Charlotte Brontë's Villette follows protagonist Lucy Snowe as she bounces from one career to another. First a servant, then a teacher, the hapless Snowe is besotted by family tragedy and doomed romance. Eloquent performer Davina Porter imbues the hard-working Snowe with solemnity tinged by optimism. Indeed, as an unwed, working woman in 19th-century Europe, Snowe must struggle to define herself against the prevailing gender codes of her day. Porter, known for her painstaking attention to historical detail, captures the mannerisms and conventions of Brontë's characters, lending context and veracity to this striking case study of a Victorian woman’s prospects for love, happiness, and independence.
Hailed as Charlotte Brontë’s “finest novel” by Virginia Woolf, Villette is the timeless semi-autobiographical tale of Lucy Snowe. Left with no family and no money, Lucy goes against her own timid nature and travels to the small city of Villette, France, where she becomes a school teacher in Madame Beck’s school for girls. During her stay, she falls in love—twice—and discovers an independent, inner strength rarely seen in women of her time.
Public Domain (P)2006 Recorded Books, LLC
While I actually enjoyed this book, it is quite long. I also think you will have to be a Bronte fan to enjoy this story. There is quite a few conversations in French, and for those of us who do not speak the language that is quite a challenge.
This is a book for audible listeners who enjoy long classical stories.
Davina Porter is a perfect narrator for this story. Without her excellent interpretation of the characters, it would be quite a challenge to get through the whole book.
She has fantastic french. She has specific voices for each character. She uses several different accents and pulls them off very well. She puts feeling and interest into her reading. I enjoyed Davina as a narrator.
This was a good book, however there's a lot of french in it. I can read french, but it was quite annoying to miss major plot points because they were read in french, Would have been useful, if not true to the book, to translate.
Clearly our main character- I like how she took her destiny in her own hands and went for what she wanted.
Noone- she's always great
that I managed to finish this book. I couldn't believe it was finally over. I thought it would never end. It went on .. and on ... and ON ... with very little plot to boast of, and characterization alternatingly overly subtle, then hit-you-over-the-head-with-a-hammer. This book was a chore, and one I'm glad is done.
It's always too soon to write a fair review of a great book when they always keep you thinking. 4 & 5 stars are worth repeat listenings.
At the 18 hour mark, I was wishing it would wrap up. I realize this is the age it was written.
A beautiful performance of Charlotte Bronte's highly under-appreciated (but best, in my opinion) work. Not just a reader who is good with dialects, Davina Porter is an *actress* who performs each book with passion, emotion, and full commitment.
There is something about Davina Porter's voice that grates on my ears and, although I believe she has a fine command of characters and narration I just can't get past that nasal tone when she says words like "deep." I've found that because of this I'm completely unable to listen to more than just a few chapters of the Outlander series.
The novel was an interesting listen, however my high school French was no match for the amount of French in this book and I became aggravated that I missed out on much conversation that would have been good to understand.
and a penny for your thoughts
This certainly was no Jane Austen novel. It's rather uneventful, and dreary but if you love language as I do, you may like just the sound of it and Divina Porter is the best
Picture this: a tiny young girl, regarded by some as a pest, likes to crawl up onto the lap of a sixteen-year-old boy she isn't related to--while he is studying--and he lets her! Endearing characters! You're hooked right here in one of the first chapters. You know you'll encounter these characters again later, but focus shifts to Lucy, not as endearing, but a sympathetic character, nevertheless. Through her, we get accounts and judgements of other characters: teachers, students, priests, a doctor, and a school administrator. Also, we watch her search for her voice, her self, and finally, her place.
I'm glad I also got the Kindle for two reasons. First, it helps to have the French in text. Davina Porter's French is perfect, but I like to have the spelling, just in case I need to consult my French dictionary--and an English one, too, since Bronte's vocab can stump anyone. A second use for the text is to flip through a few pages at a time to get past metaphors that go on and on to describe the weather in terms of some shenanegans of Apollo and other celestials. (Bronte is much better with imagery than with figurative language.)
I don't always like ambiguous endings. The reader shouldn't expect literary justice, not for all the characters. As in life, some never learn--because they never have to.
I love Davina Porter's performance. If you speak some French, you won't feel as left out as I did in some parts.
"Delivery is all."
This is a classic and worth reading for that alone. It also gives a social history.
For me it was spoilt by unenthusiastic reading and by not including a translation of some of the most important parts of the text which was, at times, in French. I have heard this done by footnote references and this would only be needed where the French is relevant to the plot etc.
Report Inappropriate Content
If you find this review inappropriate and think it should be removed from our site, let us know. This report will be reviewed by Audible and we will take appropriate action.