Audie Award Finalist, Humor, 2013
From the unique perspective of David Sedaris comes a new collection of essays taking his listeners on a bizarre and stimulating world tour. From the perils of French dentistry to the eating habits of the Australian kookaburra, from the squat-style toilets of Beijing to the particular wilderness of a North Carolina Costco, we learn about the absurdity and delight of a curious traveler's experiences. Whether railing against the habits of litterers in the English countryside or marveling over a disembodied human arm in a taxidermist's shop, Sedaris takes us on side-splitting adventures that are not to be forgotten.
©2013 David Sedaris (P)2013 Hachette Audio
"Sedaris is the preeminent humorist of his generation." (Entertainment Weekly)
Short, Simple, No Spoilers
When I discovered David Sedaris I was elated, devouring everything he'd written, preferably in audio format so I could enjoy his delivery. He is a witty genius exploring life experiences for humorous, thought provoking, and snarky effect.
This book however produced fewer laugh-out-loud moments instead turning out the occasional chuckle and a few smiles. Listening is like visiting an old friend who doesn't have much new to share; maybe the well is dry for now. A full length book should have been replaced with an article or two in the New Yorker.
The transition music was long and eerie, not in keeping with the tone for the content. Also, his delivery wasn't as fervent and immediate as in earlier performances.
Still love David, and am not frustrated I used my credit. My advice to those who enter is this...don't expect the same initial high from his earlier work and enjoy the nostalgia. His body of work is phenomenal and am hopeful for future writings.
Say something about yourself!
The first time I heard Sedaris, I thought I was listening to the funniest, most clever and original humorist since the early years of George Carlin and Steve Martin, whose live performances had you leaning on complete strangers to help support your racked-with-laughter body to keep you off the floor. Forget polite sophisticated chuckles--these were open-mouthed, tears down your cheeks, ugly-faced guffaws. You never finished a drink before the carbonation went flat...you knew there'd not be even one safe second to swallow before an explosive laugh might send that sparkly beverage spraying out your nose. Sedaris even had the added unique ability to get you laughing at those never before funny, tough memories we all share--those growing up rights of passage moments that elicit laughter through tears. He was (and is) that good at observing life and the ridiculous humor in the everyday.
Maybe I've lost my funny bone, but it seemed like something was missing with this latest collection. I never felt the urge to rewind and listen again, and at times found myself giving an obligatory chuckle out of respect for a comedic genius that has shared better comedy. He is still observant and witty; several of the pieces were great, but there was not much that seemed new and crisp, nothing to catch you off guard and slap you silly. There's a dusty air of reflection, even melancholy, in a few of the pieces that set a tone that stayed with me, in spite of some sunnier funnier bits. But then, maybe unfairly, I always compare his latest to his greatest, the one that had me afraid to drink a Coke even alone at home--Me Talk Pretty One Day; several guffaws better that hooting it up here with the owls.
Fans of Sedaris will still enjoy this, and will probably get plenty of laughs that make it worth the price of admission. Anything that can lift our spirits, give us a little enjoyment, and make us smile is worthwhile, afterall. *Worth mentioning: not a great or consistent production. As usual, there are live bits which you expect to be a little tougher to listen to, but even the studio recorded pieces are tinny and inferior.
A part-time buffoon and ersatz scholar specializing in BS, pedantry, schmaltz and cultural coprophagia.
While I enjoyed this collection more than Sedaris' previous book 'Squirrel Seeks Chipmunk', it just didn't rise to the levels of his great collections ('Naked' or 'Me Talk Pretty Someday'), or even his very good collections ('When You Are Engulfed in Flames' or 'Dress Your Family in Corduroy and Denim'). I just feel like he is retreading the same ground, picking up the same litter, and is starting that phase in his career where he is like a band from the 80s that isn't creating as much as exploiting his better work.
I hope I am being overly pessimistic, and maybe I am just jaded from the horrible audio experience my wife and I had last night listening to him at Gammage Auditorium in Tempe, AZ, but it seems that the reading typified my feelings about his book. Sedaris was reading to a comfortable group in comfortable shoes, reading comfortable stories. We all laughed at the appropriate parts, we all knew what we expected and David Sedaris delivered the goods -- mostly.
The audio quality wasn't great, but I walked away mostly amused that I somehow ended up parting with 1 credit at Audible, $15 bucks on Amazon, $45 for a live reading, and while mildly entertained ... I wasn't particularly blown away. It was like I was a beer-bellied, middle-aged man at a Journey concert. I figure I didn't pay for the new set, just for the couple hours of nostalgia at how great it was ten or twenty years ago. Now, I've just got to figure out now how much nostalgia will cost me tomorrow.
This book starts out funny and witty in wonderful Sedaris style, but then gets very political. I turn off the TV to get away from all the different view points. I barely made it to the end.
Fans of David Sedaris rejoice--this is his best collection of essays since "Me Talk Pretty One Day"--at least in the humble opinion of this reviewer. Sedaris is in top form here on topics ranging from airline travel to the pitfalls of foreign language instruction (Japanese, German, Chinese) to the casual everyday cruelty of children--and of adults, for that matter. The tone is in turn poignant and sarcastic, and always unflinchingly honest.
Sedaris' humor has an edge to it and he doesn't spare himself from its blade, but he unfailingly finds the comedy in his experiences and invites us to do the same. His turn of phrase manages to state truths while at the same time being very funny--one example I can't get out of my head is his observation that Americans see Australians as "Canadians in a thong."
While one or two of the essays had a familiar ring to them (perhaps from a version appearing on an episode of This American Life?), the material is almost all new as far as I can tell.
Sedaris' deadpan delivery style greatly enhances the listening experience--this is certainly an instance where the audio surpasses the print version. Highly recommended!
And in that title, I mean watching Jordan play in his prime; and yes, play basketball in his prime. Hearing Sedaris read his own work makes all the punchlines work. And if there's anything funnier than Pimsler languages poking fun at themselves at the end, I don't know what it is.
It's hardly fair, right? I mean, I'm pulling for Sedaris to be awesome from the start. _Me Talk Pretty One Day_ was damn near a religious moment in my life. I love how totally, unrelentingly hard Sedaris is on his characters. It makes me as a reader care for them so much.
Sedaris himself. Certainly not that pretty boy Hugh.
Absolutely! The stories, like all of Sedaris'' best work are both humorous and thought provoking. Nothing is better than when he reads his own work.
Me Talk Pretty One Day - because it's one of my favorites and this book reminds me of it in both tone and quality.
No one, and I mean no one, can read his work like he can. There's a reason why his book tours where he reads stories are so popularly attended,
You'll laugh, you'll cry from laughing, and you'll laugh some more.
Different person's life story.
Nothing personal but..... nothing. I just do not like his humor or his life story
Performance was rated low because of the subject.
Indifference and boredom.
I don't believe in God and I'm a liberal but this wasn't a fun read. The last few essays left a bad taste in my mouth. It's like he's gearing his writing towards teenagers who don't have a clue. I don't read Sedaris to get upset about conservatives, but to laugh at the misery of his life and how he tells the story.
very short atte..
This book is a series of short pieces, not so much a story.
David Sedaris plays himself perfectly. Nobody else could.
Yes, but I drive a lot.
The only thing missing is an album length impersonation of Billy Holiday.
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