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Dracula [Audible Edition] Audiobook

Dracula [Audible Edition]

The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.
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Audible Editor Reviews

Followers of the popular vampire literary and film interpretations of recent years might be blasé about another performance of the exquisitely written novel that started it all. But listening to this full-cast performance turns out to be remarkably suspenseful and chilling. The superlative cast lends this powerful production the diversity that is required by the structure of the novel, which includes journal entries and letters. Each actor employs various accents, infusing into the characters vibrant emphasis, urgency, and dread. The famed vampire Count Dracula leaves a swath of exsanguinated bodies in his wake as he attempts to relocate from Transylvania to England in 1897, stalked by the brave Van Helsing.

Publisher's Summary

Audie Award, Distinguished Achievement in Production, 2013

Audie Award, Multi-voiced Performance, 2013

Audie Award Nominee, Classic, 2013

Because of the widespread awareness of the story of the evil Transylvanian count and the success of numerous film adaptations that have been created over the years, the modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.

This production of Dracula is presented by what is possibly the best assemblage of narrating talent ever for one audiobook: Emmy Award nominees Alan Cumming and Tim Curry plus an all-star cast of Audie award-winners Simon Vance (The Millenium Trilogy), Katherine Kellgren (Pride and Prejudice and Zombies), Susan Duerden (The Tiger’s Wife), John Lee (Supergods) and customer favorites Graeme Malcolm (Skippy Dies), Steven Crossley (The Oxford Time Travel series), Simon Prebble (The Baroque Cycle), James Adams (Letters to a Young Contrarian), Nicola Barber (The Rose Garden), Victor Villar-Hauser (Fun Inc.), and Marc Vietor (1Q84). These stellar narrators have been cast as follows:

Alan Cumming as Dr. Seward
Simon Vance as Jonathan Harker
Katy Kellgren as Mina Murray/Harker
Susan Duerden as Lucy Westenra
Tim Curry as Van Helsing
Graeme Malcolm as Dailygraph correspondent
Steven Crossley as Zookeeper’s account and reporter
Simon Prebble as Varna
James Adams as Patrick Hennessey
Nicola Barber as Sister Agatha
Victor Villar-Hauser as Arthur Holmwood
Marc Vietor as Quincey Morris
John Lee as Introductory paragraph, various letters

Public Domain (P)2014 Audible, Inc.

What the Critics Say

"Listening to this full-cast performance turns out to be remarkably suspenseful and chilling…The superlative cast lends this powerful production the diversity that is required by the structure of the novel…Each actor employs various accents, infusing into the characters vibrant emphasis, urgency, and dread." (AudioFile)

What Members Say

Average Customer Rating

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Performance
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  •  
    Sam Clifton Hill, Australia 03-04-12
    Sam Clifton Hill, Australia 03-04-12 Member Since 2006
    HELPFUL VOTES
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    "Stunning - as fast a pace as any thriller of 2012"

    I have 220 titles in my library and this is in the top 10. Fantastic. Very well produced and having never read the original I was amazed at the pace and excitement of the story. Highly recommended!

    21 of 26 people found this review helpful
  •  
    AudioAddict 11-01-13
    AudioAddict 11-01-13

    I can find a book to love in any genre -- a beautifully written classic, an interesting mystery or sci-fi, a trashy romance. Bring it!

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    "Much better than I expected"

    STORY - (1897 horror classic) I'm not sure what I expected from Dracula but, nevertheless, I was pleasantly surprised by the story itself and the quality of the writing. It begins in Count Dracula's castle in Transylvania, but most of the story occurs in London after he relocates there (more people to bite). There is very little violence, and this is definitely NOT a cheap horror thriller with tons of bloodlust and gore. It occurs during a time when the world was basically unaware of the existence of vampires, so it unfolds as an eerie mystery that the main characters are trying to solve.

    The story is elegantly written with an impressive vocabulary, and there is no cursing. Undoubtedly, in 1897 when this was written the subject matter was shocking and would have qualified as true horror, but in today's world I would rate it much lower on the horror scale. Don't get me wrong -- people are "turned," graves are opened, and there are stakes to drive through hearts -- but the focus is more on solving the mystery than lots of gratuitous gore. I would have rated it a 5, but I thought it was a little long and sometimes I lost interest before it would pick back up again.

    PERFORMANCE - Most of the story is conveyed by the reading of diaries of the main characters and telegrams between them. There are eight different narrators, with each one performing a different character. This is not done conversationally, but rather each one reads his character's diary in turn. This makes it easy to follow who is telling their story and very much enhances the overall performance.

    OVERALL - Even if you don't like vampire stories (as I don't), I think anyone would just enjoy this well-told mystery.. After all, this is a famous classic that spawned the whole vampire genre!

    6 of 7 people found this review helpful
  •  
    Janice Sugar Land, TX, United States 08-26-13
    Janice Sugar Land, TX, United States 08-26-13 Member Since 2010

    Rating scale: 5=Loved it, 4=Liked it, 3=Ok, 2=Disappointed, 1=Hated it. I look for well developed characters, compelling stories.

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    "Back to basics"

    I am one of many who have only known the infamous Count through Hollywood productions. Horror has never been my favorite genre, and I found Bela Lugosi too campy, and Gary Oldman too bizarre for either to be very frightening. The only motivation I had to even select this book was my admiration of most of the fine cast and the rave reviews for a classic. A majority of reviewers have already praised the reading, and I will simply say that I concur.

    What made this an outstanding story to me is that the count is NOT the central character. The mistake the films made was in making the best written characters mere supporting players to the count whom we see the least of. The power of Dracula is his lack of physical presence – half the thrill is the anticipation, and Stoker plays that card better than the film makers ever did. His tale is robust with the superstitions and beliefs of the day, whether religious, medical, psychological, criminal or supernatural, giving it a wonderful period feeling. There is enough detail to spark the imagination, and enough restraint to let the imagination provide the fear. By learning the story through the diaries and letters of the principal characters, we are intimately caught up in their horror, giving us someone and something to root for.

    The writing is excellent and surprisingly moving, especially as the group of friends mourn the loss of a loved one and pledge their lives to banish the evil that caused such sorrow. There is plenty of adventure as the chase is on to end Dracula's reign of terror and free one of their own from his grasp. This could be a story about any group of everyday people finding the moral courage to fight any sort of evil and is a much more universal story than I had imagined. I loved this band of comrades, and I am so glad I took a chance on this classic.

    20 of 25 people found this review helpful
  •  
    Debra San Jose, CA, United States 03-02-12
    Debra San Jose, CA, United States 03-02-12 Member Since 2010
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    "More terrifying than I thought. . ."

    This is a must listen! I grew up reading this story, viewing Hollywood's interpretation, and now, taking a chance, purchased the audible copy. Wow! What an amazing production. Honestly, at 2:00 a.m., listening to the narrative, with all the lights out--I felt terror--the shear terror of this timeless story.

    18 of 23 people found this review helpful
  •  
    SIDHARTA DAS Foster City, CA 06-21-15
    SIDHARTA DAS Foster City, CA 06-21-15 Member Since 2016
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    "Brilliant narration suiting the epistolary style"

    I was a little skeptical when I saw the long list of narrators. But it turns out that this perfectly suits the style of the book, written as a series of letters.

    There was some parts where I had difficulty following the narrator. Turns out that those parts (spoken by 'common' folks) are equally unintelligible in the book. Apparently, Stoker used some local dialects for some characters

    Overall, a superb production. Need these kind of productions to get people to 'read' the classics

    2 of 2 people found this review helpful
  •  
    Jim N Chicago, IL 05-05-15
    Jim N Chicago, IL 05-05-15 Member Since 2008
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    "A True Classic"

    I've read Bram Stoker's Dracula twice and I listened to it as an audiobook about 20 years ago. That was my last exposure to the novel so I was looking forward to hearing this full cast performance and it doesn't disappoint. The readers all do a superb job and the novel itself holds up well. As an epistolary novel (a novel written as a series of documents) it's perfectly suited to a full cast reading.

    Stoker's staunchly forthright, never less than honorable gentlemen and wholesome, loving ladies may seem a little quaint to some modern readers but they serve the story well and Dracula's menace looms over the novel like a great shadow. The book is as compelling and memorable as ever. It's an eerie, chilling story, well worth any listener's time. You can't go wrong using a credit on this one.

    2 of 2 people found this review helpful
  •  
    Nicole CHICAGO, IL, United States 08-15-14
    Nicole CHICAGO, IL, United States 08-15-14
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    "Mina: A Heroine for the Ages"

    Insomnia is my thing lately. Don’t sleep; stay up forever. Might as well write, right? So here it is, a book review. I know you’ve been dying for it, and I gotta say, I’ve been dying to write it.

    Dracula was one of those books that I pretended to read in high school and then glossed over in college. Horror isn’t really my thing (Although Stephen King is probably one of my favorite writers ever. His genre of choice is unfortunate). Recently, I decided that I wanted to read more classics and so I bought a few on Audible. Audible is the bomb.

    They had an Audible Studios edition of Dracula narrated by a full cast and oh, my. It was perfection. Alan Cumming was Dr. Seward. Katherine Kellgren was Mina Harker, Simon Vance was Jonathan Harker, and Tim Curry was Dr. Van Helsing. The narration was spot on. The narrator who did the voice of Lucy was irritating (her name escapes me at the moment), so I found Lucy irritating, but I think I would have anyway. Audible did a terrific job producing this.

    The story is told in a series of diary entries, letters, and telegrams (the official word for those are epistolary novels, fyi). I didn’t know that before, or I might have read it sooner. I have an affinity for stories told in this manner. The Guernsey Literary and Potato Peel Pie Society is one of my favorites for that exact reason. It credibly shows what each character was thinking or feeling without putting the reader in the omniscient perspective. It was perfect for the chilling story which was told.

    The plot differed widely from the Dracula I had come to know through popular culture. Dracula is truly creepy and super old. He’s not redeemable, not good, but pure evil. And ridiculously smart. This isn’t Frankenstein’s monster or some mindless Edward-like vamp. This is a genius who pits his wits against a motley crew of Britain’s finest.

    Dr. Van Helsing is also brilliant, but definitely needs the help of his little band.

    The story starts with Jonathan visiting Dracula’s castle and realizing what he is. It’s very creepy and I had to stop listening for a time so I could reasonably get over it. Then Lucy becomes a vampire and thus the Band of Awesome is born. That’s just the title I gave them in my head. You’ve got Arthur, Lucy’s former fiancé. He’s a bit squeamish, but willing to undergo any trial to pay Dracula back for changing his darling girl. Then there are her two other suitors who were rejected: Dr. Seward (my personal favorite), and Quincy. Seward runs an asylum and Quincy is an American Cowboy. I love that Americans are represented in this tale. Seward calls Van Helsing, who knows more about Lucy’s “disease”, to help heal her. However, they fail and she is transformed into a child-eating vamp. Then Jonathan and Mina join the group as they discover they have all endured similar circumstances and that a grave danger faces England should Dracula move to London, as is his intent.

    I have to say, Bram Stoker wrote women rather well for a man of his time. Wilhelmina is no delicate flower in need of rescuing. She is rescued, but she’s strong and contributes to her salvation by keeping spirits high and organizing all the information and, in the end, going with Van Helsing to Transylvania. I admire her relationship with Jonathan so much. He trusts her to do her own thing and respects her strength, mentally, emotionally, and morally. And she loves and respects him and his passion for his work. She wants to be a part of his life and he wants to be a part of hers. It’s a really awesome relationship. They are basically the perfect couple and were it not for the pesky vampire they would have had a delightful life.

    I don’t want to tell all that happens because I enjoyed listening to it so much. Even if you’ve read it before, the Audible version is golden; you should go listen to it. It’s intense and beautiful. It’s intensely beautiful. This book is definitely on my favorites list.

    2 of 2 people found this review helpful
  •  
    Debra B 04-29-14
    Debra B 04-29-14 Member Since 2015
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    "Creepy, and great performances"

    After hearing so many variations of Dracula, it was interesting to hear the original story. I thought there were parts that were genuinely creepy, and the narrators were a big part of the overall atmosphere. Simon Vance was terrific. Not an overwhelming amount of blood and gore (considering it's Dracula, after all!), which for me, is good. I listened to this in the comfort and security of my own home, and actually found myself startled by little sounds around the house, and thinking I should turn another light on.

    2 of 2 people found this review helpful
  •  
    Doug D. Eigsti Colorado Springs, Colorado United States 05-08-13
    Doug D. Eigsti Colorado Springs, Colorado United States 05-08-13 Member Since 2013

    Increasing my ops tempo by allowing storytellers to whisper in my ear(buds).

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    "Hell Has Its Price. The Quinary Count No. 5"

    I recently undertook the personal challenge to listen to five different versions of DRACULA because listening to Bram Stoker’s classic years ago made me a fan of audiobooks. I enjoyed that experience so much that I decided to try to determine if I had just gotten lucky or if there was an even better version available. Besides, I wanted to listen to it again. With most books I feel fortunate to have just one audio version available, but with DRACULA there are so many versions offered that listening to them all is not practical. I first figured that I could handle maybe three different versions but then discovered two more that I thought deserved attention. The Audible list had these five that I thought might be contenders:

    Listed in my order of listening preference:
    1) Susan Adams & Alexander Spencer (Recorded Books 1980)
    2) Peter Sciarrio & Kris Faulkner & a FULL CAST, (Books in Motion 2008)
    3) Greg Wise & Saskia Reeves (BBC Audiobooks 2008)
    4) Robert Whitfield (aka Simon Vance), (Blackstone edition 1998)
    5) Alan Cumming & Tim Curry & cast (Audible edition 2011)


    Review for this version:

    5) Alan Cumming (m) Tim Curry (m) & additional cast, Audible Edition 2011 [run time 15:28],

    This is the newest version on my list and the one produced by Audible Inc. This is billed as having a full cast and features Alan Cumming as Dr. John Seward, Simon Vance as Jonathan Harker and the usually fabulous Tim Curry as Dr. Van Helsing. This is a fine version even though it was my least favorite of the five in this group. My chief criticism is the failure to utilize the cast at every opportunity. This novel is a compilation of a series of journals, diary entries, telegrams, newspaper reports and transcripts of phonograph recordings. The editorial strategy for this version was to employ the actor reading his own journal even when that journal entry contains the quotes and dialog of other characters. Because of this Alan Cumming as Seward and Simon Vance as Harker get the lion's share of the men's voices. Tim Curry as Van Helsing gets scant air time because the character rarely writes down his own words. This under-utilization of Curry is a shame for he is wonderful when he does appear.
    In chapter 12 Alan Cumming does all the talking during the reading of Dr. Seward's diary account of Lucy’s death, despite the many different characters whose words are captured. This is baffling since there are actors on the cast that elsewhere portray these characters and could have contributed to the variety and energy of the performance. I do not understand the decision of the producers to, at the onset of the project, hire multiple actors to portray the various characters, then fail to use those actors at every opportunity, instead choosing to restrict the actors to reading their character’s lines strictly to those instances where their character makes his own journal entry or sends a telegram. The producers seemingly want to preserve some of the charm of the diary format, that of Mina relating the professor's words, and also add richness by giving Van Helsing his own voice on occasion. But since Van Helsing's words are most often remembered by other characters we seldom get to hear Tim Curry.
    Lest I start sounding as if this is a poor version, let me assure that it is good by any audiobook standards. I would be overjoyed to have a production of this quality available for many of my favorite novels that will probably never ever become audiobooks at all, but with four other quality versions to compete with, this version comes in fifth place. If this is the only version you ever listen to you will be pleased with it and become immersed in the novel DRACULA. You will, however, not be getting the greater enjoyment you could get from the novel in one of the other versions. Why not try several and see?


    TECHNICAL NOTES
    Chapter stops match book chapter numbers.
    The sound quality is very good. Very high production values.
    00:00:33 Includes the brief introduction: “How these papers have been placed in sequence will be made clear in the reading of them…”
    7:18:39 (Repeated phrase) Mina’s telegram inviting Van Helsing is read twice.
    10:27:40 Mispronunciation of “sentience.” (as SEN-t-ence)

    Follows the text of THE ANNOTATED DRACULA (TAD)
    1:25:00 “Occupied in bygone days,” (TAD p. 38.1) When listening to this it sounds like there is a break between the words "occupied" and "in bygone days." It is as if the words "by the ladies," as in the text of THE ESSENTIAL DRACULA, were initially read by Cumming then edited out in post production to match a different text.
    2:00:32 “To-morrow night, to-morrow night is yours.” (TAD p. 53.5)

    5 of 6 people found this review helpful
  •  
    George dnepropetrovsk, Ukraine 03-13-13
    George dnepropetrovsk, Ukraine 03-13-13
    HELPFUL VOTES
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    "Absolutely Brilliant"

    Not many words can be written about the book and the story as it is immortal classics and was acknowledged long long long ago and everybody knows it; but so much can be said about the narration cast. They did a great job. Sometimes I am catching myself thinking that this book seems to me even better than it is after such a well performed narration. Thanks to all cast and Audible in paticular for such a chance of listening. Looking forward to hearing new Audible Editions of similar kind.

    2 of 2 people found this review helpful
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  • nero5
    ELY, United Kingdom
    2/25/12
    Overall
    "Frankenstein Assemblage From Anaemic All-Star Cast"

    Very disappointed with this version of Dracula; I was looking to spend a credit wisely, but was regretting it within 30 mins. What could possibly go wrong? A stellar cast, the promised restitution of the horror and power missing in so many other productions, and all the 'campiness' and creepy music erased. For me, however, much of the narration seems decidedly lacklustre, rather careless even, lacking the much vaunted drive and tension in numerous sections: in short it seems to lack direction. To me, it seems not to have been directed at all but 'divvied up' and then reassembled. One of the female characters speaks throughout in the same simpering and numbing three-note cadence, while one character accent, from the North East of England sounds suspiciously as if modelled on Daphne out of 'Frasier'. Editing choices militate against any build in tension: pauses are chopped out, sentences butt up against each other as if there was a shortage of 'tape'. Wish I'd gone for one of the single narrator versions or the BBC dramatized version.

    36 of 49 people found this review helpful
  • Oliver
    Devon, UK
    4/13/13
    Overall
    "Classic horror with multiple voices"

    The basic story of Dracula is probably familiar to most, but it is the central concept that stays longest in the mind after reading/listening. To be fair the plot loses steam at various moments and the characters are fairly flat, but the vampire and Transylvania as a setting have had so much impact on Twentieth Century culture that this book needs to read by everyone at least once just to see where it all came from. And I can't think of a better way to do that than listening to this audio-book. The book is narrated by various voices, so likewise this audio-book is read by a different narrator for each character, such as Alan Cumming for Seward and Time Curry as Van Helsing. This works very well, the multiple voices really adding something extra to sustain interest - this really is one of the most enjoyable audio-books I have listened to: A massively influential book read very well - highly recommended.

    3 of 4 people found this review helpful
  • D
    7/7/14
    Overall
    Performance
    Story
    "Classically wonderful"
    Would you listen to Dracula [Audible Edition] again? Why?

    Oh God Yes!


    What did you like best about this story?

    It is beautifully true to the original. Their was a sense of the times delivered in the performances. The atmosphere was also deliciously conveyed in the audio background.


    What does the narrators bring to the story that you wouldn’t experience if you had only read the book?

    The nature of the book is too have many perspectives and each of the narrators/actors was wonderful in their delivery. It is also very refreshing and dynamic to have the different voices journey you through the story.


    Any additional comments?

    This is a classic that will be revisited several times in my life.

    2 of 3 people found this review helpful
  • Toomanybooksnotenoughtime
    5/17/14
    Overall
    Performance
    Story
    "Well worth listening to"

    Everyone has heard of Dracula. Everyone has seen at least one film, But how many people have bothered with the original book?
    This a great retelling of the original with the cast delivering excellent performances. There are some genuinely creepy elements to the book which explains why it grabbed the imagination, However, I also found the character of Lucy irritating which does take away a bit from the story, However I would recommend that you try this if you want to find out what the fuss is about and why it is a classic

    2 of 3 people found this review helpful
  • Miss
    Bury St Edmunds, United Kingdom
    4/13/13
    Overall
    "Horror well done."

    I love Bram Stokers "Dracula" of which I have many audiobook versions. Personally I find the multiple cast members bring a whole new world to the characters and story pace, rather than a lone narrator. Some of the accents and pronunciations are a little off, but I like the quirkiness and professionalism of this audiobook.

    2 of 3 people found this review helpful
  • Derek Ham
    1/6/16
    Overall
    Performance
    Story
    "Slightly Disappointing Casting Of Some Characters"
    Is there anything you would change about this book?

    I don't know which actors played Jonathan and Mina, but both voices felt wrong for the parts. Jonathan sounds too old for the part, I just couldn't picture the voice matching the character. Mina's voice is a bit harsh, it ground on me after a short while.


    Would you listen to another book narrated by the narrators?

    I would listen to other books narrated by some of the cast. Alan Cumming and Tim Curry did a fine job especially... although none really shone to be honest.


    Was Dracula [Audible Edition] worth the listening time?

    It's a great book, so always worth the time to listen. I think there could be a better full cast version though... and I've heard another great version read by Rob Goll.


    0 of 0 people found this review helpful
  • C. WATT
    Aberdeen UK
    12/4/15
    Overall
    Performance
    Story
    "Original story that the films have yet to beat"
    Would you recommend this audiobook to a friend? If so, why?

    Definitely, if you've not read the book then you've probably been lead up a garden path in terms of what Stoker imagined, the films have never done the book justice.


    What other book might you compare Dracula [Audible Edition] to, and why?

    The book is constructed from a series of journals and diary entries of the main characters rather than a continuous 3rd person narrative. sounds like a laborious way to grasp a story but is a great tool for building tension.


    What about the narrators’s performance did you like?

    The cast did an excellent job in bringing the story to life, much better than if the entire book had been read by a single narrator doing voices!


    Did you have an emotional reaction to this book? Did it make you laugh or cry?

    Not really that kind of book, did give me the creeps at points, which was a surprise given that the genre of horror hadn't really been fully fleshed out when it was written


    Any additional comments?

    Well worth a listen, especially if you've picked up and put down the actual book a few times.

    0 of 0 people found this review helpful
  • Green Arrow
    12/1/15
    Overall
    Performance
    Story
    "A great approach to a classic"

    This is a great approach to a classic story. Although familiar with the story from films etc, I found that there were whole sections that I was not familiar with. The method used here of different voices reading diaries and documents that made up the original story works really well. It has good pacing and really works as an exciting adventure right until the end!

    0 of 0 people found this review helpful
  • Luke Slater
    11/30/15
    Overall
    Performance
    Story
    "We must protect the womens!"
    If you could sum up Dracula [Audible Edition] in three words, what would they be?

    Nice cast... mate.


    How would you have changed the story to make it more enjoyable?

    An interesting question to drop on this title, given that its raison d'etre is to go back to the original story of Dracula, without the special effects or plot alterations thrown at it by later adaptations. What this does kind of make almost embarrassingly clear is how much it's a book about stuck-up middle-class people solving problems through a confluence of money, privilege and coincidence. I don't want to knock the classics just to be daring, but there is a lot of chance and a lot of time spent on self-defeating efforts to get 'Miss Mina' out of harm's way instead of tooling her up to protect herself.


    Which character – as performed by the narrators – was your favourite?

    Tim Curry is always worth the price of admission, but the limited speaking role of Van Helsing means that the MVP trophy must go to Alan Cumming on this one, whose John Seward had just the right mix of brains and heart.

    As an aside, I liked the fact that only some of the readers assayed the accents for reported dialogue, as suitable for the speaking character.


    Was this a book you wanted to listen to all in one sitting?

    I could have done, had I the time.


    0 of 0 people found this review helpful
  • Eoghan
    Cambridge, UK
    11/10/15
    Overall
    Performance
    Story
    "Disappointing"

    About 12 hours of wannabe Jane Austen fluff could be chopped from this without affecting the story in the slightest.

    The 'full cast' does a poor job, with amateurish and inconsistent fake accents and overly dramatic readings.

    0 of 0 people found this review helpful

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