Audie Award Winner, Audiobook of the Year, 2013
Audie Award Nominee, Best Solo Narration, 2013
Graham Greene’s evocative analysis of the love of self, the love of another, and the love of God is an English classic that has been translated for the stage, the screen, and even the opera house. Academy Award-winning actor Colin Firth (The King's Speech, A Single Man) turns in an authentic and stirring performance for this distinguished audio release.
The End of the Affair, set in London during and just after World War II, is the story of a flourishing love affair between Maurice Bendrix and Sarah Miles. After a violent episode at Maurice's apartment, Sarah suddenly and without explanation breaks off the affair. This very intimate story about what actually constitutes love is enhanced by Mr. Firth's narration, who said "this book struck me very, very particularly at the time when I read it and I thought my familiarity with it would give the journey a personal slant."
"I'm grateful for this honor," Firth said when this production was recognized by the Audie Awards as Audiobook of the Year for 2013, "and grateful for the opportunity to narrate one of my favorite stories. A great novel told in the first person makes for the best script an actor could imagine. None better than The End of the Affair.... Theater and film each offer their own challenges and rewards, but narration is a new practice for me and the audiobook performance provides exhilarating possibilities for both actors and listeners. I'm thrilled to be involved in bringing this remarkable work of fiction to a wider audience, and thankful to Audible for offering me the opportunity to perform it and to engage with so many who share my passion for storytelling."
The End of the Affair is part of Audible’s A-List Collection, featuring the world’s most celebrated actors narrating distinguished works of literature that each star helped select. For more great books performed by Hollywood’s finest, click here.
©1951 Graham Greene (P)2012 Audible, Inc.
This was my initial plunge into Graham Greene, and I have to say that I'm left somewhat unsatisfied. The writing itself is fine enough, and the bitter, cynical, obsessive cast-off lover, Bendrix, well drawn. But I found much of the story forced, unbelievable, as if the concept Greene wanted to get across overwhelmed the plot: lust begets love begets jealousy begets hatred begets faith.
Much of the novel falls under the "if there's a God" speculation. Sarah prays for God, if there is one, to spare Bendrix from a bombing and promises to give up her lover if God grants her wish. Bendrix wonders, if there's a God, why does he take Sarah away, and later, he wants to believe that there is a God so that he can hate him for taking Sarah away.
Sarah seemed a cypher throughout, both to Bendrix and to the reader. I suppose Greene wanted us to be surprised along with Bendrix at what he later learns about her, but she seemed a rather vapid character to have inspired such raging emotions. The friendship that develops between Bendrix and Henry is certainly an odd one, but Henry, being the most honest (and perhaps simple) character in the novel, is also the most easily understood and most empathetic.
Colin Firth was a fine reader, giving just the right disengaged tone for Bendrix. Overall, however, I was underwhelmed by The End of the Affair. I'll probably give Greene another try, but not for awhile. He seems to be one of those writers whose work is firmly rooted in an era--not one in which I have a particular interest.
A great 20th century novel read brilliantly by Colin Firth. Please, put in front of the microphone again and again.
Oral storytelling is my favourite thing in the world. If I lost my iPod I would feel like I had lost my arm.
The prose of Graham Greene as narrated by Colin Firth are a sublime experience. I'm so glad I bought this. My only hope is that Audible can convince Mr. Firth to go back into the recording booth to do more.
Addicted to Audible!
Ok, I really tried with this one. My husband likes Graham Greene so I was excited to listen to one of my favorite actors narrate this book. What a disappointment! Yes, Colin has a wonderful voice and did the best job he could with this ridiculous nonsense. I could no longer stand the torture of this story after 1/2 way through. There was really no point to the story- all the characters were unlikable and I was not at all sympathetic to their "heartache", all self- inflicted and narcissistic. Dont waste your credits!
Please get Colin Firth to narrate more books! He is fantastic.
This book has been on my must read list for a long time. When I saw that Firth was narrating for Audble I promptly moved it to the top of the queue.
The story is depressing, but there is redemption. It haunts and provokes. Firth's reading in the first person is wonderful - he is Bendrix.
I love the book and I'm so glad that I listened to Audible's version. It is a new favorite.
I love Graham Greene, but had missed this one. His insights into love, sex, jealousy and mourning are profound. This is an enthralling listen and an ideal antidote to the pathetic sentences that pass for writing in the book mentioned above.
At times I wished Colin Firth's pace was a tiny bit livelier, but think you could also make the case that he does a remarkable job of guiding you through the novel without getting in its way. A real treat.
I've been member since 2011 (not 2015), but, in protest of AU's refusal on a few returns, I canceled my membership for a week.
Never has so short a book stirred in me such a cauldron of conflicting emotions.
You think Sarah deserves love, but cannot countenance that in a marriage or against vow of commitment. You ponder, why not, in her marriage free from sex for seven years, but then cringe when considering *but, with Maurice?* who's our narrator, the pompous, neurotic narcissist.
This short novel delves into such questions and those of faith in, and relationship with, God. To say much more of the story is to spoil it.
Colin Firth's narration is perfection.
I can't say anything about Colin Firth's delivery that hasn't been said already. He won an an award for this performance and rightfully so - he handles heartbreak, bitterness, and too-bright all-consuming love with a reserved grace that captures the tone of the novel.
I would recommend this title on the strength of his narration alone.
The work itself is more difficult to fully embrace. The writing is clean, whittled to an unflinching truth but no less rich for that. Written in first person, the narrator, Maurice Bendrix, is consumed by jealousy and hatred (which is to say, love) for his former married mistress. Set in London, when Europe is in the last throws of war, Bendrix swings back and forth on an agonizing pendulum as he struggles with the wreckage of life after the affair. In him, Greene sets both the best and worst of human nature in direct juxtaposition; he shows that love and hate are as connected as an inhale and an exhale.
He takes the feeling in all its forms: physical, platonic, spiritual, obsessive, familial, divine; and places the enormous burden of that on one man's shoulders. Then he steps back and points at his narrator as if to say: "Look at how it twists him, look at how that much love and devotion and depth burns a man."
In lean prose, Greene's man Bendrix staggers under an emotion that is only capable of being fully born by a higher power. He blurs the line between humanity and divinity until loving and hating someone becomes an act of loving and hating God.
Religious or not, this book is insightful, complex, difficult; a classic worth the read.
I love to read mysteries, histories, biographies, humor, and Jane Austen.
It is interesting listening to Greene as he struggles with the complexities, frustrations, and passions of his Roman Catholic faith. This book deals with these themes well, although to someone not interest in Roman Catholicism, the book may seem to beat the same dead horse repeatedly (and I found it tiresome at times). I intensely dislike the literary convention that the best way for a romantic triangle to resolve itself is for the central woman to die. ("Madame Butterfly" anyone? "Miss Saigon"?) However, Colin Firth's performance is outstanding. As one of the other reviewers said, Firth makes the main character angry, misanthropic, and cruel, but still very human and someone you care about despite his many great flaws.
I read and listen to books. I drink tea. I sleep like a cat and wished I lived in Hawaii.
I enjoyed this audiobook narrated by Colin Firth. He has a lovely man voice with lovely British accent that one can listen to for a long time. I have a feeling though that I would not have enjoyed the book nearly as much if I had read it. The narration definitely added a star for me. The plot itself is interesting, but there is a lot of tediousness that goes on with Sarah's internal struggle with love and god and her morals. She calls herself a bitch and a fake and a phony and sometimes I felt she was just that and sometimes I felt sorry for her. It wasn't easy to love the characters, but I felt that Greene created interesting characters that are flawed in a way that is timeless. Human beings are always going to struggle with their religious and non-religious beliefs and love is always going to bring pain and pleasure. Infidelity will always exist as will the need to emotionally connect with others. Greene's take on these themes are enhanced by Firth's performance. Overall, I feel like this short book is worth giving a listen.
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