A part-time buffoon and ersatz scholar specializing in BS, pedantry, schmaltz and cultural coprophagia.
Finished reading this with my kids, but I probably enjoyed it the most. It was a fun introduction to Lawrence of Arabia written by Alstair MacLean in 1962. It focuses on the role that T.E. Lawrence played in the Arab Revolt during WWI. There is just enough wind-up with his early life, character, etc., and the history/geography of Arabia to insure the thrust of MacLean's small biography doesn't lose nonserious readers in a desert of Arab ignorance. But the book's real brilliance is in MacLean's depiction of the Capture of Aqaba, Battle of Tafileh and the Fall of Damascus. At the end, MacLean also ties the book off with a summary of the post-War years and some of the political results of T.E. Lawrence's work with Winston Churchill and the Colonial Office.
Again, as a biography this is probably not where I would start for T.E. Lawrence. This is more literary hagiography than biography. Alistar MacLean is better known for his war novels like 'The Guns of Navarone' and 'Where Eagles Dare'. MacLean's book came out the same year as Lawrence of Arabia the academy award winning movie (which suggests this was one of those books intended to surf the wave of interest generated by a popular film). But still, if you are going to read one biography to your kids designed around a legend, saint, or mythmaker ... you could certainly feed the kids worse.
"The Best Kids Books Are Written in Blood" wrote Sherman Alexie in a 2011 WSJ post about how trying to protect children from the harsh realities of life is pointless.
This YA novel dances and laughs in the shadows and with ghosts of poverty, loneliness, abuse, alcoholism, depression, racism, etc.. Alexie does his redemptive dance with tears that both salve and baptize the reader. His voice is real. His pain is authentic. His narrator IS hope. This is a book that is built to confront difficult issues, to pour salt and sunshine on wounds that refuse to heal. I don't know how someone can read Alexie and not walk away lifted up.
I also think he narrates the HELL out of this book. I can't imagine anyone else giving this book the same kind of heart and soul. Listening to Alexie read his book was amazing. I kept having to remind myself that Alexie was not Arnold. Sometimes I've wondered if authors would be better off letting pros read their work, but Alexie absolutely demolished that bias.
*** First a preamble:
Just so you know, this audiobook contains Books 1 -4 of The Once and Future King AND Book #5 (The Book of Merlin). I didn't know #5 was included, but was thrilled to discover it came with the rest.
*** OK, preambulations are done, on with the real review:
I loved it and my two brats (11 & 13) absolutely enjoyed it, even if many of the jokes, the funky anachronistic blending of the Medieval with the Modern, might have floated a bit over their tiny wee heads.
Anyway, I think White perfectly captured the magic, power, fears and the joy of both youth and myth with this retelling of early Arthurian legend. White's theme of power and justice ("Might Makes Right") seem to perfectly capture the political Zeitgiest of now. Perhaps, White like Merlin was just writing through time backwards and wanted to capture the queer contradictions of Imperial Democracy in the global 21st century, but wanted to write it in the 1930s so Disney would be around to animate it (ugh) in the 60s and thus make his point resonate better in the early 21st century.
You might think a novel that basically focuses on a love-triangle (a quadrilateral if you include God), several affairs, a man's struggle between his love for a woman, love for God, love for his best friend, would not hold the interest of a 13 and an 11-year old for long, but this is T.H. White. The characters are so human, so filled with frailties, heroics, and insecurities that White could have written about cooking for 300 pages and my kids would have been rapt from page 1 to the end.
The story turns, about half-way through, solidly to Lancelot. It is impossible to understand Lancelot without looking at Arthur, Guinevere, Elaine & Galahad. And White digresses throughout TO&FK to capture these stories. The middle of the book pivots as Camelot, under Arthur's leadership, undergoes a change from physical quests (Round Table v. Might makes Right) to spiritual ones (Round Table > Grail quest). This change captures/mirrors the dynamic of Lancelot's own story (the vacillation between the physical and spiritual).
Finally, the weight of the conspiracies, the betrayals, the killings, and the expulsions are all there pushing against the King (I love when T.H. White calls Arthur - England) and his faith in man and justice. It just isn't to be. Do I need to hide the ending? Am I going to spoil the book for you? Come now, we are all mostly adults here. Camelot fails, but T.H. White explores the failure almost as beautifully as he does the magic of Camelot. He captures the magic of Camelot by focusing on the humanity of the people. He isn't satisfied with making (or keeping rather) Lancelot, King A, Guinevere, and even Mordred locked up in the stale symbols they often become. The trite shadows of type is not T.H. White's jam. He wants to humanize everybody. He wants to show the motives, the nuances of character that makes the reader LOVE these figures not because they symbolize things like bravery, chivalry, or justice ... but because they remind the reader of elements, times, moods and flaws found buried within. T.H. White started with a fantasy novel, but ended with an exploration of war, humanity, love, and hope.
Look, I'm skeptical of fantasy novels. They aren't my thing. I want literature. I want something that pushes you against the wall of your own head and dares you to think bigger. I think T.H. White was aiming for that -- and holy anachronisms - he nailed it.
Just A little bibliophile!
I enjoyed this engrossing, travel-filled adventure as the set up to the next installment. Filled with not only the fights and quests of the characters, but so much emotion and conflict between them. I appreciated the way Kelsey grew and matured a bit. She did not "change her mind" as often as I was afraid she might. The writing is good, with the exception of one notable scene that seemed too prolonged. We are left with a bit of a cliffhanger, definitely keeping you waiting for the next book, especially if you are a fan. The narration by Annika Boras is very good!