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A Hero of Our Time
- Narrated by: Clive Chafer
- Length: 6 hrs and 11 mins
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Publisher's summary
First published in Russia as Geroy Nashego Vremeni, A Hero of Our Time is set in the Russian Caucasus in the 1830s.
In A Hero of Our Time, Grigory Pechorin is a bored, self-centered, and cynical young army officer who believes in nothing. With impunity he toys with the love of women and the goodwill of men. He is brave, determined, and willful, but his wasted energy and potential ultimately result in tragedy.
This psychologically probing portrait of a disillusioned 19th-century aristocrat and its use of a nonchronological and multifaceted narrative structure influenced such later Russian authors as Fyodor Dostoevsky and Leo Tolstoy and presaged the antiheroes and antinovels of 20th-century fiction.
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In this carefully crafted novel, Dickens reveals the complexity of London society in the enterprising 1840s as he takes the listener into the business firm and home of one of its most representative patriarchs, Paul Dombey.
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Perfect pair
- By Philip on 03-25-08
By: Charles Dickens
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War and Peace
- By: Leo Tolstoy
- Narrated by: Neville Jason
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War and Peace is one of the greatest monuments in world literature. Set against the dramatic backdrop of the Napoleonic Wars, it examines the relationship between the individual and the relentless march of history. Here are the universal themes of love and hate, ambition and despair, youth and age, expressed with a swirling vitality which makes the story as accessible today as it was when it was first published in 1869.
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ABRIDGED VERSION
- By Danielle on 06-10-19
By: Leo Tolstoy
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The Count of Monte Cristo [Classic Tales Edition]
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Trust. Betrayal. Revenge. The Count of Monte Cristo is the quintessential masterpiece of Alexandre Dumas. In Edmond Dantes we find an early materialization of the modern superhero. He is a dashing young sailor imprisoned unjustly for treason. While in prison he meets a holy man who imparts to him all his wisdom. The "abbe" also divulges the profound secret of a hidden treasure. Dantes realizes that with such immense wealth, one could wreak a hateful vengeance on one's enemies.
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The proof is in the narrator!
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Just before his regiment sails off to war in the Sudan, British officer Harry Feversham quits the military. He is immediately given four white feathers as symbols of cowardice, one by each of his three best friends and one by his fiancée. To disprove this grave dishonor, Harry dons an Arabian disguise and leaves for the Sudan, where he anonymously comes to the aid of his three friends, saving each of their lives. Having proven his bravery, Harry returns to England, hoping to regain the love and respect of his fiancée.
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Deep Realistic Story Masterfully Read
- By Kappavpi on 07-05-04
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One of Thomas Hardy's classic statements about modern love, courtship, and marriage, The Return of the Native is set in the pastoral village of Egdon Heath. The fiery Eustacia Vye, wishing only for passionate love, believes that her escape from Egdon lies in her marriage to Clym Yeobright, the returning "native", home from Paris and discontented with his work there.
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How Sweet the Sound
- By KP on 04-10-13
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The Sorrows of Young Werther
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Werther, a sensitive young artist, finds himself in Wahlheim, a quiet, attractive village in Germany where he seeks solace from the turmoils of love. It is a young spring, and he hopes that arcadian solitude will prove a genial balm to his mind. But his romantic tendency rules otherwise, and he falls in love with Charlotte - Lotte - even though he knows she is affianced to another.
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Great performance for a classical story.
- By Brandon Shaw on 09-15-17
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Far From the Madding Crowd
- By: Thomas Hardy
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In a remote corner of early Victorian England, where traditional practices remain untouched by time, Bathsheba Everdene stands out as a beacon of female independence and self-reliance. However, when confronted with three suitors, among them the dashing Sergeant Troy, she shows a reckless capriciousness that threatens the stability of the whole community. Published in 1874, and an immediate best seller, Far From the Madding Crowd established Thomas Hardy as one of Britain's foremost novelists.
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A Masterpiece of Culture and Eloquence
- By Andrew on 07-07-14
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Paris: September 1792. At the West Barricade, the bloody guillotine continues her ghastly work. And word has gotten round that the mischievous Englishman who delights at ferrying off French aristocrats to England is somewhere among them. For today, the Citoyen Fouquier-Tinville, on his way to the Committee of Public Safety, received another enigmatic calling card. It was signed with a symbol of a red flower - the mark of the Scarlet Pimpernel.
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Sometimes Nostalgia Comes Up Short
- By Ray M on 02-24-17
By: Baroness Orczy
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What listeners say about A Hero of Our Time
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Radu Teodorescu
- 12-10-23
Begay! GT Human … all human
Great and deep social and psychological observations. An emotional journey in human mind, interaction and motivation. Pure, at times even cruel realism.
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- Darko
- 08-12-23
A must read.
One of the best books I’ve ever read. Hard to believe it was written in 1839. Highly recommend.
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- Tim Martin
- 09-26-20
Likeable bastard
The story of a dashing anti-hero, Grigory Alexandrovich Pechorin told from multiple perspectives. Captures the spirit of the times - especially in regard to personal honour lost and gained - but just as relevant today concerning our personal choices and their consequences. Once you've finished, look up Mikhail Lermontov's bio for a hard-to-match bitter irony.
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1 person found this helpful
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- Brad Isaak
- 11-06-16
Genius Presentation of Ywtsaxt fas
genius writing. interesting main character. great description of the soul and inner struggle. well performed and provocative. a hidden gem
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4 people found this helpful
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- Bjørn
- 03-28-24
Good
Good solid k k k k k k k k j k k
Gfg hhh yeez what
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- Jeff Lacy
- 06-17-17
Rising inflection
I had to get use to Clive Chafer's voice. At first it sounded as if he was reading it with the tone of sarcasm. But as the novel progressed I got use to his voice and it did not chafe me as badly. That is not to say I would pick him to narrate any other book I chose. One particular thing he does is end many of his interrogatory sentences with a rising inflection. And so it sounds like a BBC reporter narrating the story. This is very irritating. His voice never got out of the way of the story. It lacked sensitivity. However, it did add a better appreciation to the simultaneous reading of the novel.
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3 people found this helpful
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- JJ West
- 03-24-21
An overlooked great literary work
Hard to imagine that this book was written when the author was only 23 and he died at the tender age of 26. Anyway, a compelling story that only gets better as it goes on. I thought the narrator was annoying at 1st but later realised that his delivery fit that of a bored jaded young man thus nicely fitting the narrator of the book.
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- just asking for some common sense
- 10-31-20
An interesting book, better speed up a little
I did like this book very much. If this author hadn't been killed in a duel at age 26 then I can imagine he would have become one of the greatest Russian writers. I really would like to give this a little over 4 stars, but it's not quite 5 stars for me. Still I would recommend this because it's unusual and interesting. Its structure is different, being in 5 sections, so don't expect a regular plot line. I got this book after seeing it in my Audible suggestions. They know me well - I do like a good Russian novel.
I thought the narration good, but I usually listen a little faster. I listened to a little at regular speed and it's way too slow. I suggest going in at 1.10 to 1.25 speed. He's great with voices at least.
I listened to Novels in Translation all summer and a little beyond. I am late delivering my review.
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- John
- 11-28-23
Can't Understand Why I Enjoyed This One
The hero is a self-absorbed Byronic mess of contradictions, so much so that, near the end of the novel he opines that after his death some will say he was a good fellow while others will say he was a rogue, and that neither will be right. And he's right.
Maybe its the fascination of a bad sort who looks (at times) as if he's about to do the right thing. Maybe it's the morbid charm of a dissolute life. Certainly a man who cannot see the point of being alive (and therefore has no motivation more vital than the pursuit of pleasure) has its voyeuristic attractions. But I think it's the complex, tragic irony of the plot and its denouement that kept me going.
Clive Chaffer does a fine job, but he needs to be sped up a little. 1.1x worked for me.
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- Martha
- 04-11-22
Not great
So, this is supposed to be about a mysterious antihero or whatever, but he mainly came across as what every pickup artist would like to see themselves as. I can generally set aside my own cultural relativism when engaging is older works of literature, but when you start out with the "hero" kidnapping and sexually assaulting a teenager, inadvertently getting her father murdered in the process, then keeping her imprisoned for months using all of his manipulation skills to get her to care about him, only to then get bored of her and then accidently get her killed too... I don't love it. The two main sections are this storyline and one where he literally plays with a woman's feelings and breaks her heart just because. I guess I'm just done with people trying to build up admiration and mystique around selfish womanizers, which was very much what this book was doing.
That being said, I enjoyed the sections that weren't part of the womanizer stories. There were stories about creepy cabins, spooky predestination, and fatal duels that were very good, but, unfortunately, much shorter than the two main stories about how using and discarding women makes somebody super deep and complex and interesting.
I think that it's important, when you're reading a book or studying a person from the past to be able to see past your own, modern sense of morality to try to understand the world the person lived or the book was written in. I think that the value of this comes in our shared humanity. A person who lived in a different society with different values was still a person, and they probably had brilliant insights on the nature of being human and of being alive that stretch far beyond a particular place or a particular time, and that we shouldn't let a different worldview blind us to the insight they can provide. The problem with this book, is that almost the entire thing is a solid block of "things you need to understand in their historical context and look past" with no story underneath.
The truth of the matter is, I did not dislike this book. It was full of distasteful elements that I hated, but I could separate those from my own modern sense of morality. The issue is, when the book was stripped of those elements, there wasn't enough left over to really form an opinion on. Ultimately, the story felt hollow.
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