• The Mysteries of Udolpho

  • By: Ann Radcliffe
  • Narrated by: Karen Cass
  • Length: 30 hrs and 17 mins
  • 4.2 out of 5 stars (87 ratings)

Prime logo Prime members: New to Audible?
Get 2 free audiobooks during trial.
Pick 1 audiobook a month from our unmatched collection.
Listen all you want to thousands of included audiobooks, Originals, and podcasts.
Access exclusive sales and deals.
Premium Plus auto-renews for $14.95/mo after 30 days. Cancel anytime.
The Mysteries of Udolpho  By  cover art

The Mysteries of Udolpho

By: Ann Radcliffe
Narrated by: Karen Cass
Try for $0.00

$14.95/month after 30 days. Cancel anytime.

Buy for $38.00

Buy for $38.00

Pay using card ending in
By confirming your purchase, you agree to Audible's Conditions of Use and Amazon's Privacy Notice. Taxes where applicable.

Publisher's summary

Wildly popular upon its release, The Mysteries of Udolpho is a Gothic novel of undeniable charm and power. The virtuous and loving Emily, the young protagonist, finds herself in the care of her aunt following the death of her father. Her aunt promptly marries the villain Montoni, a cruel and calculating man whose scheming leads him to lock both women in the dark and winding castle of Udolpho. Will they survive to tell of its terrors?

Public Domain (P)2016 Naxos AudioBooks

What listeners say about The Mysteries of Udolpho

Average customer ratings
Overall
  • 4 out of 5 stars
  • 5 Stars
    42
  • 4 Stars
    30
  • 3 Stars
    10
  • 2 Stars
    4
  • 1 Stars
    1
Performance
  • 4.5 out of 5 stars
  • 5 Stars
    58
  • 4 Stars
    12
  • 3 Stars
    9
  • 2 Stars
    1
  • 1 Stars
    0
Story
  • 4 out of 5 stars
  • 5 Stars
    34
  • 4 Stars
    24
  • 3 Stars
    13
  • 2 Stars
    5
  • 1 Stars
    4

Reviews - Please select the tabs below to change the source of reviews.

Sort by:
Filter by:
  • Overall
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    5 out of 5 stars

Loved it!

What a tale that was! I'm so happy I heard about this book. From begining to end, it was a "page turner." Radcliff can describe things in such detail, you feel like you can really see it all through her own eyes.

Something went wrong. Please try again in a few minutes.

You voted on this review!

You reported this review!

3 people found this helpful

  • Overall
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    5 out of 5 stars

Good story, nicely narrated

I enjoyed the pace of the narration. The story is an archetype of Gothic romance with its family secrets and mysterious happenings all explained and settled in the end.

Something went wrong. Please try again in a few minutes.

You voted on this review!

You reported this review!

  • Overall
    4 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    4 out of 5 stars

Long

While I enjoyed the story and its ending. It could’ve been told in half the time.

Something went wrong. Please try again in a few minutes.

You voted on this review!

You reported this review!

  • Overall
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    5 out of 5 stars

kept me on my toes

what a great performance and even better story. Anne Radcliffe kept my intrigued and wanting to keep going! took some time to get used to the style but was well worth it!

Something went wrong. Please try again in a few minutes.

You voted on this review!

You reported this review!

  • Overall
    3 out of 5 stars
  • Performance
    3 out of 5 stars
  • Story
    3 out of 5 stars

WARNING! BAD ACCENT ALERT!

What did you like best about The Mysteries of Udolpho? What did you like least?

While Karen Cass does a fine job when using her own voice, she made the ill-advised decision to perform the spoken dialogue parts in a cringe-inducing and amateurish "French" accent, that becomes more and more onerous as the hours pass. And seeing as this is a 30+ hour book, that is onerous indeed. Audible really needs to make it a point to capture a representative passage for their sample narration, as if I had heard the baffling use of cartoonish accents, I would have sought another edition.

What aspect of Karen Cass’s performance would you have changed?

As above. It is understood the characters are speaking French, there is no need to flog us with inane accents to remind us of this at every spoken dialogue section.

Any additional comments?

I'm not commenting to review the book per se. It's a very long classic gothic novel, proceed at your own risk.

Something went wrong. Please try again in a few minutes.

You voted on this review!

You reported this review!

10 people found this helpful

  • Overall
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    5 out of 5 stars

hooked

my first meeting with this novel and I am going to miss it..... beautiful reading, which helps you fall into the fanciful fairy tale.

Something went wrong. Please try again in a few minutes.

You voted on this review!

You reported this review!

1 person found this helpful

  • Overall
    3 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    3 out of 5 stars

A new appreciation for melancholy.

I dont think that I could have sat down and read this book in its entirety. The narration allowed me to grasp not only the storyline, but also the emotions in the writing style of the period. Thank goodness for Audible.

Something went wrong. Please try again in a few minutes.

You voted on this review!

You reported this review!

2 people found this helpful

  • Overall
    4 out of 5 stars
  • Performance
    2 out of 5 stars
  • Story
    4 out of 5 stars

Very long!

Nice story, very classic. The reader's accent and singing, I could have easily done without.

Something went wrong. Please try again in a few minutes.

You voted on this review!

You reported this review!

2 people found this helpful

  • Overall
    3 out of 5 stars
  • Performance
    4 out of 5 stars
  • Story
    2 out of 5 stars

Why All This Weeping and Wailing?

As a rule, I have little patience for reviews that condemn books merely for being works of their time. When dipping into an Arthurian Romance—the original works, not the modern knock-offs—expect several hundred yards of love-sickness, painstakingly delineated. Turning to the Victorians, don’t be surprised to find heavy-handed (Dickens) or witty (Trollope) critiques of society. And the social attitudes expressed in classic hardboiled detective fiction is what makes them, well, hardboiled. I get it. But Ann Radcliffe has pushed me over the edge. In the interest of fair play, I perused the introductory essay in our paperback copy of Udolpho, hoping my irritation and impatience were misplaced. But even there I found only faint praise. And we all know what that does.

“…Mrs. Radcliffe wrapped these themes about with such an abundant eiderdown of ‘the picturesque’ a to make them still more acceptable to the appetites of her day, infused with a lyrical sense heightened by the poems she interspersed—‘all pleasing, but rather monotonous’, according to Coleridge—usually written by her talented heroines to enhance the effect of, as a rule, contemplative moments.” Bonamy Dombrée, the scholar who wrote that (Oxford University Press, 1966), takes some pains to explain why Udolpho has survived so long after its 1794 publication. I suspect the biggest reason is Northanger Abbey and, though Professor Dombrée suggests that, “it was not quite fair of Jane Austen” to tweak Mrs. Radcliffe’s delineations of human nature, that “not quite” speaks volumes.

Having enjoyed Northanger Abbey more than once, my real motivation for listening to Udolpho was to understand Austen’s novel better. But Austen led me to expect something far more lurid and outlandish, and those thwarted expectations may be a source of some of my impatience with Udolpho. All supernatural phenomena are soon explained, vile tortures are merely alluded to, and our villain Montoni’s direst threats go unfulfilled. As Theresa, the level-headed old family retainer asks Emily, “Why all this weeping and wailing?”

Though this is an historical romance, Radcliffe fails to convince us that the action occurs in 1584; references to period clothing, food and events are rare. But the chief obstacle to a willing suspension of disbelief may be her importation of late 18th Century Romanticism into late Renaissance France and Italy (“romantic” is used repeatedly, though an adjective—indeed, a concept—that didn’t exist in 1584). But no matter; we're told civilization is corrupt and corrupting; true spiritual uplift can only be achieved amid towering mountains and plunging cataracts. And, as Professor Dombrée says, we get scads of those, along with shady woods, verdant fields, ripening vines and purpling sunsets, none of which fail to transport our heroine into paroxysms of pseudo-religious ecstasy. For all her father’s warning about the cult of sensibility (another late 18th Century import) Emily only stops weeping when she’s blushing or fainting—or throwing together those poems, complete with perfect rhymes and regular meter, at a moment’s notice (apparently without the aid of pen and paper). Thank goodness Karen Cass’ diction is clear enough that I could race through the final hours at 1.25 or even 1.5 speed.

Something went wrong. Please try again in a few minutes.

You voted on this review!

You reported this review!

9 people found this helpful

  • Overall
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    5 out of 5 stars

A must read if you love Fun,Romance and mystery

I honestly started reading this because I read North Hanger Abby by Jane Austen. I think this novel is very underrated I enjoyed the fun and mystery and the very detailed explanation of the natural surroundings of the characters. I truly understand why Catherine Molen love this novel.

Something went wrong. Please try again in a few minutes.

You voted on this review!

You reported this review!

3 people found this helpful