Nineteen-year-old Greg Sestero met Tommy Wiseau at an acting school in San Francisco. Wiseau's scenes were rivetingly wrong, yet Sestero, hypnotized by such uninhibited acting, thought, "I have to do a scene with this guy." That impulse changed both of their lives. Wiseau seemed never to have read the rule book on interpersonal relationships (or the instructions on a bottle of black hair dye), yet he generously offered to put the aspiring actor up in his LA apartment. Sestero's nascent acting career first sizzled, then fizzled, resulting in Wiseau's last-second offer to Sestero of co-starring with him in The Room, a movie Wiseau wrote and planned to finance, produce, and direct - in the parking lot of a Hollywood equipment-rental shop.
Wiseau spent $6 million of his own money on his film, but despite the efforts of the disbelieving (and frequently fired) crew and embarrassed (and frequently fired) actors, the movie made no sense. Nevertheless, Wiseau rented a Hollywood billboard featuring his alarming headshot and staged a red carpet premiere. The Room made $1,800 at the box office and closed after two weeks. One reviewer said that watching The Room was like "getting stabbed in the head".
The Disaster Artist is Greg Sestero's laugh-out-loud funny account of how Tommy Wiseau defied every law of artistry, business, and friendship to make "the Citizen Kane of bad movies" (Entertainment Weekly), which is now an international phenomenon, with Wiseau himself beloved as an oddball celebrity. Written with award-winning journalist Tom Bissell, The Disaster Artist is an inspiring tour de force, an open-hearted portrait of an enigmatic man who will improbably capture your heart.
©2013 Greg Sestero and Thomas Carlisle Bissell (P)2014 Tantor
"This downright thrilling book is a lot like watching Tim Burton's Ed Wood: it's sometimes infuriating, often excruciating, usually very funny, and occasionally horribly uncomfortable, but it's also impossible to look away from." (Booklist, Starred Review)
Unfortunately, I wouldn't because most of my friends haven't seen "The Room," but for the few who have, definitely. I think this book is strongest for fans of "The Room".
I have no earthly clue, it's a memoir describing the creation of a cult classic that jumps between its production and the events leading up to it. I literally can't think of a single book I've read or listened to like this one.
His imitation of Tommy Wisseau is phenomenal. He could start a TPW animated show playing Tommy and I'd watch it.
"Can you really trust anyone?"
I reiterate that this book is definitely for those who've seen "The Room" and love its wonderful absurdity. I think that may be a prerequisite to reading this.
made of meat
Hearing Greg Sestero detail his relationship with Tommy Wiseau is fascinating. It seems less a friendship than an experience, and he shares it in full bloom with the help of Tom Bissell. I expected a funny, behind-the-scenes look at The Room, but I got a second hand biography that was both nuanced and engaging.
Greg pulls no punches in regard to Tommy's perceived strangeness or his uglier qualities. At the same time, he humanizes Tommy Wiseau in a way I've never heard anyone come close to accomplishing before. I empathized with Greg throughout, and enjoyed the story of his attempted career as well as his history with Tommy, but more surprising was that I found myself empathizing with Tommy. Three steps out of phase with everyone in the world and still so determined to make himself a part of it, make his mark. How deeply he is affected by the concept of the American dream, and a glimpse into what might have been parts of his past.
It was heartfelt and, as it was his own story, deeply personal. He didn't flinch away from performing really awkward and emotional content that would have been so much easier to just leave on a page. And he does the best, most accurate, most blinding Tommy Wiseau impression I've ever heard.
This was a great book for downtime, especially unwinding. It's never too emotionally intense, and while I always wanted to hear more, it was relaxed enough that I didn't feel the need to gobble it up all at once.
The Disaster Artist is so much more than I expected, and I was pleasantly surprised. It's easy to see a phenomenon like The Room and Wiseau himself and forget that there are real people behind it; Greg Sestero's obvious kindness and however much Bissell's ghostwriting contributed made them all real. A must-read for people interested in the industry, especially when it comes to indie, b-movie, so-bad-it's-good cult films. Thanks for the experience, Greg!
This book, like the movie, is a dark comedy. Its content is kinda sad but still makes you laugh. I also was surprised how inspired I was by Tommy's confidence and how Greg seemed to describe someone like Tommy without sugar coating it... but also not bashing him? It's interesting. I have been recommending this book to my friends since the first chapter and don't plan on stopping. What I'm hoping will stop is my sudden bursts into the Tommy accents but it is "Verrrrryy haard to staaahp! Mygod!!"
I'm just a big kid.
I was not familiar with 'The Room', but when this title went on sale I took a flyer on it. It's the story of the making of 'The Room', a movie so bad it's great, and it's eccentric writer/producer/director.
I'm glad I did. The book is fascinating on several levels. The story is funny and poignant. This book is actually being made into a movie about making this movie.
I could only give the narration four stars, not because of the narrator himself, but because of several production glitches. Several times there are noticeable changes in audio level and what they call 'room tone'. It sounds like they recorded segments in different studios.
Again the author/narrator was fine, it's just the audio production that has minor issues.
Anyone with the slightest interest in how our entertainment is created will enjoy this book.
This story is hilarious and extremely insightful. The narrator gives firsthand accounts of the insane magic of The Room and Tommy Wiseau himself. His impersonation of Tommy is spot on and so much fun to hear. The writing in general is clear and funny, especially in the various eccentric elements of Tommy Wiseau's life. This also provides a little insight into the life of a young struggling actor which was a nice offshoot I didn't expect.
That is hard to choose. Probably Tommy's acting scenes.
Extremely well done. A few words are blurred but it hardly matters. He nails the most important aspect which is Tommy's voice.
Yes, absolutely. It's great and terrible that it's only 11 hours, because I loved every minute and couldn't stop listening.
Definitely, definitely worth your money. It doesn't matter if you've seen The Room or heard of Tommy Wiseau before. If you haven't you'll want to, and if you have, it will be that much better knowing what went on behind the scenes of the best bad movie ever made.
It ranks amongst the top. It is incredibly engaging, entertaining, and fascinating.
Learning about the dark aspects of Tommy Wiseau and his absolutely bizarre and creepy personality.
He reads it very well and since it's a big part of his life, it sounds like he speaks from his heart.
And his impression of Tommy Wiseau is brilliant.
It's something that I could definitely sit all eleven hours through listening.
If you have seen The Room - that horrid thing that has the audacity to be called a movie - and want to know what Tommy Wiseau is and how this horrible thing was made, this is a must read.
And you get so much more than that. It's genuine, hilarious, and intriguing.
It's the polar opposite of The Room. And it also lends credence to the phrase "truth is stranger than fiction."
i have listened to hundreds of audiobooks. this book is 1 in 100. Greg Sestero's performance is incredible and his voice in the text is so strong. Combined with Bissell's unique strength in narrative, this audiobook is a force. Do not even think of trying to read this when you get so much more from the reading of the audiobook.
The story is very interesting and is written with a lot of humor and a surprising amount of sweetness. As a bonus, Greg Sestero does a dead-on impression of Tommy Wiseau. I got this audiobook at a reduced price because I purchased the e-book, and I have to say I liked reading the book more.
Greg has known Tommy for more than 15 years and it shows. If you're purchasing this book it's probably because you're already a fan of "The Room." Hearing Tommy's interaction with Greg in his distinctive accent is a lot of fun.
Greg Sestero is supposed to be an actor, but his reading is very flat. He mispronounces a few things in the book like the name of Cecil B. De Mille and the word "gusto." This book was co-written with someone and I have a feeling that he didn't write much of it. You get the feeling that he's reading it for the first time in front of a classroom. I never got absorbed in the story like I have with other audiobooks.
When Greg speculates on Tommy's mysterious past, it's very touching.
Let's face it, these authors aren't paying me, so there's no need to lie!!
The single greatest act Greg Sestero will ever accomplish is writing this book. His 2nd greatest act is narrating this audiobook. His impressions of Tommy are pure genius. No two ways about it. Genius. Without his narrating and impressions, this audiobook is nothing. With it, I was rolling on the floor laughing. I can count on one hand how many audiobooks have made me laugh out loud. Of the 400+ I've listened to, there's no more than 4. This is one. If you like/love the movie industry, and you're in the mood for a great character piece/comedy, BUY THIS AUDIOBOOK.
I have never, and WILL NEVER see The Room - Life's too short to willingly subject oneself to torture. however, since that terrible movie spawned this wonderful book, I think we all owe it a tiny debt of thanks. So, thanks.
I made it through the whole thing because the story is entertaining but the narration just isn't as good as most other audiobooks. I knocked off one star from the story because I couldn't shake the feeling that the author is also making a name for himself largely by describing the actions of another (real life) person.
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