Victor Hugo's The Hunchback of Notre Dame tells the sad-yet-hopeful story of Quasimodo who loved kind Esmeralda to death. This classic example of French gothic literature has inspired numerous adaptations because of its enchanting story and beloved characters. George Guidall gives a performance deserving of Hugo's masterpiece. He effortlessly handles characters' French accents and engages the listener's imagination with well-placed pauses. This audiobook is a cathartic meditation on love and loyalty, enjoyable for every moment of its 22 hours.
Translated by Catherine Liu.
(P)1991 by Recorded Books, Inc.
George Guidall is the perfect choice to narrate this sad tale: he brings a gravity to the story that adds to the pathos but does not drag down the narrative.
If you're not familiar with the story, or know it only from the sanitized film versions, be forewarned: there is little here but heartbreak. Quasimodo's fate is more closely tied to Esmeralda's than you might imagine, and Phoebus and Pierre Gringoire are both unmitigated scoundrels. The famous attack on Notre Dame, beaten back by Quasimodo, is not a heroic action but the result of a tragic misunderstanding. It's not a kid's story, maybe not even one for sensitive adolescents.
The novel has some weaknesses. I've read it several times, and I still get annoyed by the long essay on Paris architecture that Hugo drops into the middle of the story. I know his digressions have fans, but I'm not one of them. If the audiobook were organized by chapters, I would suggest skipping over these, especially if this is your first time reading it; but unfortunately it's organized by CD.
All that aside, though - the digressions, the overwhelming sadness of the story - it really is a masterpiece, and in Guidall's hands it retains both its pace and its power. A drop of water and a little pity, says Quasimodo. That's what it was all about.
The story of the hunchback is not as well known as that of Les Miserables. There are fewer movies and no Broadway play. The Hunchback of Notre Dame is facinating and horrifying and tragic. I felt immersed in Victor Hugo's Paris of 1482, with its gallows at every crossroads and its levels of local justice. I wept at the end and even felt pity for the evil Arch Deacon. The narrator is excellent although the sound quality, converted from type 1 to type 2, is marginal. The recording should be restored/reconverted properly.
This audio book is based on book of "The Hunchback of Notre Dame (Dover Thrift Editions)" translated by A. L. Alger, not by Catherine Liu.
Amazon link as follow
While this is a great book the sound quality makes it really difficult to listen to in the car! I find myself cranking up the volume all the way and still having a hard time hearing it.
The reader does a wonderful job- accents and pronounciations are superb. The story is fascinating, though I see why Disney wanted to rewrite the tragic ending. A bit of the description of Paris is rambling, without a map to help envision the locational references the author makes. Sound quality could be better, but it's not bad. A must read classic- highly recommended.
This is the perfect book. Balanced so well between discourse and history, poetry and story. The characters created in this book have depths so unsearchable that a book of this length can't even begin to reveal them.
Love, loss, and the desire for beauty. This book is my favorite book of the year. I'm not a big reader, I like listening to simple easy books. This book is more complicated than my average book, but also much more profound.
I devour books like a trash compactor.
Get past the first 5 or so hours and you wont be able to put it down. The Hunchback of Notre Dame is all that it should be. Tragic love, gothic beauty and horror and the straddling of the knife's edge between dichotomies that Victor Hugo is so well known for.
This book is so hard to follow. I listened to the entire thing and still have no idea what the story is supposed to be about. As is Hugo's style, he periodically inserts chunks of factual history to give background to the story. But then he narrates the story as if it were also factual history. This makes it often difficult to tell whether he's giving background of trekking the story.
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