Built on 60 videotaped interviews, legal and medical records, and three years of reporting, The Night of the Gun is a ferocious tale that uses the tools of journalism to fact-check the past. Carr's investigation of his own history reveals that his odyssey through addiction, recovery, cancer, and life as a single parent was far more harrowing - and, in the end, more miraculous - than he allowed himself to remember. Over the course of the book, he digs his way through a past that continues to evolve as he reports it.
That long-ago night when he was so out of his mind that his best friend had to pull a gun on him to make him go away? A visit to the friend 20 years later reveals that Carr was pointing the gun.
His lucrative side business as a cocaine dealer? Not all that lucrative, as it turned out, and filled with peril.
His belief that after his twins were born, he quickly sobered up to become a parent? Nice story, if he could prove it.
The notion that he was an easy choice as a custodial parent once he finally was sober? His lawyer pulls out the old file and gently explains it was a little more complicated than that.
In one sense, the story of The Night of the Gun is a common one: a white-boy misdemeanant lands in a ditch and is restored to sanity through the love of his family, a God of his understanding, and a support group that will go unnamed. But when the whole truth is told, it does not end there.
Ferocious and eloquent, courageous and bitingly funny, The Night of the Gun unravels the ways memory helps us not only create our lives, but survive them.
©2008 David Carr; (P)2008 Simon and Schuster, Inc.
"Whoa: a breathtakingly candid, laugh-out-loud funny, heroically rigorous, consistently riveting, and deeply moving account of a nightmarish descent and amazing redemption." (Kurt Andersen)
"David Carr's The Night of the Gun reinvents the memoir genre by applying a dose of journalistic integrity. Carr's style is as elegant as his saga is gritty, and the story of his life is simply extraordinary. " (Jeffrey Toobin)
A lover of thrillers and enthralling stories told by dramatic and well read narrators.
I'm a fan of Mr. Carr's writings in the New York Times, and was fascinated to hear about his book. However, what I got was an overwrought, unfocused mess. You'd think that a story of addiction would be totally engrossing, as the reader takes you through Carr's early days of drinking, and drugging, but I found it incredibly dull, which was a suprize!! Take a listen before you buy.
Great story about a Reporter, (David Carr) who interviews friends and associates in an attempt to recall past experiences and events of his life when he was in the life (drugs, alcohol etc.) The narrator gives riveting descriptions and accounts of some of his trips to crack houses and his many attempts at rehab. A story not for the weak at heart, but a brave one in deed and told well.
i love how just about all of the negative reviews have so little to do with the actual work itself! we get it, you don't like to hear/read about he subject matter in which you paid to hear/read about with this one! again, did any of you do the damn research.... or atleast simply look at the illicitly suggestive cover art? yes, it did drag on in parts... but subject matter is something you all were aware of before you started your endeavors here. how can you bitch and complain that writing about such matter was the wrong thing for Carr to do? if you feel so f*ing strongly about the subject matter, then reading it was the wrong thing for YOU to do. that's your fault. fools.
As a psychiatric nurse, lawyer, and the child of many generations of alcoholics, I have some experience in the world in which Mr. Carr moves. The author freely acknowledges this book is an act of overt narcissism. More importantly, however, it is an act of addiction. Mr. Carr merely trades his self-involved drinking and using for self-involved writing. The aggrandizement of his actions, good and bad, is as toxic and revealing as would be watching him tip a glass or snort a line. In the guise of telling the journalistic "whole truth," Mr. Carr settles scores with old adversaries and ingratiates himself to old friends. Ninth stepping this ain't. This book manages to be shameless and shameful at the same time. If Mr. Carr truly embraced the principles of recovery he reports to hold so sacred, he would have made his amends and this journey in privacy and humility. We all have dark moments, some as dark as Mr. Carr's, but to shout them from the parapets of Simon & Schuster is to debase the real drama and struggle in order to sell books.
I am astonished at the fact that most reviewers laud Mr. Carr's prose style; it is royally purple and ridiculously melodramatic. His penchant for overusing words like "prosaic" and "trope" is pedantic and amateurish.
After the 13 hours required to listen to this book, I wish I could dismiss it as just another badly acted Lifetime Movie. It is far worse than that. That any publisher could do anything but embarrassedly pass on this book speaks volumes (pun intended) about the publishing industry. My only recommendation for Night of the Gun and its author is more meetings, many, many more meetings.
Carr's self-destructive, self-indulgent, narcisstic and totally selfish life is laid out with jumps back and forth in time which can be annoying. He really needed a good editor because the last third of the story dragged like molasses. When he admitted to allowing his brother to settle his debts pennies on the dollar -- an unofficial bankruptcy -- that did it for me. He did, after all, obtain the services or purchase the things he decided he could not afford to pay for because he was drunk or drugged out when he purchased/obtained them. Why people like him think, ok, it will be hard for me to pay my debts . . . so I won't, and think that is acceptable is a mystery to me. I also can't imagine why exposing his hellatious life of rotten decisions would in some way help and not deeply embarrass his children. My guess is he did it for money. Having said all this, I admit I listened to almost the whole thing -- skipping several chapters during said boring last third.
i have no idea . . .
repetition . . . the book is about him getting loaded and doing stupid things over and over . . . minial reflection . . .
. I finally had to stop reading it
This is a mordant account of David Carr's struggle with addiction and trying to account for that past in reconciling it with a sober and successful present. I recommend it if you like stories about hitting bottom and finding the way back.
I don't know, maybe Mary Karr's Lit? Anything in the genre of addiction/substance abuse memoirs?
This was the most brilliant part of the book. Leggett inhabited Carr's narrative personality so distinctively that if I were to have met the late David Carr (RIP David), I probably would've been disappointed that he didn't live up to Leggett's performance. Moreover, Leggett completely and convincingly gives himself over to the other voices and characters in the book-- and he's on point with the Minnesotan accent! If I'm on the fence about a book see he's narrating it, I'll be off the fence and into the book-- he's that committed to the performance. Great work.
Carr's a brilliant writer.
I found myself completely drawn into this man's Inner hell. The story is exceptionally well written and it was rather amazing to travel through his past as he learned it.
David certainly knows his way around a metaphor - a well written, harrowing account of his life, more than just as he remembered it, enhanced by the gravely voice of the narrator.
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