the tale is truly enjoyable. Although it is 60 hours of audio this story is well worth it!
What can you say about a classic like this! The narrator though...So hard to understand that it makes it hard to get through this. On a book notorious for being this long, it's almost a "crime" to have someone like this narrate it. For that reason alone I would NOT suggest you get this!
The book is definitely a masterpiece, as praised already by so many critics, but the reading of it is astonishing. Frederick Davidson interpretation of the personages is extremely realistic and it helps a lot in enjoying this marvelous book.
Even if it doesn't seem to have the deepness of Dostoevski's books, this book definitely keeps a listener, who had been able to pass over the first 2 hours, hooked for the other 63.
The epilogue is a bit disappointing as it is awkward to hear lectures on "freedom" while praising a society based on slavery (serfdom), but I still give it five stars.
(Don't miss Kamarozov Brothers, interpreted by the same Frederick Davidson:)
Tolstoy's sprawling novel, set against the backdrop of Napoleon's wars against Russia at the beginning of the nineteenth century, is often called the greatest novel ever written. This is a superb rendition of that great novel. Narrator Frederick Davidson (a/k/a David Case) is a multiple award winner for his hundreds of recorded books, and he is at his brilliant best in creating the voices for Tolstoy's characters. Highly recommended.
I tried several times to listen to this narrator; but found his intonation so appallingly blase and unprofessional, that I could no longer bear it. I will join Audiobooks again and download another author who I have sampled and will hopefully enjoy this wonderful book as it was intended to be enjoyed.
"What a shame about the narrator!!!"
I'm sure like many people,I had tried to read this book numerous times before. I had loved Anna Karenina but could just not get into this at all. That is until I got the audio book. I was hooked after the first 10 mins and couldn't wait for the next installment. But what a shame about the narrator!! That's an understatement. Usually the narrator enhances the book for me - not this time - his voice really detracted from the experience. The book by Leo Tolstoy is fabulous and deserves it's reputation - but I would highly recommend listening to this with someone else narrating.
"Just couldn't bear to listen"
I am sorely diaspponted with the narrator of this book - such an affected un-listesnable vocal style. When he immitated the 'aristocratic' characters it was fine but he sounded even more snearing and condescending when in normal prose. Almost as if princes and princesses were below HIM and not worth hos time. At times it even sounded like he was reading out a list rather than painting a picture in words. Horrible Horrible Horrible!!!
"NARRATOR RUINS IT!"
I had to abandon this book because the narrator had the most irritating and distracting voice I've ever come across. Instead I had to buy the other version narrated by Neville Jason. That one has two parts, which of course means using two credits, but it is 10x better. They shouldn't even sell this version, it is truly appalling.
Unhesitatingly recommended, this book is narrated engagingly throughout, superbly acted where relevant and thoroughly enjoyable. As to the book itself, Tolstoy needs no recommendation from me.. a very great book.
"Wonderful novel, irritating reading"
It needs a reader who responds better to Tolstoy's change of mood & tone. Davidson sounds ironic and detached throughout; Tolstoy is sometimes sarcastic, but does take his characters seriously. + there is no need for the reader to try & mimic the voices of the characters. We don't do that mentally when we're reading. Having a male actor mimicking the voice of a young girl simply sounds camp.
The characters are complex and develop through the action. The account of war is extraordinarily vivid, & always linked to the characters' perception.
no - I don't like seeing films of books I've enjoyed.
"Dull delivery, dismal droning."
What a waste of my time and credits. I had great expectations of such a literary classic, however, they were not met by the delivery. Worse than a bored vicar on Sunday morning!
No. Just such poor delivery
Anyone who can read and intone correctly. Had the narrator read any sections?
No, some stories are complete
I didn't finish this, solely due to the poor delivery. It was a monotonous drone, with no intonation, no rises or falls. No soul.
The narrator was very easy to listen to and his timing was very good
The story was long with lots of highs and lows but overall brilliant
"If my wife was an audio book she would be this one"
This is indeed a world classic and the reading matches it in every way.
Nothing more need be said.
Get through the first bit, get used to the readers rather idiosyncratic ( but brilliant ) style and you will be hooked and away.
One credit for sixty hours. Look no further. Just get this.
"How do you read in an interesting voice for hours?"
I enjoyed reading Anna Karenina in print a while back, and I'd intended reading War and Peace at some time, which never actually arrived. So when I got the offer of a free book from Audible, I thought this would be the opportunity to painlessly get through the novel.
I imagine most actors doing recordings of books start off by reading the book through a few times, becoming familiar with the flow of the narrative and developing the right voices for the characters. But with War and Peace? This is an epic book, and it must also have been an epic task for the reader, the late David Case, working here under the pseudonym Frederick Davidson, one of the most prolific audio book narrators. In this case, the characterisations aren't always clear. There are a lot of characters, and it would be helpful to have very different voices for each, but many are similar. Being set in Russia does limit the scope for use of interesting regional accents, and working from a translated text does mean that the dialogue doesn't flow as smoothly as it would if it came from an anglophone writer.
However, despite these limitations, the recording is good and, once you get into it, does keep you listening.
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